Tag Archives: Paula Green

Sarah Jane Barnett interviews Paula Green

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Sarah Jane Barnett recently interviewed me about my new collection, New York Pocket Book. The shoe was on the foot, for a change! I really enjoyed the questions.  Took me right back to New York!

For the complete interview go here.

SJB: The poems in New York Pocket Book touch on the idea that the experience of being a tourist can give us a new way to see and experience ourselves. The collection’s main character, Josephine, closely observes her new experiences – the ‘American accent dipping and pausing,’ the ‘Manhattan sky.’ The idea works on two levels, with Josephine experiencing New York and with the reader experiencing Josephine. Can you speak to this idea in terms of your poetry? Do you see the poem as a way to provide a reader with a new experience of themselves?

PG: Perhaps any book refreshes our view of ourselves to varying degrees, but I really like the multiple reading experiences you have spotted. Learning another language for years, I always felt I wore my clothes slightly differently, that I had licence to be a slightly different person. I get that feeling when I stay in foreign cities. I am both myself and not myself. I eat things I might not normally eat. My daily routine goes out the window. So is it a stretch to say the reader in entering a book that is anchored in an iconic place, triggers different relations with the world and self? I don’t know but it’s a fascinating idea. One of the upshots of learning another language, is the way you learn more about your own language. Conversely, when someone speaks a foreign language they always leave clues about their mother tongue. When we experience a new city, we open windows on the familiar as much as we do the unfamiliar. So perhaps the poem is the surrogate new city, the surrogate new language.

Josephine is somewhat elusive. You are right in that you view her through a New York filter (and vice versa) and everything else lands in accidental traces. Some readers might crave more of her backstory but I resisted that. There are some red-hot traces though hiding away. This is a pocket book after all.

THE BOOK SHOW ON FACE TV TONIGHT AT 8.30PM includes a bit of poetry

The Bookman teams up again tonight with bookseller Carole Beu for another session of author interviews, book reviews and news.

Face TV is Sky Channel 83. If you don’t have Sky or miss the show then it will be linked here and here tomorrow morning. The show also screens on Thursday October 2nd at 12.30pm on Face TV.

This week Graham Beattie is talking to crime fiction author Paul Thomas while Carole chats to poet/author Paula Green.

My Christchurch travel diary

Yesterday I left home when it was dark which gave me an idea for a poem. Flying down I saw skinny strips of cloud like skinny strips of dental floss.

I drove straight to Rangiora High School from the airport. On the way I discovered Green’s Road. I made up poems with a Year 10 then a Year 9 class that I posted on my other blog, NZ Poetry Shelf. I really loved listening.

And then another idea for a poem because my hotel has a cat. It came and miaowed outside my door as though it knows my new book is called The Letterbox Cat. This cat needs a poem but for now it has a photo.

Yeah NZ Book Council. Thanks for bringing me south!

Talk soon,
Paula

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On the hunt for children and classes to interview authors in A Treasury of NZ Poetry for Children

You might know just the child or class for this job!

To celebrate the arrival of A Treasury of NZ Poetry for Children in October (Random House), my own poems in The Letterbox Cat in August (Scholastic) and NZ Poetry Box, I am doing masses of things.

A Hot Spot Poetry Tour of NZ for about a month is the main act.

But I am also looking for children and classes to devise an interview for and write a short bio of an author in the Treasury. I will give help where needed!

I am assigning names to children and classes who get in touch. So some are already taken!

I then send the questions to the author.

I will post interviews in October.

I will give a copy of The Treasury to my favourite interview by a child and my favourite by a class.

More details here.

Emma Neale on being shortlisted for the Sarah Broom Poetry Award

This is a terrific piece of writing. Emma offers us a moving tribute to Sarah, her love of her poetry and a poem– amongst other things.

‘Now that I am settling down a bit from the giddy whirl of the Auckland Readers and Writers Festival, I want to repeat here how much admiration I have for Michael Gleissner and the other trust members who set up the Sarah Broom Award. To do this so soon after losing Sarah must have taken an enormous amount of energy and focus at a very raw and vulnerable time. I know from all the positive feedback and well-wishing I was lucky enough to receive even as a short-listee, that the wider poetry community has been highly aware of the award and the chance it offers to local poets.

It was a hoot to meet Sam Hunt at the session, and Kirsti Whalen showed really professional slam-background confidence. I’ve owned Sam’s poems since I was 13: though back then I didn’t have a clue what all the fuss about love and desire was. Adults seemed tortured by such bizarre emotions. Sam not only takes poetry to the people but also does a mean tap dance — look him up on YouTube. Also his interview on National Radio about the Sarah Broom Award is a marvellous recording. It’s the kind of radio that makes you forget how to multi-task. You just end up frozen in place, dishcloth at the window, struck in an attitude of intense distraction.’

See the rest of Emma Neale’s post here.

Three Poets on Love

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I was invited to contribute a piece on Love to Awkword Paper Cut blog run by Michelle Elvy (it draws in writers from NZ and USA to write on writing). Even though I edited an anthology of love poems (Dear Heart) and I feel I write primarily out of love, I don’t write many love poems.  It was a fascinating thing to do– to write the piece.

You can read the three pieces here.

 

Earlier this year, I read ‘Iambic pentameter’ by Patricia Sykes, a poem about voice and rebellion and learning to stand on one’s own two feet. In Sykes’ bio, I read of her collaboration with composer Liza Lim, and I was so intrigued by this project that I followed the links to Lim’s webpage and found myself lingering late one night over her piece called ‘Love Letter, 2011’ – inspired and linked in various ways to James Tenney’s ‘Postal Pieces’. Tenney’s experiment is described as a “meditation on acoustics, form, or hyper-attention to a single performance gesture”. Lim’s ‘Love Letter’ is similarly experimental, something she describes as a mere “prompt, an invitation to the performer to participate in a process of honouring someone (‘their beloved’) [while] all the true work lies with the performer” – something which prompted me to reflect even more on ideas linking passion, voice, heartbeat and distances we traverse both physically and spiritually in the name of love.

– See more at: http://www.awkwordpapercut.com/13/post/2014/04/writers-writing-about-writing-about-love.html#sthash.Nnocbapg.dpuf

 

To celebrate my tiny role as the Curnow Reader I have The Baker’s Thumbprint to giveaway on Poetry Shelf

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On Friday night I will be reading poems as the Curnow Reader at the Going West Literary Festival. To celebrate this occasion I have copy of my recent collection, The Baker’s Thumbprint, to give to someone who likes this post. Cheers!

Friday 13th, Titirangi Hall

7. 00pm Welcome/Mihi

7.30 The Curnow Reading: Paula Green

7.50 KeynoteAddress: Charlotte Grimshaw: In Conversation–On Conversation

8.30 Leadership in a Landscape: Sir Bob Harvey

9.30 Supper and wine