Emma Barnes reads four poems from I Am in Bed with You, Auckland University Press, 2021
‘Maiden Mother Crone’
‘Completely dry riverbed’
Emma Barnes lives and writes in Pōneke / Wellington. They have just released their first book I Am In Bed With You. For the last two years they’ve been working with Chris Tse on an anthology of LGBTQIA+ and Takatāpui writing to be released this year by Auckland University Press. They work in Tech and spend a lot of time picking heavy things up and putting them back down again.
Alison Wong reads and discusses ‘Earth’ (published in Ko Aotearoa Tātou | We Are New Zealand edited by Paula Morris, Michelle Elvy and James Norcliffe, with art editor David Eggleton (Otago University Press, 2020)
A fourth generation New Zealander, Alison Wong grew up in Hawke’s Bay and has lived most of her life in Wellington. She now lives in Geelong, Australia and goes back and forth across the Tasman. Her poetry, fiction and creative nonfiction are translated and published internationally. Her poetry collection, Cup (Steele Roberts), was shortlisted for Best First Book for Poetry at the 2007 NZ Book Awards. Her novel, As the Earth Turns Silver (Penguin NZ; Picador Australia/UK), won the Fiction Award at the 2010 New Zealand Post Book Awards and was shortlisted for the 2010 Australian Prime Minister’s Literary Awards. In 2018 Booksellers NZ voted the novel one of the twenty bestsellers of the decade. She held the 2002 Robert Burns Fellowship at the University of Otago, the 2014 Shanghai International Writers’ Residency and the 2016 Sun Yat Sen University International Writers’ Residency. An NZ Society of Authors mentor, she was a poetry judge at the 2018 Ockham NZ Book Awards and in 2020 a consulting editor for the Asian NZ arts and cultural site Hainamana. She is co-editor with Paula Morris of the first anthology of Asian NZ creative writing, A Clear Dawn: Asian NZ New Voices (AUP), which will be launched at the Auckland Writers’ Festival in May 2021.
Richard Langston reads three poems from his new collection, Five O’Clock Shadows (The Cuba Press, 2020)
Richard Langston is a poet, television director, and writer. Five O’Clock Shadows is his sixth book of poems. His previous books are Things Lay in Pieces (2012), The Trouble Lamp (2009), The Newspaper Poems (2007), Henry, Come See the Blue (2005), and Boy (2003). He also writes about NZ music and posts interviews with musicians on the Phantom Billstickers website.
Landfall 239 edited by Emma Neale, Otago University Press, 2020
To celebrate the arrival of Landfall 239, edited by Emma Neale, I invited a few poets to read their poems from the issue.
The new issue is an excellent place for small reading retreats. You get fiction, non-fiction, poetry and reviews. It includes heavenly embroidered panels by artist Vita Cochran; they took me back to my primary school days when embroidery was a thing. Surely this will inspire a swag of us to pick up needle and thread, and get creative. I equally adored the paintings – oil on linen or canvas – by Star Gossage. These muted portraits, favouring blue / green palettes, hum with mood and presence. Gosh I love them.
You also get the winning essays in the Charles Brasch Young Writers’ Essay Competition 2020. And they cut through any stasis. Especially Grace Lee’s winning essay, ‘Body/Love’.
Small reading excursions are so very satisfying. And with me not going out for the forseeable future, I am very glad to settle back on the couch, and watch / listen to this Landfall reading. And then venture back into the book to read the fiction and reviews. Wonderful.
Thank you Landfall poets for contributing to a Poetry Shelf Lounge event.
Lynley Edmeades reads ‘Notice’
Leonard Lambert reads ‘Nights of Wonder, Days of Splendour’
essa may ranapiri reads ‘echidna goes to see the drone perform in front of a live audience’
Jo-Ella Sarich reads ‘The Jasmine (We need to talk about suicide)’
Tim Saunders reads ‘Demilune’
Nicola Thorstensen reads ‘Legacy’
Lynley Edmeades is the author of two books of poetry: As the Verb Tenses (2016) and Listening In (2019), both published with Otago University Press and both longlisted for the Ockham New Zealand Best Book Award. Lynley is a lecturer at the University of Otago, and she is currently working on a book of essays.
