Tag Archives: tayi tibble

A photo gallery: A Flock of Starlings

This was one of my favourite festival events, that I touch upon in my forthcoming festival diary.  I hope to post that this afternoon! And I am most definitely posting some poems!! New Zealand poetry is in very good heart. Three cheers for mentors Louise Wallace and Francis Cooke, the Starling editors and event mcs.

All photos by me (sorry Francis my photos of you were a washout!).

 

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Lousie Wallace

 

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Claudia Jardine

 

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Emma Shi

 

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Essa Ranapiri

 

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Henrietta Bollinger

 

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Sharon Lam

 

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Sophie van Waardenberg

 

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Tayi Tibble

 

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Joy Holley

 

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the participants with Francis Cooke and Louise Wallace

The NZ edition of Poetry

 

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I know I find it hard to listen.

I read too much. I often need a drink.

It isn’t the world that makes us think,

it’s words that we can’t come up with.

Sure, I can work up fresh examples

and send them off to the committee.

But the poetry is in the bird. And in the pretty.

 

Bill Manhire, from ‘Polly’

 

International poetry traffic is so often dependent upon fortuitous connections. The degree of familiarity with poetry from elsewhere is utterly paltry compared with the degree of familiarity I have with local writing. Yes I have studied American and British poetry but I am more aware of the luminous stars in these poetry constellations than the grassroot outings.

On the other hand, we are no longer dependent upon ocean voyages and the constraints of distance, but to what degree does our poetry travel (compared say with fiction)? Or our poetry conversations extend beyond our lapping tidelines.

I am acutely aware of my impoverished relations with contemporary Australian poetry. Perhaps Joan Fleming and Amy Brown could guest edit a local journal with an Australian focus? But then again our journals are often annual and offer vital but scant opportunities for local poets.

This is not the first time an overseas journal has showcased New Zealand poetry, but it is perhaps the example I am most excited by. The editors – Stephanie Burt (USA), Paul Millar (NZ) and Chris Price (NZ) – have worked hard to present a distinctive and diverse overview of our current poetry. The selected poets cross all manner of borders: age, geographical location, style, university affiliation, gender, ethnicity. This matters if we want to move beyond the legacy of white male predomination, urban bias and privileged poetry models. I cannot name a NZ journal that has achieved such movement.

Yes the five books Daisy Fried reviewed – from the fifteen 2017 publications she was sent – were all Victoria University Press. Her selection certainly does not reflect the contours of that year, and we can all stand on the sidelines and shout (or sing) about the books we loved, but I have no issue with reviews reflecting individual taste. However I do take issue that a short intro and five VUP books can respond to her opening question: ‘How to characterise a national poetry?’ Why would you even try! It is a personal take on five excellent books.

The rest of the journal is an altogether different joy. The effect of reading is symphonic in the different hues and chords. Every single poem lifts off the page and catches both ear and eye. Such freshness, such lightness, darkness, musicality, room to breathe, surprising arcs and links and undercurrents. I keep swaying between Anna Jackson’s glorious bee poem and the flickering titles that coalesce in Nina Powles’s offering or the infectious wit of James Brown, Ashleigh Young and Tim Upperton.  I am pulled into the bite of Anahera Gildea, Chris Tse and then Tayi Tibble and stop in the tracks of reading. Travelling with Janet Charman and the revelatory suite makes me weep. Switching to Anne Kennedy and the momentum coils and overlaps and poetry transforms a starting point into elasticity on the line. Bill Manhire flips me over into the second stanza, and the lacework of reading – intricate yet full of holes – offers mystery, surprise, wit, curious things.

 

The time of breathing into clasped hands

hovering over a lighter to make a flame

 

not knowing

that an angry man threw his eyes into the night

 

the belly of his shattered father

weeping rain for separation of earth and sky

 

Jessie Puru from ‘Matariki’

 

 

The editors did not feel beholden to poetry that targets versions of New Zealand/ Aotearoa; our poetry might do this and then again it might not. The poems have the freedom to do and be anything whether they spring from spoken-word rhythms or  talkiness or thinginess or anecdotal revelations or sumptuous Baroque-detail or story or slanted humour or cutting political edges.

