Poetry Shelf review: Ruby Solly’s Tōku Pāpā

Tōku Pāpā, Ruby Solly, Victoria University Press, 2021

Over the past year, in all my musings and readings, books have felt so very precious. Books crossing myriad categories, books for adults and books for children. Poetry has been especially precious. Aotearoa is alive with poetry communities; there’s such a richness of voice on the page and in the air (and on the screen). And it is so valued.

Pick up a poetry book, hold the book in your hand and feel its preciousness. I picked up Ruby Solly’s debut collection and it felt like I was holding love. The love imbued in the stitches and seams of its making. The photograph will hold you still and steady and already you know that in this book people will be at its heart. Its core.

Enter a poetry book that catches your heart and every pore of your skin, and you enter a forest with its densities, its shadows and lights, canopies and breaths, re-generations. You will meet oceans and rivers and enter different ebbs and flows, different currents, fluencies. You will reach the sky with its infinite hues, dreamings, navigations, weatherings (storm washed, sunlit, moonlit). You will meet the land with its lifeblood, embraces, loves, whānau, anchors.

This is what happens when I read Ruby Solly’s Tōku Pāpā.

When you first told me

that you gave me the name of our tupuna

so that I would be strong enough

to hold our family inside my ribcage,

I believed you.

The collection is in two connected parts, like the two parts of a heart, ‘awe’ and ‘kura’, two nouns linked by feathers, leading us to the ‘essence of soul’, ‘strength, power, influence’ and the red feathers used as ‘decoration, treasure, valued possession, heirloom, precious possession, sacred, divine law, philosophy, darling, chief’, and the ability to glow.

The untitled poem that begins the collection (quoted in part above), before awe and kura, addresses ‘you’, and in this heart-opening the poet draws deep into the knowledge and love and whānau that shape and nourish her, the wairua, the dark places and the light.

I am reminded of Robert Sullivan’s terrific poem ‘Voice Carried My Family’ (AUP). Voice carries Ruby, and her voice ‘carries’ everyone she thanks in her acknowledgement page. The collection has myriad tributaries, but a key river is finding voice. She is addressing her Pāpā. She is voicing her relationship and that voice is modulated as musician, as poet, as human being. She is listening to the past and the present, she is writing a river, an ocean, the sky, the land. A forest. A whānau.

The words flow like a solo instrument, with the poet as bow and breath.

There is stillness and movement, and there is always heart. You will find yourself in the scene, and the scene will pulsate and be luminous with life:

We sit together in silence,

deep in the mountain’s quiet heart.

Watching our breath melt away

the walls around us.

from ‘He Manawa Maunga’

There is a road trip to the ballet and a machete blade to be readied for work. Custard tarts are eaten as a car fills with smoke. There are swimming lessons. There is underwater and above water. There is finding the current and then finding breath. There is warmth and there is wisdom.

I especially love ‘Eulogy’ and the father wisdom:

As a child

whenever I was angry,

inconsolable,

my father would tell me to write a eulogy

to the person who had caused me pain.

He said that by the end of it

I would see

that even those who cause us pain

are precious to the world.

from ‘Eulogy’

This precious book – that in its making, its stands, rests and journeys from and towards so much – is the reason why I cannot stop reading and sharing thoughts on and writing my own poetry. The book is a gift and like so many other readers I am grateful. Kia ora Ruby. Thank you.

Ruby Solly (Kāi Tahu, Waitaha, Kāti Māmoe) is a writer, musician and taonga pūoro practitioner living in Pōneke. She has been published in journals such as Landfall, Starling and Sport among others. In 2020 she released her debut album, Pōneke, which looks at the soundscapes of Wellington’s past, present and future through the use of taonga pūoro, cello, and environmental sounds. She is currently completing a PhD in public health, focusing on the use of taonga pūoro in hauora Māori. Tōku Pāpā is her first book.

Victoria University Press page

Ruby talks with Kathryn Ryan on Nine to Noon

On Poetry Shelf: Ruby’s poem ‘Pōria

On Poetry Shelf: Ruby’s poem ‘Dedication

Ruby Solly premieres a video for her new album Pōneke and a wānanga with essa may ranapiri

Cover photograph: Taaniko Nordstrom and Vienna Nordstrom, Soldiers Rd Portraits

Poetry Shelf noticeboard: Best NZ Poems 2020 goes live

Poet Laureate David Eggleton has edited the latest edition of Best NZ Poems 2020. He concludes his introduction with these words:

I hope you will enjoy reading these poems as much I have on my year-long odyssey for which I didn’t have to leave home. I’m glad to have had the privilege of the journey and its discoveries. Discoveries rather than judgements because poems are essentially playful and deeply wilful and a law unto themselves and won’t be judged. As the American poet Archibald MacLeish put it in his brilliant formulation about the art of poetry: ‘A poem should not mean/ But be.’

I had already read most of the poems – but I loved revisiting them. Poems are like albums; you can put them on replay and they just get better.

Go here for poems, introduction and audios.

Poetry Shelf noticeboard: Partricia Grace to judge 2021 Sargeson Prize

The 2021 Sargeson Prize launches today, on Thursday April 1.

