Tag Archives: Prime Minister’s Literary Award

Poetry Shelf interviews Michael Harlow – recipient of the Prime Minister’s Award for Literary Achievement in Poetry


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Photo credit: Courtesy of Creative New Zealand. Photographer: Neil Mackenzie


Warm congratulations to Michael Harlow on receiving the Prime Minister’s Award for Literary Achievement in Poetry this year. To celebrate this well-deserved honour, Michael has shared a few poetry memories and thoughts.


Paula:  Name a favourite poetry book by another poet that has stuck with you over time.

Michael: Wallace Stevens’ Harmonium.  And then I have to include Emily Dickinson’s Selected (especially the one edited by James Reeves, the best commentary on her work in the Introduction).


Paula:  A favourite poem that has also endured.

Michael: ‘The Emperor of Ice-Cream’ by Stevens.  And it’s only fair to include Eliot’s ‘The Love Song of J. Alfred Prufrock’.  They do share first chair in the orchestra.


Paula: A performance or reading by another poet that has had an effect upon you.

Michael: Robert Frost reading on a number of occasions.  And I can’t forget a reading by e.e. cummings at the Poetry Y in NYC near the end of his life.  I’m not sure why, since he read in a very flat, slightly monotone style.  And must include Dylan Thomas, especially his ‘Child’s Christmas in Wales’.  And closer to home, the first time I heard Cilla McQueen read: one could hear that ‘Writing [poetry] is the painting of the voice’, in the original ‘L’écriture est la peinture de la voix’ (Voltaire).


Paula: A poetry epiphany in terms of your own writing.

Michael: When I realised, fairly early on in my music studies, that ‘Poetry is when words sing’. At the same time I was trying to impress the girl next door (literally), who played the piano and the flute, and who said she really liked poetry.  As it has turned out, ‘to tell love one must write’.


Paula: If you got to select a group of poets (dead or alive say) who could read at a festival with you – who would you pick?

Michael: Oh, and oh, here we go. Sir Thomas Wyatt (I can hear him so musically on the page); Emily Dickinson, if she could ever be enticed; Gertrude Stein; Henry Miller (the prose that is in poetry); Dylan Thomas (because he’s Dylan Thomas); Cilla McQueen; Michele Leggott, because she reads the words and not the ideas (that’s where the music is); Gerard Manley Hopkins, to hear the voice of ‘sprung rhythm’; Elizabeth Smither, such clarity; the late Christopher Middleton, English poet long resident in USA, and one of the foremost translators from the German (we did read together on a few occasions, and I learned a lot from him); Emma Neale (as poet) for the way she does ‘make words sing’, exemplary in the sound-and-sense converse; Joseph Brodsky (in Russian and English); Charles Simic, who always knows how to ‘say’ a poem; Robert Frost, who always ‘says’ his poem; Brian Turner, because you can hear that he has not only ‘thought’ his poems but has lived them…


Paula:  A poem of your own that has really sung for you.

Michael: A poem entitled ‘And yes’, a lyric, love poem (the heart poems are the hardest ones to write and they seem somehow to be inevitable sooner or later).



And, yes


Sometimes your touch

love’s homecoming is

Not to put too fine a call

on what heart knows

despite head’s long

success in all silly else;

that is, by ‘all flowers’

and these candles,

love’s invitations

you light up a parcel of dark,

the way your breasts

wear sunlight: the heart

has reasons reason

cannot know. The green

wild call of spring

that waits over the hill,

and here in love’s bed

wants me you to kiss

and all our trulys touch.

And that is the story

about yes: never trust

a god who does not dance.                        –


©Michael Harlow from Cassandra’s Daughter (Auckland University Press, 2005)










On getting the Prime Minister’s Literary Award for Poetry






11 August 2017


A little diary, my award speech and a photo gallery


A little diary


The Prime Minister’s Awards for Literary Achievement are an occasion to reflect upon why we write, read and circulate stories and poems that matter. For me, as the recipient this year for poetry, this was particularly so. I felt honoured to share a small pocket of public light with two other writers whom I admire greatly, Witi Ihimaera (for fiction) and Peter Simpson (for non-fiction). I got thinking about why I write, why I step out in public on the printed page and how I am in debt to a necessary and much loved support crew.

