Tag Archives: simone kaho

Poetry Shelf Monday poem: Simone Kaho’s ‘Tour’

 

Tour

The crows will be her friends.
They are waiting on powerlines in the rain.
It’s exciting to be in another country with different birds even if they’re black and mawkish, and it’s only England, so kind of coming home.
‘Do they think dark thoughts?’
He comes back from training and through unspoken agreement she holds him at bay, at first.
Later, he says – ‘You held me off just the right amount’.
It’s the only kind thing he says all day.
She watches British bunnies run across the green British lawn in the British mist, into a British hedge.
That evening New Zealand loses.
Someone has scrawled a rude note for him on a napkin, he sees her looking and says
‘You’re laughing’.
She’s not.
She wishes she could.
I don’t wonder how he is doing she thinks ‘Now’.
It doesn’t even creak.
Her heart pulp; memories.
The overwhelming smell of little old ladies’ heads at mass at the Vatican.
Crouching down between acres of knees.
Him lifting her onto his shoulders, in fresh air above the churchgoers, with her battered face and oversized sunglasses.
Pope John Paul passing so close in his glass cartoon car, she could have reached out and left a fingerprint.
Her queen wave.
The ornate courtesy of him helping little old ladies over the barricades.
His beaming, bashful, face, which had gotten battered too.
Him walking straight into the Vatican while a two-mile line formed behind.
Both kneeling before the Michelangelo, not noticing marble Mary was the same age as Jesus.
Noticing nothing but the stillness of her chest
until he shifts beside her
and she wants to take it all back,
the gravel in her face,
the gravel in his.
The bottles she threw at the hostel, his blazed green eyes on the bottom bunk as the cops knocked.
The contrite blowjob in the church graveyard behind the homestay.
I can’t help being helpless, your contempt is not helping me.
She rolls her eyes as he slaps her.
That vein in his forehead is pulsing again and in a way, it has something to say and no one knows any better and
she wishes he hadn’t thrown stones at her window
and she hadn’t opened it
and he hadn’t climbed in
and she wishes she had knees instead of jelly and
she wishes she could put her heart out of her body and
let it live wild in the bush

 

Simone Kaho

 

 

 

 

Simone Kaho is a New Zealand poet of Tongan descent. She was born in Auckland and received an MA in creative writing from the International Institute of Modern Letters at Victoria University of Wellington.

 

 

 

Poetry Shelf Audio Poem: Simone Kaho’s ‘UFO’

 

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Simone Kaho is a graduate of the International Institute of Modern Letters (IIML) in Wellington. She’s noted for her powerful stage presence and is an MC at Poetry Live, the 38-year-old weekly open mic event in Auckland. Simone’s first book, Lucky Punch, was launched in November 2016 to a warm reception from Metro, The Herald, Pantograph Punch and Landfall.

 

 

 

 

 

Jacket 2: Vaughan Rapatahana on Hera Lindsay Bird, Simone Kaho and Mere Taito

 

from Vaughan Rapatahana at Jacket 2:

 

‘Kia ora. Talofa lava. Malo. Greetings, once more.

I am honoured and humbled to continue to commentate on poetry and poets in Aotearoa New Zealand, which swerve away from so-called ‘traditional’ ways to write a poem and concomitantly, away from traditional topoi.

In this commentary, I will extend from my final commentary post of March 2016, which was entitled ‘Coda 2,’ although that title is obviously a misnomer, as this country just keeps on producing poets of great ability, with serious credentials and a willingness to  s t  r  e  t  c  h  the paramaters of what a poem is, should be.

So, I am privileged to here introduce three further women writers — Hera Lindsay Bird, Simone Kaho and Mere Taito. All have recently had published new collections of poetry: the ‘new’ in this commentary title refers to this aspect — for all three have been writing poetry for some time. For me, they are intelligent, rather intensely tremendous talents.

I think that I will here replicate what I wrote in that ‘Coda 2’ piece, as the sentiments are exactly the same —

All three fit, if you will, the parameters I claimed would establish the future direction of an increasingly multicultural country. None of them could be classified as pākehā middle-class poets and all tend towards the experimental and/or performance and/or indigenous striates of poetry. Significantly and obviously, all three are women. Theirs is the future of poetry in the skinny country of Aotearoa — inevitably, for as I have stressed several times previously — the demographic of Aotearoa is rapidly and rather radically on the move into major diversity.’