The Sargeson Prize is New Zealand’s richest short story prize, supporting our country’s creative writing talent – including the younger generation. Now in its third year, the competition is named for celebrated New Zealand writer Frank Sargeson, and is sponsored by the University of Waikato. It was established by Catherine Chidgey, Senior Lecturer in Creative Writing at the University of Waikato, in 2019.

Acclaimed New Zealand writer Patricia Grace is the chief judge in this year’s Sargeson Prize. 

“We are enormously lucky to have her as a judge, and she brings such mana to the competition,” says Chidgey. “She’s put New Zealand literature on the map internationally, and she’s hugely respected. Her stories are well-known and loved.”

For more information on the Sargeson Prize, see the attached media release or visit the University of Waikato website here.

This year, winning stories in both the Open and Secondary Schools category will be published online on ReadingRoom, the literary arm of Newsroom.

Poetry Shelf celebrates new books: Victor Billot reads from The Sets

The Sets, Victor Billot, Otago University Press, 2021

Victor Billot reads ‘The Sets’ from his collection plus two new poems: ‘An Award Winning Campaign’ and ‘The Youngest One’.

Victor Billot was born in Dunedin, New Zealand in 1972. He has worked in communications, publishing and the maritime industry. His collection The Sets was published by Otago University Press in February 2021.

In 2020 he was commissioned by the Newsroom website to write a series of political satires in verse and is now embarking on a new series. His poems have been displayed in the Reykjavik City Hall and in Antarctica.

Otago University Press page

Victor’s website

Poetry Shelf noticeboard: Tonight Food Court / Enjoy Poetry Reading

At Enjoy Contemporary Art Space 211 Left bank, Cuba Street

Join a selection of readers invited by Food Court Books and Enjoy Contemporary Art Space, writing around the edges of queerness and culture, intimacy and (literary) history.

Readers for the night include


Chris Tse
Sam Duckor-Jones
Khadro Mohamed
Dani Yourukova
Hannah Mettner
Joanna Cho
Areez Katki
With more to be announced.

This event is programmed alongside Areez Katki’s exhibition History reserves but a few lines for you, on until 3 April.

Poetry Shelf noticeboard: Poet Laureate David Eggleton picks two Peter Olds poems

The sky turned black as night,
sirens wailed, streetlights blinked
at stalled streets, the air streaked
like some New York modern painting:
Surreal, unreal, leaving high tide
marks of ice in the doorways of
mid-town shops

from ‘Hail & Water ‘ by Peter Olds

Two terrific poems by Peter Olds on The Poet Laureate site

Poetry Shelf noticeboard: Going West podcast – Paula Green in conversation with Bill Manhire and Norman Meehan

This is one of my favourite sessions I have chaired ever!

Paula Green, poet, anthologist, reviewer and children’s author, with her newly minted honours and awards, shares the stage in a charming conversation with poet, short story writer and academic Bill Manhire, and jazz composer and performer Norman Meehan, as they disclose the alchemy of setting poetic text as song. They discuss their latest collaboration, the riddle project, Tell Me My Name, and along the way Bill Manhire reads two of his poems Frolic and I am quiet when I call.

This session took place the day after Manhire, Meehan and friends delivered a captivating opening night performance, Small Holes in the Silence for the Going West audience.

Listen here

Poetry Shelf Monday Poem: Rebecca Hawkes’s ‘Poem about my heart’

Poem about my heart

you have one job
which is to hold this
disturbingly large moth
battering the woven
basket of your fingers

every instinct whirring
to close your fist and crush it
or open your palms
set the gross insect loose
free your hands for other tasks

but this is your job
the having and the holding
the moth fluttering scaly wings
into moon dust that stains your skin
ghastly silver as you do not ask

how did this thing even get in here
just maintain your grasp
on the fragile stupid alien
that flew to your light and would not go
until you caught it and it was yours

Rebecca Hawkes

Rebecca Hawkes is a queer pākehā poet, painter, and PowerPoint slide ghostwriter living in Te-Whanganui-a-Tara. Her chapbook ‘Softcore coldsores’ can be found in AUP New Poets 5. She is co-editor of the journal Sweet Mammalian and an upcoming anthology of climate change poetry, and is a founding member of popstar performance posse Show Ponies. More of Rebecca’s writing and paintings can be found in journals like Starling, Sport, Scum, and Stasis, or online at her vanity mirror.

Poetry Shelf noticeboard: CubaDupa Interactive Karaoke Participatory Poetry 27 / 28 March

Interactive Karaoke Participatory Poetry

Book a spot on our glittering Leftbank stage this CubaDupa, where you’ll get to choose from a selection of high-rotation poems to perform to a rapt audience of friends, strangers and the occasional pigeon. Feeling emo? Seducing a crush? Or do you just love…. words? HIT ME BABY ONE MORE RHYME: POETRY KARAOKE is a sequinned love letter to two of our favourite art forms. Presented by Satellites and curated by Chris Tse, this experience features chart-toppers like Mohamed Hassan, Tayi Tibble, and William Shakespeare — and brought to life by a rotating cast of hosts and pop-up performers including Rose Lu, Freya Daly Sadgrove, Brannavan Gnanalingam, Rebecca Hawkes and Eamonn Mara.

Go here