Category Archives: Uncategorized

New Executive Director for The Michael King Writers Centre brings a wealth of experience

New Executive Director brings a wealth of experience

The Michael King Writers’ Studio trust is very happy to announce the appointment of Ka Meechan as the new Executive Director of the Writers’ Centre.

Ka has comprehensive knowledge of the international book trade from over 30 years of experience working in New Zealand, the UK and Australia. She has travelled extensively during her career working with clients and partners across the globe.

In August 2013 Ka left her role as Managing Director, Asia Pacific with Nielsen Book Services where she was responsible for revenue and client management across the range of  bibliographic information and retail sales monitoring services  in the Asia Pacific region encompassing Australia, New Zealand and the Asian countries bordering the Pacific.

For the past two years Ka has worked with the Publishers Association of New Zealand (PANZ). Most recently she organized the PANZ International Summit in May and the PANZ Book Design Awards in July. She also project managed the Visiting Author component of New Zealand’s Guest of Honour programme at the Taipei International Book Exhibition (TIBE) in February 2015.

Ka says:  I am very much looking forward to working with the Michael King Writers’ Studio Trust to build on the successes achieved over the last ten years.

Catriona Ferguson, Chair of the Trust says “Ka will bring energy and enthusiasm along with vast experience of the literature sector to the Trust. We are thrilled that she has accepted the role of Executive Director”.

As the first national writers’ centre in Aotearoa New Zealand, the Trust’s mission is to support quality New Zealand writing and the development of New Zealand writers. The centre is based in the old Signalman’s House on Takarunga Mt Victoria, Devonport, Auckland.

 

Ka will take up her appointment on Tuesday 01 December 2015.

Amy Brown’s Ekphrasis Lessons – this is really useful

Amy Brown has provided an easy, approachable introduction to ekphrasis for students, teachers and anyone who wants to do some creative writing but isn’t sure where to start.

The project was supported by the Ian Potter Museum of Art – all the images come from their wonderful Grimwade ‘Miegunyah’ Collection.

Here’s the link.

Just out: Landfall 230 is a strongly multicultural issue – includes Grattan Awards poems

Landfall 230

 

Press release:

 

Landfall 230 is a strongly multicultural issue, reflecting the diversity and energy of contemporary New Zealand writing, with contributions by, among others, writers of Mexican, Samoan, Rotuman, Chinese, Irish and Indian backgrounds.

A significant series of just-completed small oil paintings by Jeffrey Harris make up the first stunning art portfolio in this issue, followed by a series of 2015 paintings by Emily Karaka.

 

Featuring new poems by Riemke Ensing, Michael Harlow, Fiona Kidman, Cilla McQueen, Robert Sullivan, Peter Olds, Bernadette Hall, Airini Beautrais, Olivia Macassey, Kay McKenzie Cooke, Carolyn McCurdie, Hannah Mettner, Joanna Preston and Rogelio Guedea (translated by Roger Hickin) — Landfall 230 demonstrates the vitality and range of current poetic practice in New Zealand.

The Landfall Review includes, among other reviews, William Dart’s commentary on a recently published collection of writings by composer Douglas Lilburn; Peter Simpson’s review of Charles Brasch: Selected Poems; David Herkt writing about novelist James Courage; and Paul Moon’s review of Tony Ballantyne’s Entanglements of Empire: Missionaries, Māori and the question of the body.

Emma Neale, judge of the 2015 Kathleen Grattan Poetry Award, takes us through the difficult process of choosing a winner; and there is a showcase selection of the four best essays from the 2015 Landfall Essay Competition – eloquent, passionate, exhilarating non-fiction delivered by Tracey Slaughter, Philip Braithwaite, Louise Wallace and Therese Lloyd.

Celebrating the power of the literary imagination with inside stories and true confessions, short fictions and thoughtful critiques, Landfall 230 is testament to the rich variety and dynamism of the current state of New Zealand culture.

 

 

Landfall 230

Edited by David Eggleton

Release Date: November 2015

ISBN 978-1-877578-91-5, $30

http://www.otago.ac.nz/press

Poetry is off to Menton

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I am so delighted Anna Jackson is the 2016 Menton recipient. When a poet goes to Menton, poetry benefits (thinking of Bill Manhire and Jenny Bornholdt).

