Category Archives: Wellington poetry reading

2017 Prime Minister’s Awards for Literary Achievement announced

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Paula Green, Peter Simpson (photo: Marti Friedlander), Witi Ihimaera.

 

 

Creative New Zealand has announced the winners of the 2017 Prime Minister’s Awards for Literary Achievement. They are internationally renowned Māori novelist Witi Ihimaera, literary historian and fine arts writer Peter Simpson and popular poet and children’s author Paula Green.

Each will be awarded $60,000 in recognition of their outstanding contribution to New Zealand literature. Witi Ihimaera will be honoured for fiction, Dr Peter Simpson for non-fiction, and Dr Paula Green for poetry.

Arts Council Chair Michael Moynahan said, “Our congratulations to this year’s recipients who are being recognised for their extraordinary legacy of literary achievement. As leaders in their respective crafts, they have engaged New Zealand readers with their story telling and have inspired other New Zealand writers to build on their literary legacy.”

The awards will be presented at a ceremony at Premier House in Wellington, on Wednesday 9 August. The 2017 Creative New Zealand Michael King Writer’s Fellowship winner, Dr Philip Norman, will also be honoured at the ceremony.

The Prime Minister’s Awards for Literary Achievement were established in 2003. Every year New Zealanders are invited to nominate their choice of a writer who has made a significant contribution to New Zealand literature in the genres of non-fiction, poetry and fiction. New Zealand writers are also able to nominate themselves for these awards.

Nominations are assessed by an expert literary panel and recommendations forwarded to the Arts Council of Creative New Zealand for approval.  This year’s selection panel was Rachael King, Nicola Legat, David Eggleton and Briar Grace-Smith.

A full list of previous recipients can be found on the Creative New Zealand website.

The Creative New Zealand Michael King Writer’s Fellowship is open to established writers of any literary genre who have already published a significant body of work. Valued at $100,000, it is awarded annually for a project that will take two or more years to complete.

 

Creative New Zealand and Unity Books invite you to a free literary event

The recipients of the 2017 Prime Ministers Awards for Literary Achievement will read and discuss their work with author Kate De Goldi.

This is a free event at Unity Books, 57 Willis Street, Wellington on Thursday 10 August, 12.30-1.15pm. All welcome. More info: http://bit.ly/2uD2ATe

 

For media enquiries, please contact:

Jasmyne Chung
Senior Communications & Advocacy Adviser
Creative New Zealand
jasmyne.chung@creativenz.govt.nz
M: 027 838 8868 | DDI: (04) 498 0727

 

 

2017 Prime Minister’s Award for Literary Achievement – Fiction

Witi Tame Ihimaera-Smiler, DCNZM, QSM (Te Aitanga-a-Māhaki, Auckland, born Gisborne)

Born in Gisborne, Witi Ihimaera is a novelist, short story writer, filmmaker, anthologist, librettist and playwright. He is of Te Whānau a Kai, Te Aitanga-a-Māhaki, Rongowhakaata, Ngāti Porou and Tūhoe descent. He has the distinction of being the first Māori writer, in 1972, to publish both a book of short stories and a novel. His novel, The Whale Rider, became an internationally successful feature film and Māori Boy: A Memoir of Childhood won the General Non-Fiction Award at the 2016 Ockham New Zealand Book Awards. His most recent books are Black Marks on the White Page, co-edited with Tina Makereti, and Sleeps Standing, with te reo translation by Hemi Kelly, about the Battle of Orakau.

Regarded as one of the world’s leading indigenous writers, Witi has held numerous writing residencies and fellowships. He holds an Honorary Doctorate from Victoria University of Wellington, and in 2009 he was honoured as an Arts Foundation of New Zealand Laureate as well as the supreme Māori arts award Te Tohu mō Te Arikinui Dame Te Atairangikaahu at the Creative New Zealand Te Waka Toi Awards. He was named a Distinguished Companion of the New Zealand Order of Merit in 2004. Last month the French Government appointed him a French Knight of the order of arts and letters (Chevalier de l’ordre des Arts et des Lettres) for his contribution to literature.