Books are transformative experiences for both reader and writer whether our ears, hearts and minds are engaged, whether imagination or scholarship takes precedence, whether we speak out in order to challenge injustice, or weave paths both within and beyond the contours of our familiar world.

When I discovered I had to make a short speech at the award ceremony, I knew I wanted to acknowledge some of the people who had got me to where I was, and also make reference to the complicated pleasures of writing. With a four-minute limit, I knew I would be leaving out the rows and rows of poetry books on my shelves that I have loved, from both past and present, not to mention people, friends, family and experience. Like many authors, the prospect of a significant public occasion induces sleepless nights, before, during and afterwards. This was no exception.

I am wide awake, writing this at 3 am, back home after two wonderful days in Wellington, but I can’t stop reflecting back on my initial questions. I am thinking of the children who send poems to Poetry Box, the teachers who understand the power of poetry to do good things (like Ros Ali), the schools that have inspire me as much as I have inspire them. I am thinking of the effervescent conversation I had with Kathryn Ryan on Radio NZ National about children’s poetry; those I have had with book enthusiast Lynn Freeman where I forget I’m on radio because we get so caught up in the pleasure of ideas; dear friends Ruth Todd and Morrin Rout who celebrate poetry on Christchurch’s Plains FM.

I am also thinking of Sarah Ross and how we worked together with Michael Gleissner to get the Sarah Broom Poetry Award off the ground.

I am thinking, too, of New Zealand fiction writers who have made a difference to my writing. Several years of monthly lunches with Emily Perkins, talking books, ideas, secrets. There are little surprises like a getting a package of poetry books from Laurence Fearnley because she couldn’t bear to see them languishing in a second-hand book shop, and how she went back to get the rest for me. Fiona Farrell—like Laurence and Emily, fiction writer extraordinaire— offered to buy me a dress when my luggage went missing at the Wellington Writers Festival.

Last Thursday, when the awards were announced, I got so many lovely emails, I felt overwhelmed. I abandoned my initial impulse to answer each one straight away and went to the supermarket. I forgot dog food and broccoli and other crucial things; I stood in the middle of the vegetable aisle, with the whole writing community whirling about me, like some kind of marvellous winter wrap, and came home with several bunches of blue irises.

Michael and I flew down to Wellington on Tuesday evening, jumped into a taxi, got out in the wintry wet at the National Library because I wanted to be part of Karl Stead’s Poet Laureate book launch.  Along with Greg O’Brien and Chris Price, I had been part of Karl’s celebratory weekend at Matahiwi marae two years ago, and it was a memorable occasion that befitted a writer who has delivered so many literary riches. Again it came back to notions of a writing community and celebrating connections and the power of words. Karl’s laureate book, In the Mirror and Dancing, is a thing of beauty, produced by printer and bookmaker, Brendan O’Brien and Fernbank Studio with illustrations by Douglas MacDiamid. Karl read a suite of tiny Christchurch poems that showcased the sheen of his writing perfectly.

I was invited to read because the book contains a poem dedicated to me on the occasion of my 60th birthday. It is 3.30 am now, and I am thinking back to the morning, when Anna Jackson sent me an email saying HAPPY BIRTHDAY Paula Green in the subject line. I was not sure whether the link was healthy so left it awhile. But when I threw caution to the wind and clicked, I was taken to the online Poetry Shelf for Paula Green. A bunch of poets had written a poem or picked a poem and written a wee note to go into it. I burst into tears at the generosity of it all.

Karl’s gorgeous poem for me, ‘Long Range Forecast’, begins in August and the ‘purple irises are/ out under the vine’. I was transported back to the blue irises in my lounge as I read, lifted back to the warmth of Matahiwi, and then returned to the clarity of image and a tremolo of inference in the poem. I had raced over to buy a limited edition copy and felt the second serendipitous link when I saw I had purchased copy number 60.