Last Friday, with no inkling of the news, I posted this poem by Anna. I can’t wait to see what she does in France.

 

 

Scenes from the photographer’s childhood: wardrobe

 

She kneels in the red light of her wardrobe, leaning

over one tub of chemicals to pull out the dripping

sheet from the one in the far corner, the space so

small, the smell so sharp, the image not that

of her mother, poking her amused face

around the bathroom door as she heaved

it open, pushing across the floor the barricade

set up to keep her out, nor of her own fury, still

sharp days later, but the shot she had taken

seconds earlier of her body, her legs

half shaven, still half dressed in foam.

Every night, without fail, whatever

time she takes her bath, within minutes

her mother suddenly just has to wash

her hands. It is this, even more than the

ruined image, that makes her scream

when her mother opens the wardrobe now,

an extended scream that the exhausted

mother next door, in her faded blue thrift

shop dress, covered in spilt milk, thinks will

never end, and so joins in, even though

it will wake the baby, which it does: and now

they are all screaming, the girl in B, the neighbour

in G, and the baby in F, a long, tense chord

of such helpless rage, almost a panic, it seems

it must rise up, it will ruin them all, there

can never be any release, their throats, all three,

scraped raw, the scream continuing, the

exhausted mother holding, perfectly, her note

of G, as the baby drops to E, the photographer

rising to C, holding for four beats and then

stopping, just as the baby stops, and so

the mother stops too and for the long moment

before the baby starts again, stands rapt

in the most perfect silence

she has ever known and will ever know

again, milk all through her dress, blue

jug in pieces on the floor,

exactly at the midpoint of her life.

© Anna Jackson 2015

 

 

Author bio: Anna is the Programme Director in the English Department at Victoria University. She has published five poetry collections, including Thicket, which was shortlisted for the New Zealand Post Book Awards in 2011. Her latest collection  I, Clodia, and Other Portraits was published by Auckland University Press in  2014 (my review here). Anna is currently organising a Ruapehu Writer’s Festival with Helen Rickerby to be held in Ohakune, March 2016 (Facebook page here).

Paula’s note: This surprising poem, holds narrative in its palm, a sharp moment that reverberates  with implication. I get to the end and I am pulled back to the beginning, again and again. The musical chord that holds the moment together (and thus the poem)  jars, unsettles — until that moment of silence and it feels like time has iced over. Within that silent beat, poetry blooms. Ha! I need to get to work but this poem keeps distracting me. I adore the power of poetry to do just that.

 

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Auckland University page

New Zealand Book Council page

Anna Jackson’s poem, ‘Afraid of falls?’ on Poetry Shelf.

Anna Jackson’s interview on Poetry Shelf

 

A call for papers Victoria University is a hive of poetry activity: Writing ‘The Stain of Blood’: A Symposium on Poetry and History

Writing ‘The Stain of Blood’: A Symposium on Poetry and History

will be held at Victoria University of Wellington on 4–5 December 2015.

Read the call for papers here.

More info from Phantom Billstickers on poetry submissions

In particular, we are interested in submissions for the Cafe Reader, 3000 words or less, in the form of short stories or editorial.   The Cafe Reader is published quarterly and 12 to15 authors typically appear per issue.

We also publish poems in the zine but typically no more than three per issue so competition for that space is aggressive.

Our authors’ Honoria for the Cafe Reader are $250.00 for fiction and editorial (3000 words or less plus an authors’ bio and whatever input the author can contribute regarding an illustration for the piece – no additional compensation is available for use of photos or original art work used to illustrate each piece; however, we will assist with finding illustrations as necessary).

We pay $150 for poetry submissions that are accepted for the Cafe Reader.  This compensation covers anywhere from 1 to 4 poems per author depending on length.

Submissions to the Cafe Reader must be previously unpublished in any format.  Copy Rights are retained by the author. However, the author agrees that Phantom Billstickers has the right to use the piece in both the Cafe Reader hard copy and digital formats (the Cafe Reader is currently available for download on Amazon.com) for both domestic and international distribution.

By submitting, they also agree that the piece published in the Cafe Reader will not be published in any other format between the publication date of the issue where it appears and the publication date of the next quarterly issue of the Cafe Reader.  We do not guarantee which issue any piece will appear in.  When a piece is scheduled to appear a layout will be provided to the author for review and approval prior to publication.