The selection panel described Witi as one of New Zealand’s most important post-colonial writers, who has consistently proved to be an outstanding storyteller, celebrated as a voice for Māoritanga and a literary leader.

 

2017 Prime Minister’s Award for Literary Achievement – Poetry

Dr Paula Green, MNZM (Auckland)

Paula Green is a poet, reviewer, anthologist, children’s author, book awards judge and blogger. She has published ten poetry collections, including several for children. In 2017, she was admitted to The New Zealand Order of Merit for Services to poetry and literature.

Paula has also co-edited a number of highly regarded anthologies, including 99 Ways into New Zealand Poetry, with Dr Harry Ricketts, which was short-listed for the 2010 NZ Post Book Awards. She runs two influential poetry blogs, NZ Poetry Box and NZ Poetry Shelf, and has been a judge for the NZ Post Book Awards, the NZ Post Secondary School Poetry Competition, and the inaugural Sarah Broom Poetry Prize in 2014.

Her recent publications include a collection of her own poems for children, The Letterbox Cat and Other Poems, which won Children’s Choice at the 2015 NZ Book Awards for Children and Young Adults, and an anthology of children’s verse, A Treasury of NZ Poems for Children. Her latest adult collection, New York Pocket Book, was published in 2016.

Paula has a Doctorate in Italian and was Literary Fellow at The University of Auckland (2005). She is a regular guest in New Zealand literary festivals and frequently performs and undertakes workshops in schools from Year 0 to 13.

The selection panel said Paula stood out amongst the nominees for this year’s Prime Minister’s Award for Literary Excellence in Poetry as an accomplished all-rounder, with special distinction as an author of children’s poetry. They described her as “a significant figure in New Zealand poetry as an anthologist and commentator” and as a leading poet.

 

2017 Prime Minister’s Award for Literary Achievement – Non-fiction

 

Dr Peter Simpson (Auckland, born Takaka)

Peter Simpson is a writer, editor, critic, curator and academic who has been writing about New Zealand literature, art and culture for more than 50 years. His first book, on Ronald Hugh Morrieson, was published in 1982; since then he has published eight sole-authored books, edited 12 other books, made substantial contributions to 25 other titles, published more than 100 articles in journals in New Zealand and overseas, and scores of reviews in newspapers, periodicals, scholarly journals and online.

He has taught at several universities in New Zealand and Canada between 1964 and 2008. Peter was co-founder and director of Holloway Press, 1993 -2013, publishing some 40 books. He has curated six exhibitions on Leo Bensemann and Colin McCahon for Hocken Collections, Auckland Art Gallery, Christchurch Art Gallery, Lopdell House Gallery and New Zealand Portrait Gallery.

Peter was awarded the 2012 Creative New Zealand Michael King Writer’s Fellowship. The book written during that Fellowship, Bloomsbury South: The Arts in Christchurch 1933-1953, was shortlisted for the illustrated non-fiction category of the 2017 Ockham NZ Book Awards.

The selection panel said Peter’s many books and other writing attest to his ability – both as a literary historian and as a writer on the fine arts – and that he has contributed significantly to the nation’s literary culture over many years.

2017 Michael King Writer’s Fellowship

 

Dr Philip Norman, CNZM (Christchurch)

Award-winning author and composer Dr Philip Norman has compiled three editions of the Bibliography of New Zealand Compositions, including biographies of some 120 New Zealand composers and descriptions of 4,000 of their works.

He has co-authored, edited or contributed to numerous other books and publications on New Zealand music. From 1980-1991 he was the principal music reviewer for The Press in Christchurch, writing more than 700 reviews.

In addition to being a writer Philip has composed more than 250 works, from orchestral, chamber music and opera through to choral works, musicals and ballet. He composed music for Footrot Flats, New Zealand’s best-selling musical, and for the Royal New Zealand Ballet’s successful Peter Pan, which is shortly to receive a repeat season in Perth, Australia.

