Monthly Archives: October 2016

To celebrate Prime Minister’s Literary Award: a poem by David Eggleton

35

Prime Minister’s Literary Award for Poetry 2016: David Eggleton

To celebrate David Eggleton’s well-deserved honour, here is a poem from his award-winning book, The Conch Trumpet. Having just watched the second presidential debate, reading this lucid lament was a perfect antidote to my allergic reaction to stupidity.

David has gifted us a sumptuous and kinetic weave of lines across decades. He dares to challenge. He makes words sing. He lets us into an idiosyncratic and  warm absorption of the world about him, whether it is back country or city streets. Read one of his poems, and you get to see the world a little differently. Hear him read one of his poems and you are shuffling on your feet. His poetry is a banquet of constant return.

Congratulations David!

 

Clocks, Calendars, Nights, Days

 

Bitterness of bees dying out,

honeyless clouds, forest drought,

red, yellow, charcoal’s grain,

eyes smarting from a world on fire,

air thick with grit; cleave to it.

                                      by clocks, calendars, nights, days

 

Bog cotton frenzy of winter

dancing erasures over hills,

leaf litter corrected by snow;

fog quickly swallows the sea,

then starts in on the shore.

                                  by clocks, calendars, nights, days

 

Skerricks of twigs skim high,

flung far from grips of fists;

remember to dip your bucket

deep into the morning sun,

but don’t drown in apathy.

                                    by clocks, calendars, nights, days

 

Then down in earth’s mouth,

a slow song about the rain,

as you heave from the dark

to hear a thunderous beat

clocking on the old tin roof.

                                         by clocks, calendars, nights, days

 

By fast, slow, high, deep;

by sing, dance, laugh, sleep;

by climb, fall, jump, walk;

by chance, breath, cry, talk;

by clocks, calendars, nights, days.

                                    by clocks, calendars, nights, days

 

©  David Eggleton, The Conch Trumpet, Otago University Press, 2015

Congratulations: David Eggleton wins Prime Minister’s Award for Literary Achievement in Poetry

davideggleton.jpg

 

The recipients of the Prime Minister’s Awards for Literary Achievement for 2016 have been announced today. Writers Atholl Anderson, Marilyn Duckworth and David Eggleton will each be awarded $60,000 in recognition of their outstanding contribution to New Zealand literature.

The three winners were agreed by the Arts Council of Creative New Zealand, based on public nominations and the recommendations of a selection panel. Atholl Anderson will be recognised for non-fiction, Marilyn Duckworth for fiction and David Eggleton for poetry.

Arts Council Chairman, Dr Dick Grant, says, “The Prime Minister’s Awards for Literary Achievement differ from other prizes in that they recognise a career and a significant body of acclaimed work, rather than a single work of literature. The contribution of nominees to the literary community over time is also taken into consideration.”

Dr Grant says, “I congratulate these wonderful authors on their selection for this prestigious award. It’s important that we honour New Zealand writers in this way, to recognise achievement at the highest level, but also to inspire young writers to envisage a writing career for themselves that will continue to build on this literary legacy into the future.”

The awards will be presented at a ceremony at Premier House in Wellington, on Wednesday 12 October.

The Prime Minister’s Awards for Literary Achievement were established in 2003. Every year, New Zealanders are invited to nominate their choice of a writer who has made a significant contribution to New Zealand literature in the genres of non-fiction, poetry and fiction. New Zealand writers are also able to nominate themselves for these awards.

Nominations are assessed by an expert literary panel and recommendations forwarded to the Arts Council of Creative New Zealand for approval.  This year’s selection panel was Jock Philips (Chair), Jill Rawnsley, John Huria, Morrin Rout and Murray Edmond.

A full list of previous recipients can be found on the Creative New Zealand website.

Creative New Zealand and Unity Books invite you to a free literary event

The recipients of the 2016 Prime Ministers Awards for Literary Achievement will read and discuss their work with broadcaster, Kathryn Ryan.