The thought of the award ceremony had kept me awake for several nights, squirming with self-embarrassment, yet the actual occasion was a joy. I am taking politics right out of this – Prime Minister Bill English made a speech that came from the heart of a reader, he underlined so clearly the importance of a book culture, of the exchange of stories, and that diverse and distinctive writing is important for all ages. I am proud of any politician, let alone leader of a nation, who can walk up to me and say he has read my book, and discuss it with me, with warmth and intelligence, outside the fact that this election year and I will be voting and responding to serious issues. It felt like a form of respect. When the Michael King recipient, Philip Norman, was making the audience laugh with his witty speech, and I was wondering how on earth I could follow that – Bill English gave me a look and a smile as if to say, you can do it!

I am thinking too of the kindnesses from everyone at Creative New Zealand, especially Malcolm and Jasmyne. Thank you.

It is now 4 am and I am still awake, going back through the reading event at Unity Books chaired by national treasure, Kate De Goldi.  You could hear a pin drop when Witi read his story from the brand new and utterly essential volume, Black Marks on the White Page. Check out the photo below with my eyes shut listening. I adored it.

I was tired, running on empty, wondering whether what flowed out of my mouth would make sense or need subtitles, but when I spoke directly to the secondary-school students, on how to visit a poem, and saw the look on their faces change, everything else faded.

It is 5 am and I am replaying in my head one of my top five poetry experiences: hearing Bill Manhire read ‘Hotel Emergencies’ at Going West. Somehow I got to have coffee with Bill and Norman Meehan on Wednesday and talk music and words in preparation for our session at the festival this year.


That afternoon, I got a taxi back from my prerecorded interview with Lynn Freeman (once again I got caught up in the pleasure of talking books and poetry with her and even found myself talking about my new manuscripts! It’s on air this Sunday). I had the most astonishing taxi ride ever. A third serendipitous thing.

The taxi driver asked me what I did. I am a poet, I said. Well you must tell me a poem, he said. I loved hearing poems when I was a little boy, and I haven’t heard one since then. I can’t, I can’t, I kept insisting. You must, you must, he said, and it must be a lovely poem. I want to hear lovely poetry. So I pulled out my brand new children’s poems and my copy of New York Pocket Book, and read to him until we got to the hotel. He parked the car, lifted both hands from the steering wheel and clapped. It was my once-in-a-lifetime private poetry reading in a taxi. I didn’t tell him I was getting an award that night, and I didn’t have time to ask him his story, to take me back to the little boy listening with such devotion to poetry somewhere else in the world. I felt sad about that. I feel like ringing Combined Taxis, so on my next ride in Wellington, it is his turn to talk.



My award speech

Kia ora tatou. Thank you for the mihi nui. Thank you Rt Hon. Prime Minister Bill English, Rt. Hon. Minister of Arts, Culture and heritage, Maggie Barry, and CNZ. I am greatly honoured. A big hug for Philip, Witi and Peter.


I want to draw a line from the young girl-me half way up the stairs reading AA Milne to the 60 plus me standing here with butterflies and shaking legs, and pin on the line the day James K Baxter stood on our school stage with scruffy beard and bare feet. I went home and wrote pale Baxter poems. Seven days later he died, I drew his portrait in blue, wrrote more pale Baxter poems, walked into the school library, and discovered Hone Tuwhare’s gorgeous elasticity of words.

I pin my travels, meeting Michael in London, discovering we could inhabit our own creative spaces, build a life together with our daughters, our extended family.

I pin the day I met the poetry of Michele Leggott at the University of Auckland when I was doing my Italian degrees, because her enthusiasms were such a boost.

I pin the day Elizabeth Caffin, friend and mentor, with her resolute inspired dedication to local poetry welcomed me into the AUP family, published my first books including Flamingo Bendalingo, running with my madcap desire to have 50 co-poets who were children. To later working with Sam Elworthy.

I pin my second poetry family, the then Random House, the way Jenny Hellen sent my children’s poems sailing, and risked my poetry story book, Aunt Concertina, with Michael’s sumptuous oil paintings. I won’t forget the days we poured over poem picks for the Treasury.

I pin the year of tremendous discoveries-and-challenges that dear publisher and friend Harriet Allen and I shared as we worked with Harry Ricketts to produce and write 99 Ways into NZ Poetry. 

I bring the sheer pleasure of finding 150 NZ Love Poems with Nicola Legat to the line.

I pin fun to the line because of The Letterbox Cat with Scholastic, and I pin the tremendous pleasures of working with Libby Limbrick and Storylines.