About the Michael King Fellowship 2017:

The $100,000 Michael King Fellowship has been awarded to Dr Phillip Norman to create a history of New Zealand composers and their work from the start of European settlement to present day. Philip will use the fellowship to complete a lifetime of work studying New Zealand classical music identifying influential composers, works and performances, and tracing key developments through the decades.

 

Louise Wallace & guests to launch her new collection August 10th

Sad to miss this event! Glad I get to read to the book!

 

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Book launch for BAD THINGS: a new book of poems by Louise Wallace. With readings from Lynley Edmeades, Bill Manhire, Tayi Tibble and Chris Tse. All welcome.

Books by all authors available for purchase on the night, along with limited edition cover art prints by Kimberly Andrews.

Drink, nibble, get your books signed and be merry.

VUP page


Te Papa Poetry Reading: Luci Tapahonos – the first Poet Laureate of the Navajo Nation

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A special opportunity to hear poems by Professor Luci Tapahonos, the first Poet Laureate of the Navajo Nation. The reading is followed by a Q&A session.

 

  • When Thu 24 Nov 2016, 1:00–2:00pm
  • Where
    Te Marae
  • Cost Free

 

 

Professor Luci Tapahonos is the inaugural Wai-te-ata Press Creator in Residence at Victoria University of Welllington.

Tapahonos was born in 1953 in Shiprock, New Mexico, where she grew up on a farm, immersed in the Navajo culture. She is the author of six books of poetry and three books for children. Tapahonos has received many awards, including the 2006 Lifetime Achievement award from the Native Writers Circle of the Americas.

This event is brought to you by the Museum of New Zealand Te Papa Tongarewa, in association with Wai-te-ata Press, Victoria University, and the Embassy of the United States of America.

 

Wellington’s LitCrawl -‘LitCrawl was a whole fireworks display’ ‘a clarion call’

Wind

We are swept by currents of air that swoop
and tease like unseen birds.
The wind is not often a warning here, in this city.
©Diana Bridge

 

 

The literary grassroots keep on doing stunning things through out New Zealand; there is boutique publishing, on and off the edge publicity, along with vibrant events.

It feels necessary and vital that we keep doing so. I was tempted to fly down to Wellington for their recent LitCrawl weekend (12 -13th November) but I am up to my elbows writing my new book and not ready for another research trip quite yet.

So I invited locals to send photos and pieces of writing- LitCrawl postcards. Then the earthquake and the incessant aftershocks swiped hard at Wellington residents (sleepless nights, anxious children, floods, uncertainty) along with so many elsewhere.

Understandably not everyone has been able to write anything but I ‘ve decided to post what I have because it seems like this was a joyous occasion for writers and readers.

Diana Bridge sent me some poems which I thought was so lovely – like my own private LitCrawl. The fragment above seems prescient. I have posted two more below.

The way the pieces have pulled this hard hard week – tufts of an election off shore and the earthquake – and managed to produce such gorgeous writing – heck it moved me to tears posting this. I can’t thank you enough Bee Trudgeon, Sarah Forster, Helen Rickerby, Sugar Magnolia Wilson, Catriona Ferguson.

 

 

The programme:

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What is LitCrawl?

LitCrawl =  a fast-talking, street-loving celebration of writers, publishers, performers, editors, musicians, journalists, lyricists, artists, comedians… and the people who want to hear them speak. For 2016, the programme stretched over three nights and two days with the main event, the crawl itself, on Saturday night. Over 100 writers appeared before over 2500 audience members in 19 venues. All ticketed events sold out.