The poets: Anna Jackson, Kate Camp, Michele Leggott, Therese Lloyd, Jessie Puru, Essa Ranapiri, Tayi Tibble, Robert Sullivan, Kerrin P. Sharpe, Hera Lindsay Bird, Dylan Horrocks, James Brown, Murray Edmond, Jenny Bornholdt, Anne Kennedy, Bill Manhire, Nina Powles, Janet Charman, Anahera Gildea, Bernadette Hall, Vincent O’Sullivan, Courtney Sina Meredith, C.K. Stead, Chris Tse, Tim Upperton, Gregory O’Brien and John Pule, Faith Wilson, Ashleigh Young, Albert Wendt, Steven Toussaint, Erik Kennedy

This issue is a cause for celebration – I absolutely love it – and my celebration will take  the form of a subscription. New Zealand poetry has been well served – congratulations!

 

Poetry here

 

everything I never asked my grandmother

I can understand but I can’t speak

no one has played that piano since

New Zealand is so far away from here

let me translate for you the poem on the wall

 

Nina Powles from ‘Some titles for my childhood memoir’

Powerful poetry collection wins Adam Foundation Prize

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A “powerful, restrained but unafraid” collection of poems that explore the lives of four generations of Māori women has been awarded the 2017 Adam Foundation Prize in Creative Writing by Victoria University of Wellington’s International Institute of Modern Letters (IIML).

Tayi Tibble, 22, wrote the winning work—In a Fish Tank Filled with Pink Light—as part of her 2017 Master of Arts (MA) at the IIML.

Tayi describes winning the Adam Foundation Prize as incredibly encouraging. “It was a privilege and a pleasure to have spent the year so deeply immersed in the world of writing with such talented, intelligent, and generous friends. I believe it was the high calibre of work from my peers that stimulated my growth as a writer, as well as the guidance and encouragement from Louise Wallace and Chris Price. Although I am sad to see the end of this invaluable year, winning the Adam Foundation Prize signals the beginning of a new chapter.”

Wellington-born Tayi (Te Whānau a Apanui/Ngāti Porou) went to school in Porirua and holds a Bachelor of Arts in History and Social Policy from Victoria. She has regularly appeared in Wellington’s LitCrawl Festival, and her work has been published in Starling—the journal for writers under 25—and Landfall.

Supported by Wellingtonians Denis and Verna Adam through the Victoria University Foundation, the $3,000 Adam Foundation Prize is awarded annually to an outstanding student in the MA in Creative Writing programme at the IIML.

Chris Price, a senior lecturer at the IIML and co-convenor of this year’s Master’s programme, says it’s been a pleasure to read the poems as they have developed over the course of the year.

“Tayi is an ambitious writer who has seized every opportunity to extend her craft and her range of subject matter. Her poems speak to contemporary urban realities, and to the histories that created them. They are also charming, funny and on point.”

This is the second year running that the Adam Foundation Prize has gone to a 22-year-old writer, after Annaleese Jochems’ novel Baby received the prize in 2016.

“Tayi joins the incoming wave of young writers who are forging the future of literature in this country. We are confident she will make her mark,” says Chris.

Previous Adam Foundation Prize recipients include acclaimed authors Catherine Chidgey, Ashleigh Young, Hera Lindsay Bird and Eleanor Catton.

Louise Wallace & guests to launch her new collection August 10th

Sad to miss this event! Glad I get to read to the book!

 

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Book launch for BAD THINGS: a new book of poems by Louise Wallace. With readings from Lynley Edmeades, Bill Manhire, Tayi Tibble and Chris Tse. All welcome.

Books by all authors available for purchase on the night, along with limited edition cover art prints by Kimberly Andrews.

Drink, nibble, get your books signed and be merry.

VUP page