My third poetry family is really just one woman: the fabulous Helen Rickerby who published my last two adult collections with Seraph Press. On the line is the way she crafts books of beauty.

I pin the book I am writing now on NZ women’s poetry and the way Rachel Scott from Otago University Press is offers a new poetry family.

I pin booksellers, like Carole Beu, Marion Castree, librarians like dear friend, Elizabeth Jones at National Library, poetry supporter Peter Ireland, the difference research libraries make, devoted poetry publishers big and small, such as Fergus Barrowman Kiri Piahana Wong, working with Catriona Ferguson at the New Zealand Book Council.

I pin contemporary poetry books I’ve loved including Manhire Hall Bush Hawken O’Brien Neale Wedde Wallace Avia Tusitala Marsh Tse Price Mettner Bird Barnett Kan McQueen Eggleton Smither current Laureate CK Stead. Oh and Bethell. [and another 50 if I had had time, so many other loves, forgive me]

I pin writer friendships that get me over humps and hurdles and inspire: dear Anna Jackson, Angela Andrews, Anne Kennedy, Tusiata Avia, Jenny Bornholdt, Sue Orr.

So why do I love poetry? What difference does it make in a world affected by hunger, greed, homelessness, hatred, an intolerance of difference?

For me it comes down to JOY. As unofficial ambassador for children’s poetry, I want to fire up poems in children, and make sure that rarefied beast, a New Zealand children’s poetry book, continues to be published.

Adult poetry here, in contrast, is like an orchard abundant with fruit.

Last week Bernadette Hall told me this award is like a warm embrace from the writing community. I agree; we’re one big expansive community made up of many small distinctive families and while there are glaring and troubling lacks, we need more Māori, Pasifika and Asian poets in print, we can celebrate nourishing connections. We show and continue to show that books matter from 0 to 100. I’m filled with a warm community glow. Thank you.


A photo gallery


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Photo credit: Creative New Zealand. Photographer: Neil Mackenzie.


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Photo credit: Creative New Zealand. Photographer: Neil Mackenzie.

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Photo credit: Creative New Zealand. Photographer: Neil Mackenzie.

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Photo credit: Creative New Zealand. Photographer: Neil Mackenzie.


Photo credit: Creative New Zealand. Photographer: Neil Mackenzie.

Some informal phone shots:









Unity Books event with HLB as a perfect backdrop:












2017 Prime Minister’s Awards for Literary Achievement announced

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Paula Green, Peter Simpson (photo: Marti Friedlander), Witi Ihimaera.



Creative New Zealand has announced the winners of the 2017 Prime Minister’s Awards for Literary Achievement. They are internationally renowned Māori novelist Witi Ihimaera, literary historian and fine arts writer Peter Simpson and popular poet and children’s author Paula Green.

Each will be awarded $60,000 in recognition of their outstanding contribution to New Zealand literature. Witi Ihimaera will be honoured for fiction, Dr Peter Simpson for non-fiction, and Dr Paula Green for poetry.

Arts Council Chair Michael Moynahan said, “Our congratulations to this year’s recipients who are being recognised for their extraordinary legacy of literary achievement. As leaders in their respective crafts, they have engaged New Zealand readers with their story telling and have inspired other New Zealand writers to build on their literary legacy.”

The awards will be presented at a ceremony at Premier House in Wellington, on Wednesday 9 August. The 2017 Creative New Zealand Michael King Writer’s Fellowship winner, Dr Philip Norman, will also be honoured at the ceremony.

The Prime Minister’s Awards for Literary Achievement were established in 2003. Every year New Zealanders are invited to nominate their choice of a writer who has made a significant contribution to New Zealand literature in the genres of non-fiction, poetry and fiction. New Zealand writers are also able to nominate themselves for these awards.

Nominations are assessed by an expert literary panel and recommendations forwarded to the Arts Council of Creative New Zealand for approval.  This year’s selection panel was Rachael King, Nicola Legat, David Eggleton and Briar Grace-Smith.

A full list of previous recipients can be found on the Creative New Zealand website.

The Creative New Zealand Michael King Writer’s Fellowship is open to established writers of any literary genre who have already published a significant body of work. Valued at $100,000, it is awarded annually for a project that will take two or more years to complete.