Claire Mabey (organiser, along with Andrew Laking) You can hear Claire in conversation with Jim Mora this afternoon at 3pmish on RadioNZ

 

 

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True Stories Told Live –Featuring Paula Morris, Emily Perkins, Khalid Warsame and Anahera Gildea. In partnership with the New Zealand Book Council. Wellington Central Library

‘True Stories Told Live has become a regular part of the LitCrawl programme. Despite the howling gales we had a fabulous turn out for our storytellers, Mayor Justin Lester, Emily Perkins, Khalid Warsame, Paula Morris and Anahera Gildea on Saturday night. Our theme for the evening was Metamorphosis with the subtext being how reading and books can change us. The storytellers responded to the theme with brio, generously sharing some intimate and life-changing moments. It was a wonderful start to the audience’s LitCrawl journey.’

Catriona Ferguson  CEO NZ Book Council    

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Playing Poetry

 

And in the world outside these Gardens
canals of silver-beet arrive to part our city streets.

©Diana Bridge

 

 

 

 

Bee Trudgeon from Porirua Libraries sent in these LitCrawl postcards:

(‘It’s been a great weekend here in Wellington, in spite of the wild weather Friday night through Saturday night. Lit lovers proved themselves a resilient bunch, and great times were in abundance. I walked past more packed venues than those I’ve reviewed for you at the Lit Crawl. Here’s hoping you’ll get some more accounts to do this brilliant event justice.’)

Crip the Lit, CQ Hotels, 223 Cuba Street, 7.15PM

Proud feminism met disability fellowship when writers Robyn Hunt, Sally Champion, Trish Harris and Mary O’Hagan reclaimed the word crippled and put inspiration porn in its place at their packed panel session. This was a clarion call to bust open the closets disabilities of all kinds (visible and invisible, self- and externally-imposed) can erect around those living with them.

Robyn read a blog post regarding the hurdles sight impairment threw up for a budding reader with limited access to appropriate resources. Sally remembered early days far from parents in hospital, where her soul craved the attention her body was getting. Trish read from her newly published memoir The Walking Stick Tree (Escalator Press), which mixes memoir and essay to explore a life lived both in and far beyond the presumed cage hampered physicality suggests to those with a limited grasp on the transcendent power of the human spirit. Mary read from her memoir Madness Made Me (Open Box, 2014), honouring the highs of mental illness as human experiences more rich than those untouched might recognise.

Mary summed up the prevalent mood by poo-pooing any suggestion of bravery, pointing out the need to simply get on with what must be done.

 

Essays, Meow, 9 Edward Street, 8.30PM

Simon Sweetman (Off the Tracks) proved the perfect emcee for this heaving session of superior essayists, in a venue renowned for treating the literary like rock stars. Ashleigh Young (Can You Tolerate This?) may have been uncomfortable behind the mic’, but killed nonetheless, with tales of bizarre childhood Mastermind sessions under the spotlighted scrutiny of her father the quizmaster. Rarely is a child’s inner life so intimately given voice. International guest Khalid Warsame (reluctant and rare poster boy for Australian African masculinity) read two sentences spanning 15 years and a well-founded distrust of the police. It was a masterful and extreme test of the form.  Aimee Cronin nostalgically evoked an idyllic, salt-sprayed, ice-cream sticky childhood summer, hard-won from the ashes of broken marriage. The effect was a sigh just the safe side of a scream. Naomi Arnold took us to the places family and lovers would rather we couldn’t go. She provided a fine reminder that, if not for voyeurism, the essay would be too polite to be as compulsively palatable as this crew proved it can be. A brilliant set gobbled up by a crash keen crowd.

 

Selina Tusitala Marsh: Tala Tusi: The Teller is the Tale (A New Zealand Book Council Lecture) National Library, November 11, 2016 Reviewed by Bee Trudgeon for NZ Poetry Shelf

For many, it had been a raw few days of uphill battling. Not 48 hours since hearing He Who Shall Not Be Named had won the White House, and just three hours since hearing Leonard Cohen had died, people were sorely in need of some serious attention to the issues of diversity and what was threating it, and the comfort that poetry was alive and well. With the Wellington weather closing in, and turning to bed or drink (or both) a panacea being broadly touted by my distraught American friends, I had a strong feeling Selina Tusitala Marsh’s New Zealand Book Council Lecture could be as close to a cure as I could count on.