Submission Format  – editable WORD document submitted via email is the preferred format. The author should provide some background information about themselves in conjunction with the submission.

The following is a blurb about the Cafe Reader which may be helpful in pointing writers in the right direction regarding themes:

The Phantom Billstickers Cafe Reader is a quarterly literary zine featuring short stories, poems, art and editorial by New Zealanders.  The stories we publish are heartfelt glimpses into family, community, and the more colourful aspects of the creative life in New Zealand.  Many of our articles and stories revolve around Kiwi music. Our contributors range from globally recognized Kiwi authors to emerging artists who deserve to be heard.

Additionally, Phantom Billstickers publishes 8 poem posters per quarter that are not published in the Cafe Reader.  Poets are not compensated for the first poem we publish on a poster but are paid $75.00 for additional poems that are selected for use over time.  We have been running the poems on posters program for 7 years now and there are many poets who have been published on 2 or more occasions over that time.

Phantom Billstickers seeks poetry submissions – particularly by women

Message from Karen Ferns:

The New Zealand Book Awards Trust (NZBAT)  has been talking to The company Phantom Billstickers  a prominent street poster company who also invest some of their time and energy -into producing poems on posters and a café reader they produce and distribute quarterly. The café reader is edited by David Eggleton and contains poetry, short fiction and non-fiction.

As we have talked together NZBAT have discovered Phantom would like more submissions  from poets and writers. They want more submissions from women as currently they receive more submissions from men, but are also  interested in widening their  talent pool in a variety of ways so anything goes.

The email to send submission to is submissions-cafereader@0800phantom.co.nz

Warmest congratulations to Michael Harlow – Winner of 2015 Kathleen Grattan Poetry Award

Poetry Shelf extends warm congratulations to Michael and the Highly Recommended poets.

 

Press release:

Michael Harlow has won the Kathleen Grattan Poetry Award 2015 with his collection of poems Nothing For It But To Sing.

‘Michael Harlow’s poems,’ says Emma Neale, judge of this year’s Grattan Award, ‘are small detonations that release deeply complex stories of psychological separations and attractions, of memory and desire.’

‘This is a poet with such a command of music, the dart and turn of movement in language, that he can get away with words that make us squirm in apprentice workshops or bad pop songs – heart, soul – and make them seem newly shone and psychically right.’

 

On hearing the news Michael Harlow said, ‘I’m absolutely delighted particularly because it involves publication with Otago University Press. It will be wonderful to be on the OUP list.’

Michael was at a World Poetry Festival in Romania when he received the news. Commenting on the $10,000 award money he said, ‘it will buy time – the thing that all writers need. I’m planning to use the time to work on a book of prose poems.’

 

The award attracted 109 entries. Six poets were highly commended: Hannah Mettner, Elizabeth Morton, David Howard, Nick Ascroft, Alice Miller and Victoria Broome.

The Kathleen Grattan Award is one of the richest poetry prizes in New Zealand. Otago University Press accepts the winning manuscript for publication and the winner also receives a year’s subscription to Landfall.

 

Auckland poet Kathleen Grattan, a journalist and former editor of the New Zealand Woman’s Weekly, died in 1990. Her daughter Jocelyn Grattan, who also worked for Woman’s Weekly, shared her mother’s love of literature. Jocelyn generously left Landfall a bequest with which to establish an award in memory of her mother.

Previous winners are Joanna Preston (The Summer King, 2008); Leigh Davis (Stunning Debut of the Repairing of a Life, 2009); Jennifer Compton (The City, 2010); Emma Neale (The Truth Garden, 2011) and Siobhan Harvey (Cloudboy, 2013).

The biennial award will next be granted in 2017 (see Otago University Press website for further details: http://www.otago.ac.nz/press).

 

About Michael Harlow

Michael Harlow has published ten books of poetry: Giotto’s Elephant (AUP, 1991) and The Tram Conductor’s Blue Cap (AUP, 2009) were both finalists in the national book awards. Harlow has held numerous fellowships and residencies including the Katherine Mansfield Fellowship and the Burns Fellowship. In 2014 he was awarded the prestigious Lauris Edmond Memorial Award for Distinguished Contribution to New Zealand Poetry. This year (2015) he received the Beatson Fellowship for writers. Michael Harlow lives and works as a writer, editor and Jungian therapist in Alexandra, Central Otago.