Full article here

 

See my reviews:

Hera Lindsay Bird

Simone Kaho

Mere Taito and a poem

 

 

 

Poets on Tour: Airini Beautrais and Maria McMillan take to the road, July 2017

Airini Beautrais and Maria McMillan have written up their poetry road trip. I am so hoping this becomes a thing – two poet friends on tour with new books.    

 

 

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both Victoria University Press, 2017

We’ve known each other since the early 2000s, and both of us have been writing poetry for even longer than that. Some common threads in our work include feminism, social justice, environmentalism, and an interest in the possibilities of form. Over a cup of tea one afternoon in Maria’s lounge we agreed that as we both had books coming out this year, we should go on tour. Maria had been working hard in non-poetry related paid gigs, Airini was battling some difficult personal circumstances, and some time on the road reading with other women poets seemed like just what the doctor (of creative writing) ordered.

Somehow the tour got planned amidst the mad mess of everyday life. Sarah Laing kindly agreed to let us use her drawings for promotional purposes. Airini made a DIY poster with the help of scissors, glue, wallpaper and blu-tack. The word went out. The car got packed.

 

On Friday 14 July Airini held a book launch for Flow: Whanganui River Poems, at the Whanganui regional museum. Maria was the main support act on the night, reading from her recently-released The Ski Flier (Airini had also read at Maria’s launch a month earlier). Jenny Bornholdt read a poem by Joanna Margaret Paul. Other local booklovers read some favourite Whanganui-linked poems. VUP publicist and talented novelist Kirsten McDougall gave a fantastic launch speech.

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Accidental ankh, Dannevirke

In the morning it was coffee, porridge and a quick trip to Whanganui’s famous SaveMart ‘The Mill’. Then onto the back roads of the Manawatu with a battered road atlas and smartphones which were largely ignored. We made it over the Pohangina Saddle, and lunched on launch leftovers in Dannevirke, where we discovered a church with a possibly accidental (we think maybe not) ankh – a perfect opportunity for posing with our books. On to Napier where it appeared we had entered a time warp. Airini’s dirty old Honda suddenly looked new alongside the vintage cars sweeping around the waterfront, driven by flappers and dapper gentlemen. The thought occurred to us that it was Deco weekend.

 

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Beattie and Forbes Booksellers with Marty and Emily

Beattie and Forbes Booksellers is a must-visit independent bookstore near the sea in Napier. They opened up on a Saturday evening so we could read, with Marty Smith and Emily Dobson. Old friends and new turned up, along with members of local poetry groups. It seems that anywhere you go in New Zealand, there’ll be a poetry group of some sort, and a reading will draw at least some of them out of the woodwork. A highlight of the evening was Emily reading a poem owing a debt to her young daughter, called ‘Thea’s ‘gina song,’ which ended ‘It’s a ba-ba-ba-ba-ba-ba-BAGINA!’ Both Marty and Emily are accomplished poets and readers and it was a privilege to read alongside them.

 

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Maria at Waiomu Cafe

 

Sunday 16th we set off from Marty’s picturesque country house, on our big drive through to Thames. The roads had opened, but were still lined with snow.  We made it to our reading at Waiomu Beach Café with five minutes to spare. The café is in a beautiful spot and draws in regulars driving around the Coromandel coastal road. It’s run by Maria’s cousin Julie, who was an amazing host. Airini also met some extended family members at the reading. More FM were there, and interviewed us. We read in the outdoor courtyard, adjusting our volume according to the passing traffic. Over the road, a cop issued speeding tickets. A kereru landed in a tree alongside. We posed for more book photos under the pohutukawa, took Julie’s dog for a walk, and enjoyed the scenery.