Her lecture in five parts and an epilogue, Tala Tusi: The Teller is the Tale, was a lyrical series of ruminations and recollections on the importance of culturally diverse voices, reading as fuel for writing, the holy nature of second-hand bookshops, and a significant encounter with the Queen.

Aptly dubbed the Smiling Assassin by her Muay Thai kickboxing trainer, her regal presence sets a fine example of how we all might face the differences of opinion so hard to understand, during a week when the Ku Klux Clan had been photographed on a bridge crossing a highway during workday commute hours.

In the same vein, consider the time earlier in the year when, as the Commonwealth Poet and guest reader at Westminster Abbey, Selina extended a hand to a certain Baron What’s-his-face, only to have her hand left hanging. Selina refused to let him reduce her to the level of his apparent opinion.

As she says, it is part of her name – the proto-Polynesian ‘ala’ – to be a path, not a wall. In a year when far too much has been said in the name of a certain proposed wall, such words are balm to all humanity.

In addition to an ironically instructional excerpt from Paula Morris’s ‘Bad Story (so you don’t have to write it’, four poems were performed: Robert Louis Stevenson’s ‘Requiem’ (as we were transported to Samoa in the late 1800s), ‘Tusitala’ (Selina’s 1996 manifesto piece), ‘Pussy Cat’ (penned for the potential racist, and the Duke who dared question the ‘post’ in ‘postcolonial literature’), and (thrillingly) the royally commissioned ‘Unity’

‘There’s a U and an I in unity / costs the earth and yet it’s free…’

Never have the lines been more necessary.

Near closing, Selina acknowledged, “People will walk over me and if they do so ungraciously, that’s their karma; but people will walk over, and that’s about connection.”  If the world had not exactly been put to rights, the battle cry for continued attempts to affect so had certainly been sounded. Round One to diverse poetry.

Fa’afetai, Selina. ‘What you do affects me.’

Complete lecture available here.

 

 

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Poetry = Medicine at the Apothecary (more photos from here below)

‘Wherever the art of Medicine is loved, there is also a love of
Humanity’ – Hippocrates
They say writing is therapy – so’s listening to it. Come along for
readings from those who fuse medicine with poetry.
Featuring John Dennison, Chris Price, Sue Wootton, Rae Varcoe
and Paul Stanley-Ward.

 

A LitCrawl letter from Helen Rickerby:

LitCrawl 2016

LitCrawl was more than a bright spark in the middle of a crazy and hard week – a week filled with the alarming US election, torrential rain and slips, earthquakes, tsunami and then more torrential rain, flooding, wind and more slips – LitCrawl was a whole fireworks display. It seems quite a long time ago now, being before the 7.5 earthquake that woke so many of us up after Sunday night had just tipped over into Monday morning. But it’s important to celebrate such a wonderful event, especially in the midst of everything else.

When LitCrawl started two years ago I was a bit worried that having multiple events on at the same time would split the audience – I thought I knew by sight, if not by name, everyone who was likely to come to a literary event in Wellington. But that first year I realised this was something special: every event was well attended – if not full – and there were people there who I had never even seen before. Where did they come from? we wondered. And then the next year, they came out again – even more people to even more events. And this year, even more events, and more people – despite more rain!

I think one of the strengths of LitCrawl – by which I really mean a strength of event organisers, the wonderful Claire Mabey and Andy Laking – is that they have drawn together people from many different parts of the Wellington literary community and beyond to perform and curate sessions. So it feels like something that everyone owns and has helped to make, rather than a top-down thing organised for us.