This is a free event at Unity Books, 57 Willis Street, Wellington on Thursday 13 October, 12-12.45 pm. All welcome.

Additional notes: author biographies

David Eggleton (Dunedin). David Eggleton has published eight collections of poetry, most recently The Conch Trumpet, which was the winner of the Ockham New Zealand Book Award for Poetry in 2016. He is well-known as a performance poet and as well as his poetry appearing in numerous anthologies over a long period of time, he has also been involved with many documentaries and recordings of New Zealand poetry. While continuing to produce his own poetry, Eggleton also gives back to the New Zealand poetry community by editing both Landfall magazine and Landfall Review Online. As one of his nominators commented, ‘he has, for over 30 years, made a vital contribution to the poetry community throughout New Zealand.  He is truly a bard, a bard with street credentials. He sings our nationhood.’

Marilyn Duckworth OBE (Wellington). Marilyn Duckworth has a long history of publishing fiction. She has published 16 novels, a novella, a collection of short stories, a collection of poetry and her autobiography. Duckworth has received numerous awards, fellowships and residencies over the course of her career including the Katherine Mansfield Memorial Fellowship to Menton, the Victoria University Writer-in-Residence, the Auckland University Writer-in Residence and, more recently, she has been the New Zealand Society of Authors President of Honour. Duckworth has also been active in the literary community as a mentor and support to many writers and she has been a Trustee on the Katherine Mansfield Memorial Fellowship Trust for many years.

Professor Atholl Anderson (Ngāi Tahu, Blenheim). Atholl Anderson CNZM, FRSNZ, FAHA, FSA is an outstanding writer, researcher and communicator who has carried out many years’ research throughout the Pacific and Indian Oceans. He has directed numerous archaeological excavations, published prolifically, and been the recipient of many awards including the 2015 Humanities Aronui Medal from the Royal Society and the 2016 JD Stout Fellowship. He has made a significant contribution to tribal history in southern New Zealand, with books such as The Welcome of Strangers (1998) and Ngāi Tahu: A Migration History, edited with Te Maire Tau (2008). He is an Emeritus Professor at the Australian National University, Adjunct Professor of History at the University of Canterbury and Honorary Professor of Anthropology at the University of Otago. His publications include Tangata Whenua: An Illustrated History, with Judith Binney and Aroha Harris, which won the Non-fiction award at the 2016 Ockham New Zealand Book Awards. This book has also won several other awards over the past year.

Randall Cottage applications now open

banner3.jpg

Application

Applications are now open for the New Zealand writer.

Applications for the New Zealand writer in residence at the Randell Cottage close on the first Friday in November each year, and the announcement is made in December. The residency is from July to December. The French writer applies through the French government and is in residence from January to June. The exact dates for the writers’ arrival and departure are decided on negotiation.

 

 

Download application form

More information

 

Closing date for applications: 4 November 2016.

When will the decision be announced?

The successful applicant will be advised in December of the year of application.

The Trust will arrange a formal public announcement.

Book Launch: My Father’s Island: A Memoir by Adam Dudding

 

74b02a7e-38ba-401e-a36d-6c4f93c3c35f.jpg

Victoria University Press warmly invites you to the launch of

My Father’s Island: A Memoir
by Adam Dudding

on Thursday 10 November, 6pm–7.30pm
at Time Out Bookstore
432 Mt Eden Rd, Mt Eden Village, Auckland

paperback, $35

CALL FOR SUBMISSIONS – BONSAI: The Big Book of Small Stories

Editors Michelle Elvy, Frankie McMillan and James Norcliffe are seeking submissions for a comprehensive book of compressed fiction to be published in 2017. This is an ambitious project, the first of its kind in New Zealand, and we aim to include the very best small fictions from around Aotearoa.

The book will be a wide-ranging collection in three parts: one section will feature the best of previously published work; one section will feature considerations and essays by noted practitioners on the short narrative form and its development/ growth in New Zealand; one section will feature entirely new work, to showcase the fast-changing landscape of New Zealand small fictions.