Creative New Zealand and Unity Books invite you to a free literary event

The recipients of the 2017 Prime Ministers Awards for Literary Achievement will read and discuss their work with author Kate De Goldi.

This is a free event at Unity Books, 57 Willis Street, Wellington on Thursday 10 August, 12.30-1.15pm. All welcome. More info: http://bit.ly/2uD2ATe


For media enquiries, please contact:

Jasmyne Chung
Senior Communications & Advocacy Adviser
Creative New Zealand
M: 027 838 8868 | DDI: (04) 498 0727



2017 Prime Minister’s Award for Literary Achievement – Fiction

Witi Tame Ihimaera-Smiler, DCNZM, QSM (Te Aitanga-a-Māhaki, Auckland, born Gisborne)

Born in Gisborne, Witi Ihimaera is a novelist, short story writer, filmmaker, anthologist, librettist and playwright. He is of Te Whānau a Kai, Te Aitanga-a-Māhaki, Rongowhakaata, Ngāti Porou and Tūhoe descent. He has the distinction of being the first Māori writer, in 1972, to publish both a book of short stories and a novel. His novel, The Whale Rider, became an internationally successful feature film and Māori Boy: A Memoir of Childhood won the General Non-Fiction Award at the 2016 Ockham New Zealand Book Awards. His most recent books are Black Marks on the White Page, co-edited with Tina Makereti, and Sleeps Standing, with te reo translation by Hemi Kelly, about the Battle of Orakau.

Regarded as one of the world’s leading indigenous writers, Witi has held numerous writing residencies and fellowships. He holds an Honorary Doctorate from Victoria University of Wellington, and in 2009 he was honoured as an Arts Foundation of New Zealand Laureate as well as the supreme Māori arts award Te Tohu mō Te Arikinui Dame Te Atairangikaahu at the Creative New Zealand Te Waka Toi Awards. He was named a Distinguished Companion of the New Zealand Order of Merit in 2004. Last month the French Government appointed him a French Knight of the order of arts and letters (Chevalier de l’ordre des Arts et des Lettres) for his contribution to literature.

The selection panel described Witi as one of New Zealand’s most important post-colonial writers, who has consistently proved to be an outstanding storyteller, celebrated as a voice for Māoritanga and a literary leader.


2017 Prime Minister’s Award for Literary Achievement – Poetry

Dr Paula Green, MNZM (Auckland)

Paula Green is a poet, reviewer, anthologist, children’s author, book awards judge and blogger. She has published ten poetry collections, including several for children. In 2017, she was admitted to The New Zealand Order of Merit for Services to poetry and literature.

Paula has also co-edited a number of highly regarded anthologies, including 99 Ways into New Zealand Poetry, with Dr Harry Ricketts, which was short-listed for the 2010 NZ Post Book Awards. She runs two influential poetry blogs, NZ Poetry Box and NZ Poetry Shelf, and has been a judge for the NZ Post Book Awards, the NZ Post Secondary School Poetry Competition, and the inaugural Sarah Broom Poetry Prize in 2014.

Her recent publications include a collection of her own poems for children, The Letterbox Cat and Other Poems, which won Children’s Choice at the 2015 NZ Book Awards for Children and Young Adults, and an anthology of children’s verse, A Treasury of NZ Poems for Children. Her latest adult collection, New York Pocket Book, was published in 2016.

Paula has a Doctorate in Italian and was Literary Fellow at The University of Auckland (2005). She is a regular guest in New Zealand literary festivals and frequently performs and undertakes workshops in schools from Year 0 to 13.

The selection panel said Paula stood out amongst the nominees for this year’s Prime Minister’s Award for Literary Excellence in Poetry as an accomplished all-rounder, with special distinction as an author of children’s poetry. They described her as “a significant figure in New Zealand poetry as an anthologist and commentator” and as a leading poet.


2017 Prime Minister’s Award for Literary Achievement – Non-fiction


Dr Peter Simpson (Auckland, born Takaka)

Peter Simpson is a writer, editor, critic, curator and academic who has been writing about New Zealand literature, art and culture for more than 50 years. His first book, on Ronald Hugh Morrieson, was published in 1982; since then he has published eight sole-authored books, edited 12 other books, made substantial contributions to 25 other titles, published more than 100 articles in journals in New Zealand and overseas, and scores of reviews in newspapers, periodicals, scholarly journals and online.