The heart of LitCrawl is the Saturday night, where multiple events are held around the city in three different time slots, but since the beginning there have been some satellite events on different days. This year the first one was Friday night’s My First Time, where three short theatre pieces by first-time theatre writers were performed, for the first time. The pieces were very different from each other: Sarah Jane Barnett’s relationship drama set in the not-too distant future; Pip Adam’s wonderful nuts post-modern take on contemporary life that might have just been snippets from the internet; Faith Wilson’s slam-poetryish musings on race, economics and what she’d like to do with and to her dentist. The audience was invited to be part of the process by emailing in their feedback about the pieces, which are still in development.

On the night of LitCrawl proper it is always really hard to choose what to attend, and your heart gets a bit broken about the things you have to miss. Because I was running a session in the middle block, that took care of two of my choices – the time I needed to be there to set up made it too difficult to get to the first session. My session, Polylingual SpreePoetry in and out of Translation, was at Ferret Bookshop, and there was a good turnout to hear poetry from and in Māori, Greek, Mandarin and Italian from Kahu Kutia, Vana Manasiadis, Ya-Wen Ho and Marco Sonzogni (with me reading a couple of English translations). I had wanted to curate that session to celebrate the fact that English isn’t the only language spoken in New Zealand, and it seemed especially timely to be celebrating diversity. Afterwards, people were really enthusiastic about the session and hope to see it return, so we’ll see.

Next I was planning to go to the Essays session (see above PG!), which I’m told was fantastic and full, but it was also much further away than several wonderful poetry sessions in the Cuba Street area. I ended up at Pegasus Books, or, rather, outside Pegasus Books, which was just as well because there was quite a crowd there and we would never have fitted in the shop. Thanks to a good sound system we could mostly hear the readers: Steven Toussaint, Hera Lindsay Bird, Greg Kan and Lee Posna, over the diners behind us at Oriental Kingdom and other revellers in Left Bank. After that, most people headed to the after party at Paramount, generally via some kind of eatery, to mingle and catch up with other LitCrawlers and possibly have their fortunes read by the resident tarot card reader.

The next day I was really delighted to be part of a panel discussion with Sarah Laing and Anna Jackson about why we have found the life and work of Katherine Mansfield so compelling. The event was especially special because it was at the Katherine Mansfield Birthplace, in an upstairs room amid an exhibition of Sarah’s drawings for her graphic bio-memoir (I think I have just made up that term) Mansfield and Me. The sun came out in time for us all to have our afternoon tea on the lawn, which was very pleasant. It was a bit alarming to hear a few hours later, in the early hours of the morning, that there was damage to house after a neighbouring brick wall fell on it during the quake. Fortunately, it now sounds like there is no serious damage, so we can all go back and have a proper look at Sarah’s exhibition and sketchbooks when it reopens.

A friend visiting from Auckland was told on Saturday night ‘You should move back to Wellington, it’s having a literary renaissance’, and I thought – you know, I think she might be right. And I think it’s because there are quite a few ordinary people who are just organising things and doing things here at the moment, and I think that if LitCrawl wasn’t the start of this little renaissance, it certainly is one of its shining stars. Thanks Claire and Andy, we really appreciate it!

photos from Helen:

 

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Polylingual – some of the audience at Polylingual Spree at Ferret Bookshop

‘The more languages you know, the more you are human’
– Tomáš Garrigue Masaryk Come and hear lively readings of poetry in languages from around the world, read by poet translators Marco Sonzogni (Italian), Vana Manasiadis (Greek), Ya-Wen Ho (Mandarin) and more. Hosted by Helen Rickerby (mostly English).

 

 

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Mansfield 1 – Some of the Mansfield event-goers having afternoon tea on the lawn, including Sarah Laing

 

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Mansfield 2 – Another view of the afternoon tea-ing, including Anna Jackson talking to Vana Manasiadis. The offending brick wall (which fell down in the quake) can be seen beside the house, on the left.

Yes, after a splendid event at the Katherine Mansfield House with the sun shining and afternoon tea and poems, the place suffered damage in the quake.