Leonard Lambert is a long-established NZ poet with a publication history stretching from A Washday Romance (John McIndoe, 1980) to Somewhere in August: SelectedPoems 1969-2016 (Steele Roberts, 2016). His most recent publication is a chapbook, WinterWaves, from Cold Hub Press. Between poems he paints and is a regular exhibitor around his home turf of Hawke’s Bay.
Emer Lyons is a lesbian writer from Cork, currently in the last months of a creative critical PhD at Otago.
Talia Marshall (Ngāti Kuia/Rangitāne ō Wairau/Ngāti Rārua/Ngāti Takihiku) is a poet and essayist with one son and one dog who has a poetry collection forthcoming from Kilmog Press titled Bad Apple. In 2020 she is writing about Ans Westra’s photographs of Māori as part of her Emerging Māori Writer’s Residency at Victoria University. Her essay titled ‘This Is the Way He Walked Into the Darkest, Pinkest Part of the Whale and Cried Don’t Tell the Others’ was quoted on the cover of POETRY magazine’s February 2018 Aotearoa issue.
Kōtuku Titihuia Nuttall (Te Āti Awa, Ngāti Tūwharetoa, Ngāti Rangatahi, SȾÁ,UTW̱ First Nation) is a creative writing student at Te Pūtahi Tuhi Auaha o Te Ao (IIML). Her work has been published in Landfall, Turbine / Kapohau, Starling, Food Court, and Te Rito o Te Harakeke.
essa may ranapiri (Ngāti Raukawa/Tainui/Ngāti Takatāpui/Clan Gunn/Highgate) is a person or some shit / or whatever / they wrote a book of poems called ransack / it’s still in th world / the only time they use they/them pronouns for themselves is in these bios / isn’t that funny / thx goes out to their ancestors / who are as big as everything / just wow / just everything / they will write until they’re dead
Jo-Ella Sarich is a lawyer, writer, and mother to two young girls living in Te Awa Kairangi. Her poems have appeared in a number of print and online publications, including New Statesman, The Lake, Cleaver Magazine, Barzakh Magazine, Quarterday Review, Shoreline of Infinity, takahē magazine, Shot Glass Journal, the New Zealand Poetry Society’s Anthology for 2017 and the Poetry New Zealand Yearbook 2017. Tumblr link, @jsarich_writer.
Tim Saunders farms sheep and beef near Palmerston North. He has had poetry and short stories published in Turbine|Kapohau, takahē, Landfall, Poetry NZ Yearbook and Flash Frontier. He won the 2018 Mindfood Magazine Short Story Competition, and placed third in the 2019 and 2020 National Flash Fiction Day Awards. His book, This Farming Life, was published by Allen & Unwin in August, 2020.
Nicola Thorstensen is a member of Dunedin’s Octagon Poetry Collective, which organises monthly poetry readings. Her work can be found in a number of New Zealand periodicals and journals, including Takahē, Poetry New Zealand and political anthology Manifesto Aotearoa.
Adrienne Jansen reads ‘Bread’ from All of Us, poems which tell small stories of migration, co-written with carina gallegos. Published by Landing Press, 2018, and longlisted for the Okham NZ Book Awards 2019. Adrienne is a Wellington writer who writes poetry as well as fiction and non-fiction. She’s also involved with Landing Press, which publishes poetry that many people can enjoy.
This is an audio recording of Hana Pera Aoake reading a poem they wrote called, ‘My heart swings like poi’, which they wrote for Te Rito o te Harakeke, which was a journal they co-edited with essa may ranapiri, Sinead Overbyne and Michelle Rahurahu Scott for Ihumaatao.
They have been very busy with the first issue of Tupuranga which has just launched.
Hana Pera Aoake (Ngaati Raukawa, Ngaati Mahuta, Tainui/Waikato) is an INFP, Gemini heartthrob living on Kai Tahu land in Te wai pounamu. They are a writer, editor and artist in a stupid amount of debt (Liv, Laff, Luv), having completed an MFA in Fine Arts (first class) in 2018 from Massey University. They are a current participant in the Independent study program at the Maumaus des escola artes via a screen and an editor at both Tupuranga journal and Kei te pai press.