He has taught at several universities in New Zealand and Canada between 1964 and 2008. Peter was co-founder and director of Holloway Press, 1993 -2013, publishing some 40 books. He has curated six exhibitions on Leo Bensemann and Colin McCahon for Hocken Collections, Auckland Art Gallery, Christchurch Art Gallery, Lopdell House Gallery and New Zealand Portrait Gallery.

Peter was awarded the 2012 Creative New Zealand Michael King Writer’s Fellowship. The book written during that Fellowship, Bloomsbury South: The Arts in Christchurch 1933-1953, was shortlisted for the illustrated non-fiction category of the 2017 Ockham NZ Book Awards.

The selection panel said Peter’s many books and other writing attest to his ability – both as a literary historian and as a writer on the fine arts – and that he has contributed significantly to the nation’s literary culture over many years.

2017 Michael King Writer’s Fellowship


Dr Philip Norman, CNZM (Christchurch)

Award-winning author and composer Dr Philip Norman has compiled three editions of the Bibliography of New Zealand Compositions, including biographies of some 120 New Zealand composers and descriptions of 4,000 of their works.

He has co-authored, edited or contributed to numerous other books and publications on New Zealand music. From 1980-1991 he was the principal music reviewer for The Press in Christchurch, writing more than 700 reviews.

In addition to being a writer Philip has composed more than 250 works, from orchestral, chamber music and opera through to choral works, musicals and ballet. He composed music for Footrot Flats, New Zealand’s best-selling musical, and for the Royal New Zealand Ballet’s successful Peter Pan, which is shortly to receive a repeat season in Perth, Australia.

About the Michael King Fellowship 2017:

The $100,000 Michael King Fellowship has been awarded to Dr Phillip Norman to create a history of New Zealand composers and their work from the start of European settlement to present day. Philip will use the fellowship to complete a lifetime of work studying New Zealand classical music identifying influential composers, works and performances, and tracing key developments through the decades.


To celebrate Prime Minister’s Literary Award: a poem by David Eggleton


Prime Minister’s Literary Award for Poetry 2016: David Eggleton

To celebrate David Eggleton’s well-deserved honour, here is a poem from his award-winning book, The Conch Trumpet. Having just watched the second presidential debate, reading this lucid lament was a perfect antidote to my allergic reaction to stupidity.

David has gifted us a sumptuous and kinetic weave of lines across decades. He dares to challenge. He makes words sing. He lets us into an idiosyncratic and  warm absorption of the world about him, whether it is back country or city streets. Read one of his poems, and you get to see the world a little differently. Hear him read one of his poems and you are shuffling on your feet. His poetry is a banquet of constant return.

Congratulations David!


Clocks, Calendars, Nights, Days


Bitterness of bees dying out,

honeyless clouds, forest drought,

red, yellow, charcoal’s grain,

eyes smarting from a world on fire,

air thick with grit; cleave to it.

                                      by clocks, calendars, nights, days


Bog cotton frenzy of winter

dancing erasures over hills,

leaf litter corrected by snow;

fog quickly swallows the sea,

then starts in on the shore.

                                  by clocks, calendars, nights, days


Skerricks of twigs skim high,

flung far from grips of fists;

remember to dip your bucket

deep into the morning sun,

but don’t drown in apathy.

                                    by clocks, calendars, nights, days


Then down in earth’s mouth,

a slow song about the rain,

as you heave from the dark

to hear a thunderous beat

clocking on the old tin roof.

                                         by clocks, calendars, nights, days


By fast, slow, high, deep;

by sing, dance, laugh, sleep;

by climb, fall, jump, walk;

by chance, breath, cry, talk;

by clocks, calendars, nights, days.

                                    by clocks, calendars, nights, days


©  David Eggleton, The Conch Trumpet, Otago University Press, 2015

Congratulations: David Eggleton wins Prime Minister’s Award for Literary Achievement in Poetry



The recipients of the Prime Minister’s Awards for Literary Achievement for 2016 have been announced today. Writers Atholl Anderson, Marilyn Duckworth and David Eggleton will each be awarded $60,000 in recognition of their outstanding contribution to New Zealand literature.