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A letter from Sarah Forster from NZ Booksellers:

Hi Paula

I didn’t go to any poetry last night, mores the pity, but the three events I did go to – True Stories Told Live, Toby & Toby and Essays were all brilliant. I have attended every year since it began. Here are a few bits and pieces for you to weave in.

At the end of LitCrawl 2016, Juliet Blyth noted to me that the most special thing about LitCrawl is that everybody sees it as being for them. There is no demographic that didn’t turn out, despite the terrible Wellington weather.

At True Stories Told Live at the Wellington Central Library, I sat in front of a family of five, the three girls aged roughly 5-11, and though they were bickering beforehand and saying ‘This is going to be boring,’ as soon as the stories began I didn’t hear a peep. As Wellington’s Mayor Justin Lester told of his upbringing with his father searching for white gold, as well as a new mistress in every port they lived in; as Paula Morris wove the spell of the Little House on the Prairie; Emily Perkins told of the changes wrought by self-help books, and an enduring, changing, friendship; Khalid Warsame told of his panic attacks and how the pain of an anonymous other – and a book – somehow eased his own pain; and as Anahera Gildea pulled us through the most painful experience of her life – but the one that led to her finally publishing her writing, and selling her art – these kids sat spellbound. True Stories Told Live at its best is utterly brutal – the laughs are always there, but the truth-telling takes your breath away. I am not sure how we didn’t float out of there on a sea of tears after Gildea’s story, and I want to thank her if she is reading this, for sharing it.

At Toby & Toby at Caroline Bar, it was standing room only, as Toby Manhire interviewed first Susie Ferguson, then Ashleigh Young. This was a louder crowd, but engaged nonetheless. There were probably about 300 of us all crammed in the back of the bar, standing – I had a handy barstool to kneel up on, which made me only 3 inches taller than my friend Harriet Elworthy was standing. How do we deserve Susie Ferguson on our airwaves,  Shannonn Te Ao  in our art galleries, Ashleigh Young as one of our best editors and writers?

It was a one-two for me with Ashleigh, as she was one of the speakers at the final event I attended, at Meow Bar. Again there was a huge range of ages, though starting from 18 this time, as well as those in the more traditional festival-going age group (the boomers). Essays featured three female essayists – Ashleigh plus Aimie Cronin and Naomi Arnold – and again I was privileged to see Khalid Warsame in performance.
As well as reading from their work, each of them talked a little about essay-writing, and the difficulty of deciding how much of your family and friends’ experiences you are allowed to use. Khalid was fascinating – he is the director of the Young Writer’s Festival in Newcastle, and as an African Australian, he has realised his point of view is incredibly unique. He talked about being pigeonholed as other, and read aloud half of a four-sentence essay, on this theme.

Everything I saw at LitCrawl opened my eyes and my mind in one way or another. Pirate and Queen (aka. Claire Mabey and Andrew Laking) are geniuses: the only complaint I have was that I had to choose from at least 2 options per session that I desperately wanted to attend: an excellent problem to have. While most of the events I attended were very packed, most didn’t need to send people away. The volunteers were better deployed than previously as well. What could have been just another soggy Saturday night in Wellington was touched with magic, thanks to this generous, informative, inspirational event.

cheers, Sarah

 

Some photos from Mary McCallum:

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Sue Wootton reads at The Apothecary, with Jayne Mulligan VicBooks

 

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Chris Price reads at The Apothecary

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Happy litcrawlers at The Apothecary in Cuba Street, listening to readings around medicine and poetry.

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Launch of the 4th Floor Journal at Matchbox in Cuba Street

 

From Sugar Magnolia Wilson:

My take on it was – once again litcrawl was a really fun, loving and positive event where people got a chance to meet new folk and bond over writing and literature. I especially love having new contributors in Sweet Mammalian, one of whom came to Wellington especially for litcrawl and to read at our launch. So great to meet new people and always great community vibes at litcrawl.

issue four is now live

Photos from the Litcrawl Sweet Mammalian launch:

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What a glorious, sumptuous, heart-boosting occasion. Thank you so much everyone who sent me things. In the light of what you are enduring, to have sent these treasures in is quite special. The last words goes to a poem Diana sent me. The early NZ women poets I am currently reading found much solace in the sky, the bush and the sea. This is a poem of solace. Thank you everyone!