 

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The Big House, Parnell with Tulia and Emma

Thames seems like the kind of place one could stay in forever, but on Monday morning we carried on to Auckland.  We parked the car and went to hear a reading at the Auckland Art Gallery with Steve Toussaint, Simone Kaho, Elizabeth Morton, Johanna Emeney and Michael Morrissey. Everyone read well, but a disgruntled audience member booed, hissed and heckled during question time at the end. Chair Siobhan Harvey did an excellent job of shouting him down. We looked at each other and wondered if this was how poetry readings always went in Auckland. But our reading that evening at the Big House in Parnell, with Simone Kaho and Tulia Thompson, was a very warm and homely affair. Many of the house’s 25 occupants joined us by the fire to listen and talk, and housemate Emma also read some of her poems with us.

 

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Airini at Poetry Live, Auckland

 

Tuesday night’s gig was Poetry Live, at the Thirsty Dog on K Road. Like the Big House, Poetry Live is an institution that’s been going for decades. We were lucky to be there for the farewell to regular MC Kiri Piahana-Wong. There was a great turnout and the venue and audience were friendly and welcoming. We read by turns in our guest poet slot, feeling like proper rockstars against the backdrop of a drum kit and stage lighting.

By Wednesday we were tired, and ready to head home. We stopped for tea and toasted sandwiches in the Pink Cadillac diner in Turangi. We parted ways at the Desert Road, after which Maria had some variable hitchhiking experiences, and Airini zig-zagged back and forth around the mountains navigating road closures. We’d had a great time and were looking forward to the second leg.

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Vic Books in Wellington with Pip and Freya

 

The next leg kicked off on Friday 28 July with a lunchtime reading at Vic Books. We were joined by superstars Pip Adam, reading from her brand spanking new The New Animals, and Freya Daly Sadgrove, whose poetry is performative and highly entertaining. Maria read her poem, inspired by Pip, ‘In which I attain unimaginable greatness,’ in which the narrator attains superhero powers, achieves amazing feats, and at the end declares ‘This is how I begin. This is my first day.’

 

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Palmerston North with Helen and Jo

Palmerston North City Library on Saturday evening was possibly the highlight of the tour. The library is a great place to read, hosting numerous literary events throughout the year. The big windows feature poems by local Leonel Alvarado, and pedestrians have a way of peering in through the letters, wondering what’s going on in there. We’d decided on a dress up theme of ‘80s trash with our fabulous co-readers Helen Lehndorf and Jo Aitchison, which got us some funny looks in New World, but definitely improved our performances. Helen’s hair was particularly spectacular. We had a small crowd but a great vibe. A kebab and whisky party kept us awake until the wee small hours.

 

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Maria at Hightide Cafe

Helen’s chickens laid us our breakfast, and we revived ourselves with bottomless pots of tea. Maria’s superpowers became evident when she managed to drive us safely to our last gig, Poets to the People at Hightide Café in Paraparaumu. The sun was setting over Kāpiti as we drank coffee and listened to the open mike. Again, this is an event that’s been running for years, and there’s a sense the regulars know and love one another. We went home to a beautiful roast cooked by Maria’s partner Joe. The tour was over, but the fight continues! We had some great conversations in the car over those two weeks, and some good catch-ups with family and friends along the way. There was a lot of fighting talk, a lot of laughter and also a few tears. A big part of the tour was affirming ourselves as poets, mothers and radical women, and by the end of it, our unimaginable greatness was hard to deny.

 

Airini Beautrais and Maria McMillan, September 2017

 

 

my conversation with Airini

my review of The Ski Flier

VUP page for Airini

VUP page for Maria

 

 

 

 

20/20 May Poets: A Phantom Billstickers Poetry Day celebration

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Alison Wong and Chris Tse

Apirana Taylor and Kiri Piahana Wong

Vincent O’Sullivan and Lynley Edmeades

Paula Green and Simone Kaho

Jenny Bornholdt and Ish Doney

 

This terrific project forms a little poetry reading house where you enter the rooms off the side and you don’t know what you will find. There is a vitality and a freshness as established and emerging poets and those in-between come together in poem conversations. Love it! (I am part of it but no idea how the poetry house would unfold)

 

 

Jesse Mulligan and Simone Kaho in conversation (in case you missed it because it is excellent!)