The three winners were agreed by the Arts Council of Creative New Zealand, based on public nominations and the recommendations of a selection panel. Atholl Anderson will be recognised for non-fiction, Marilyn Duckworth for fiction and David Eggleton for poetry.

Arts Council Chairman, Dr Dick Grant, says, “The Prime Minister’s Awards for Literary Achievement differ from other prizes in that they recognise a career and a significant body of acclaimed work, rather than a single work of literature. The contribution of nominees to the literary community over time is also taken into consideration.”

Dr Grant says, “I congratulate these wonderful authors on their selection for this prestigious award. It’s important that we honour New Zealand writers in this way, to recognise achievement at the highest level, but also to inspire young writers to envisage a writing career for themselves that will continue to build on this literary legacy into the future.”

The awards will be presented at a ceremony at Premier House in Wellington, on Wednesday 12 October.

The Prime Minister’s Awards for Literary Achievement were established in 2003. Every year, New Zealanders are invited to nominate their choice of a writer who has made a significant contribution to New Zealand literature in the genres of non-fiction, poetry and fiction. New Zealand writers are also able to nominate themselves for these awards.

Nominations are assessed by an expert literary panel and recommendations forwarded to the Arts Council of Creative New Zealand for approval.  This year’s selection panel was Jock Philips (Chair), Jill Rawnsley, John Huria, Morrin Rout and Murray Edmond.

A full list of previous recipients can be found on the Creative New Zealand website.

Creative New Zealand and Unity Books invite you to a free literary event

The recipients of the 2016 Prime Ministers Awards for Literary Achievement will read and discuss their work with broadcaster, Kathryn Ryan.

This is a free event at Unity Books, 57 Willis Street, Wellington on Thursday 13 October, 12-12.45 pm. All welcome.

Additional notes: author biographies

David Eggleton (Dunedin). David Eggleton has published eight collections of poetry, most recently The Conch Trumpet, which was the winner of the Ockham New Zealand Book Award for Poetry in 2016. He is well-known as a performance poet and as well as his poetry appearing in numerous anthologies over a long period of time, he has also been involved with many documentaries and recordings of New Zealand poetry. While continuing to produce his own poetry, Eggleton also gives back to the New Zealand poetry community by editing both Landfall magazine and Landfall Review Online. As one of his nominators commented, ‘he has, for over 30 years, made a vital contribution to the poetry community throughout New Zealand.  He is truly a bard, a bard with street credentials. He sings our nationhood.’

Marilyn Duckworth OBE (Wellington). Marilyn Duckworth has a long history of publishing fiction. She has published 16 novels, a novella, a collection of short stories, a collection of poetry and her autobiography. Duckworth has received numerous awards, fellowships and residencies over the course of her career including the Katherine Mansfield Memorial Fellowship to Menton, the Victoria University Writer-in-Residence, the Auckland University Writer-in Residence and, more recently, she has been the New Zealand Society of Authors President of Honour. Duckworth has also been active in the literary community as a mentor and support to many writers and she has been a Trustee on the Katherine Mansfield Memorial Fellowship Trust for many years.

Professor Atholl Anderson (Ngāi Tahu, Blenheim). Atholl Anderson CNZM, FRSNZ, FAHA, FSA is an outstanding writer, researcher and communicator who has carried out many years’ research throughout the Pacific and Indian Oceans. He has directed numerous archaeological excavations, published prolifically, and been the recipient of many awards including the 2015 Humanities Aronui Medal from the Royal Society and the 2016 JD Stout Fellowship. He has made a significant contribution to tribal history in southern New Zealand, with books such as The Welcome of Strangers (1998) and Ngāi Tahu: A Migration History, edited with Te Maire Tau (2008). He is an Emeritus Professor at the Australian National University, Adjunct Professor of History at the University of Canterbury and Honorary Professor of Anthropology at the University of Otago. His publications include Tangata Whenua: An Illustrated History, with Judith Binney and Aroha Harris, which won the Non-fiction award at the 2016 Ockham New Zealand Book Awards. This book has also won several other awards over the past year.