Category Archives: Wellington poetry reading

Poetry Shelf noticeboard: Jordan Hamel feature poet at Wellington’s Poetry in Motion

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Details here

Jordan grew up in Timaru on a healthy diet of Catholicism and masculine emotional repression. He fell in love with words the day his high school English teacher read a James K. Baxter poem aloud to the class. When he’s onstage he feels 27 years of anxiety slip away into the accepting embrace of a crowd who spend every day fighting their own silent battles.

Jordan has performed at festivals across Aotearoa and has had his poetry published in various literary journals, but he wants to publish a book sometime in the near future so a tangible piece of his vanity will outlive him. He has performed at LitCrawl Wellington, and is a performer and organiser of Welcome to Nowhere festival. He spends his spare time writing about pop culture and interviewing musicians, angry that his parents never made him learn an instrument as a child.

Evening begins, as usual, with an open mic.

New Books: Celebrating Fleur Adcock’s Collected Poems launch day with Maria McMillan

 

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Launches on Wednesday 13 February, 6pm–7.30pm
at Unity Books, 57 Willis St, Wellington.

 

Today Fleur Adcock launches her Collected Poems with Victoria University Press at Unity Books in Wellington. This is an occasion to celebrate! I read my way through all Fleur’s books for Wild Honey and I loved the experience and the multiple effects it had upon me.

This week Marty Smith and I (and many more by the looks!) were directed by Maria McMillan’s tweet to her (Maria’s) terrific 2015 blog post on Fleur. Sharing thoughts on what a poetry book means to you on such a personal level is exactly why I am launching my classic (well-loved, enduring) poems/poetry books slot on Wednesdays.

 

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Read Maria’s effervescent blog, pop into the Wellington launch and then tuck up into the glorious richness, kicks, grace, wit, reflective-ness and absolute joy of Fleur’s poetry.

A taste of Maria’s blog post:

 

Selected Poems, Fleur Adcock. Oxford University Press, 1983.

Being a girl is dangerous. I don’t just mean we are vulnerable to danger, but that we are, ourselves, dangerous, capable of causing great damage to ourselves and others. We, especially in those years we are changing into women, live in danger, where danger is the vibrating state we occupy.

I started thinking tonight about Fleur Adcock’s Selected Poems which I first read at 15. I remembered the dark green cover and how the spine looked on my parents’ bookshelf. The slim sitting room one with the cut out hearts and tidy shelves of Penguins. Have I made up the moment of discovery? Of pulling the book from the shelf, of curling in the large brown chair with the ribbed pattern that would leave its tribal marks on me? The book must have come alive to me then, something that breathed and beat so that next time I came to the shelf I would recognise it. It would hum when I entered the room.

It was my mother’s book but became mine in the way any book is claimed as intimate property by obsessed readers. I wonder if it in turn claimed me, lodging its shards in my ears and brain and heart, because it was the first book of poetry I really read. A book I read for sheer pleasure but also I read and reread wanting to understand how Fleur Adcock had done it. I don’t know if that is peculiarly a budding poet’s reading, or if that is the nature of all close reading of poetry. That the thrill of a good poem is watching it run but also holding it in your lap, seeing the bones and muscles move beneath the pelt, smelling its oily springed wool. Understanding how it all fits together.

Do teenagers, or at least the kind I was,  gravitate towards poetry because the best of it is transformative in the same way adolescence is? Good poetry allowing us not just to see the capacity of the poet, but our own capacities. A transformation from passive childlike recipients of the word and the world, to readers active, engaged and creative in our own right. I think about how it’s not just writers who are dangerous, with their strange ability to conjure mountains and moods, but readers too. There is a moment, when we get poems, if we get them, where we are not having something done to us by the poem, but we are doing something to the poem. A good poem, that we have read and understood, can give us a sense of mastery, perhaps what a musician feels when she plays fluently, for the first time, a difficult piece of music.

It is a long time since I have opened Adcock’s book and when I do it is with great affection as phrases I have loved for 30 years float up off the page out to me, triggering the same pings of pure pleasure as they did on my first encounter with them.

 

Full piece by Maria here

Victoria University Press page

 

 

 

 

 

National Library poetry event – Six o’clock: Poets under the influence

  • Date: Thursday, 19 October, 2017
  • Time: 5.30pm light refreshments for 6pm start
  • Cost: Free
  • Location: Te Ahumairangi (ground floor), National Library, corner Molesworth and Aitken Streets
  • Contact Details: For more information, email events.natlib@dia.govt.nz

A bevy of poets mark 50 years since the end of six o’clock closing

Iain Sharp presents Gregory O’Brien, Freya Daly Sadgrove, Bill Manhire, Jenny Bornholdt, Lindsay Rabbitt, and more.

The end of the ‘6 o’clock swill’ was a defining moment in New Zealand’s social history, one which changed the way we drank and socialised. New Zealanders’ unique and often fraught relationship with drink has been both a stimulus and an inspiration for some of the country’s great poets from Denis Glover to Apirana Taylor.

To mark 50 years since the end of ‘the swill’ the National Library is bringing together some of the country’s best poets, and poetry, both new and old, featuring ‘the drink’.

The event will comprise some special related Alexander Turnbull Library collection items, music from the collection of the National Library and films from Ngā Taonga Sound and Vision.

Refreshments available with tastings and craft beer and cider.

James Brown launching new collection

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Victoria University Press warmly invites you to the launch of
James Brown’s brand new poetry collection

Floods Another Chamber

on Wednesday 4 October, 6pm–7.30pm
at The Guest Room, Southern Cross Garden Bar,
39 Abel Smith St, Te Aro.

Greg O’Brien will launch Floods Another Chamber

Books will be for sale courtesy of Unity Books.
p/b, $25
About Floods Another Chamber