13 Mar 2017

Poetry: Lucky Punch by Simone Kaho

Auckland poet, Simone Kaho, is from New Zealand and Tongan ancestry. She earned her MA in creative writing from the International Institute of Modern Letters. Her poetry has been published in journals such as JAAM, Turbine, and The Dominion Post. She joins Jesse to read from her book Lucky Punch.

Lucky Punch, Simon Kaho

White Night event at the Pah Homestead: a collaborative art project with Simone Kaho and Ria Masae

WHITE NIGHT at the Pah Homestead: ASSEMBLY

March 18 @ 6:00 pm9:00 pm

Assembly: Collections and Crafts at the Pah Homestead

Assembly is a White Night celebration like never before. Bringing together collections, treasures, beats, words and craft, this is a gathering of all things creative.

 

Throughout the evening visitors are invited to BRING | MAKE | TAKE as part of our collaborative artwork project and make connections with other local White Night venues.

 

Download a copy of our Neighborhood Map here

 

If you have an interesting item you always wanted to know more about, join expert Yvonne Sanders for our very own Antiques Roadshow.  Pre-register your prized possession and bring it on the night for a short valuation and discussion by Yvonne.

Simply send a short description and a photo to enquiries@wallaceartstrust.org.nz

We will also be joined by local fibre artists from the Handweavers and Spinners Guild, also members of the Auckland branch of Creative Fibre, who will demonstrate their skills in felting and weaving.

Artist Collective Tiger Murdoch (Kelly Pretty and Matt Dowman) will be creating a unique installation in the front entrance to the Arts Centre throughout the evening.

To complete the Assembly of local creative talent at the Pah, Simone Kaho and Ria Masae will craft beats and words into lyrical magic in a live poetry performance.

 

There will also be a free shuttle linking the Pah Homestead with Greenwoods Corner – hop on any time between 6pm and 9pm and see what else is happening on and around Pah Road.  Shuttle leaves from the Korma Road entrance to Monte Cecilia Park, there will be guides showing the way from Pah Homestead.

 

Please join us in celebrating the Auckland-wide White Night with our family-friendly evening of MAKING & CREATING at the Pah Homestead!

 

 

About our Collaborators

Yvonne Sanders Antiques is a landmark destination shop located in Epsom, Auckland.  As an International Dealer, Yvonne herself has successfully traded for over 40 years having established the business in 1971.

Creative Fibre is the New Zealand organisation for all fibre crafts. It brings together spinners, weavers, knitters, dyers, flax workers, felters, crocheters, free form fibre artists and all other people involved in the use of fibre. We have over 3000 members throughout New Zealand and around the world who share a passion for fibre.

Whitecliffe lecturers Kelly Pretty and Matt Dowman are working together as artists and grass roots activists, posing confronting questions about social welfare, gentrification, political turmoil and global injustice to the public.  Together they form the collective ‘Tiger Murdoch’ referring to the surname of media mogul Rupert Murdoch, and ‘tiger’ referring to an action or cartoon character name.

Simone Kaho joined the Literatti in 2011 as a scholarship-winning graduate of the International Institute of Modern Letters in Wellington, who count Eleanor Catton and Hera Lindsay Bird among their Alumni.  Noted for her lyricism and powerful stage presence, she’s now a performer in demand – at bars like The Thirsty Dog and theatres like Galatos, The Basement and The Mercury.

In 2015, Ria Masae won the ‘New Voices: Emerging Poets Competition’, as well as the ‘2016 Cooney Insurance Short Story Competition’. Also in 2015, Ria was thrilled to see a collection of her text come to life in a brilliant performance called, ‘MAKAI – Black Sand: Ocean Bones’. She was honoured to have her poetry translated into Spanish on the online Mexican literary website, Círculo de Poesía. Her work has been shared in several New Zealand and Australian publications including, Landfall, Blackmail Press, Snorkel, Ika, and Otoliths. Ria is a proud member of the South Auckland Poets Collective (SAPC).

 

 

Details

Date:
March 18
Time:
6:00 pm – 9:00 pm
Event Category:

Venue

The Pah Homestead, TSB Bank Wallace Arts Centre
72 Hillsborough Road, Hillsborough
Auckland, 1042 New Zealand
+ Google Map
Phone:
09 639 2010