 

Footing it with the magnolias

As the track winds steeply down
trees thin and gaps appear in leafy walls.
Broadening view-shafts open

on the Garden’s settled old world heart.
Here is the showcase that changes
with the seasons. Colours co-ordinate

an artist’s take. Spotlight on ceremony
when stately tulips bright as guardsmen bloom.
Though things are not so cut and dried

even in classical spring. Sunlit tussocks
fountain beside paths. Artful inclusion
of the indigenous, the vegetable patch.

Beds hemmed with parsley. Cineraria or
phlox held in evergreen embrace. No plant
undercutting any other – a gorgeous

composite is what they aim for here.
And in the world outside these Gardens?
Canals of silver-beet arrive to part our city streets.

©Diana Bridge

Sarah Jane Barnett is launching Work at Vic Books soon

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You are warmly invited to join Hue & Cry Press and Sarah Jane Barnett in launching WORK at Vic Books, Victoria University. All welcome.

In these six long poems Sarah Jane Barnett explores how people fight for a normal life. Set in Ethiopia, Paris, Norway, and New Zealand these astonishing poems take you into the lives of others—a grieving man leaves Ethiopia at the end of the civil war; a polyamorous couple have a child; a woman hunts a black bear on a New Zealand sheep station. Original and spellbinding, these poems walk the line between poetry and fiction.

WORK will be launched at Vic Books, Wellington. Sarah will read from ‘Ghosts,’ a speculative poem set in Norway’s northernmost town, Svalbard. The poem includes dialogue between the characters Diane and Fowler, who will be read by Wellington writers Therese Lloyd and Matt Bialostocki. Get ready for a performance!

 

where: Vic Books, 1 Kelburn Parade, Wellington

when: Thursday 22nd October, 5.30pm start with the reading 6-6.15pm.

Hue & Cry Press
Vic Books

If you can’t make the launch, WORK can be pre-ordered from Hue & Cry Press store:

WRITERS ON MONDAYS In the company of a master: Vincent O’Sullivan

WRITERS ON MONDAYS

In the company of a master: Vincent O’Sullivan

We kick off our 2015 programme in grand style with one of New Zealand’s finest. Poet Laureate Vincent O’Sullivan’s impressive writing career includes poetry, biography, novels, plays and short stories. His recent publication Being Here is the first to survey the entire span of O’Sullivan’s poetry, from 1973’s Bearings to new poems first published in this volume. Join us as O’Sullivan and longtime publisher and friend Fergus Barrowman take a journey back through an illustrious writing career, discussing favourite themes and preoccupations, recent work, and the public role of poetry.

Writers on Mondays is presented with the Museum of New Zealand Te Papa Tongarewa with support from National Poetry Day and Circa Theatre.

 

DATE:  Monday 13 July

TIME:   12.15-1.15pm

VENUE: Te Papa Marae, Level 4, Te Papa
(Please note that no food may  be taken onto the Marae).

Morgan Bach’s launch at Wellington’s award-winning Unity Books -Would love to be there for this! Can’t wait to read it

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Victoria University Press warmly invites to the launch of

Some of Us Eat the Seeds
by Morgan Bach

6pm–7.30pm on Thursday 16 July
at Unity Books, 57 Willis St, Wellington.

About Some of Us Eat the Seeds:
Morgan Bach weaves a line between waking life and the unstable dreamworld beneath, disorienting and reorienting us from moment to moment. In poems of childhood, family, travel and relationships, she responds to the ache and sometimes horror of life in a voice that is restless and witty, bold and sharp-edged.

‘It’s ordinary and extraordinary. It’s the kind of arrival that delights me.’ – Bernadette Hall