Contribute to this uniquely New Zealand collection by sending via email:

  •   your best work, up to 300 words not including title, with ‘BONSAI’ in the subject line. Deadline for story submissions: November 30, 2016.
  •   a proposal for an essay or reflection concerning the compressed form – we are open to ideas and are presently considering essays on composition and technique, history of the form, prose poetry and story-telling, teaching flash in the classroom, representation of Pasifika writing in the short form, music and the rhythm of flash, compressed story-writing as a tool for all writing, experimentation and play in very short stories, literary criticism of the compressed form. Note: there are many themes to explore! Please send an email about your essay proposal by October 28 to discuss with the editors.

    Send new work and essay proposals to: bonsaifiction@gmail.com

  • Please include your name and contact details.

    There is no theme for this anthology. We will include a variety of stories exploring a range of topics and themes – from humorous to wicked to sublime. We encourage experimental writing, as well as haibun, prose poetry and stories in te reo (accompanied by an English translation). We encourage new and experienced writers. We encourage very short flashes of inspiration or stories that take up the full 300 words. We want to see stories that light up the page and take readers to unexpected endings. We are looking for stories that leave us breathless, wanting more. We aim to put New Zealand flash fiction on the map even further, so give us your shiniest stuff!

    Whatever approach you take, make every word count.

    Writers may submit up to three unpublished works for consideration. Please send a .doc or .docx file with all submissions in the same document; no pdfs, unless absolutely necessary to demonstrate the layout of specific formatting.

    The editors’ decision will be final and no correspondence will be entered into. Payment will be in copies of the anthology.

    Deadline for story submissions: November 30, 2016. Deadline for essay proposals: October 28, 2016.

The Harcourts Hawkes Bay Arts Festival Blog- on Bill Manhire

For full blog see here

 

‘Yesterday, as part of the Hawke’s Bay Readers & Writers Festival, I went to see ‘the godfather of NZ literature’, Bill Manhire, in conversation with Aotearoa’s latest poetry sensation, Hera Lindsay Bird. And I can’t tell you what a golden hour that was, such a privilege! Hera steered their talk, and the Q+A session that followed, with just the right tautness and slack to keep things sharp yet in flow.

The conversation ranged over many topics: the joy of “doing different voices”; the difference between writing poetry and prose; ‘the beige short story’; New Zealand’s periodic literary angst about its ‘contempory literary situation’ and the usefulness (or not) of such discussions; cultural cringe; the potential for translation; creative collaboration; the definition of a poem—“poetry trembles in that mid-space … it’s ‘a prolonged hesitation between sound and sense’ … the music has always been crucial to me”.

Bill discussed his forthcoming poetry book, Some Things to Place in a Coffin, named after a poem written for and about the painter Ralph Hotere, with whom he collaborated over the years. And shared a couple of his other poems, beautifully read with a gracious, measured ease, along with a recent, humorous short story about a “deranged children’s writer”. I was deliciously captivated.’

Join City Art Gallery (Wtn) to celebrate Sir Ronald Scott

 

724f7e37-af79-4ceb-b282-5b47f7ac30a4.jpg

Image above from left to right: Sir Eion Edgar and Bill Manhire with Sir Ron Scott

We are looking forward to celebrating the life of tireless advocate for New Zealand sports and arts, Sir Ronald Scott, on Tuesday evening next week. Please join us at City Gallery, Wellington, to learn of the significant contributions Sir Ronald made to the cultural life of New Zealand.

The service will include readings from Arts Foundation Laureates Jenny Bornholdt and Bill Manhire. Sir Ronald had an extensive collection of poetry and Jenny Bornholdt was one of his favourite poets.

To help us with catering we are grateful if you could let us know you are coming by emailing: rsvp@thearts.co.nz 

11 October 2016
City Gallery, Wellington

Doors open at 5.30pm for 6pm start.
The service is followed by light refreshments

 

Plucky young upstart: An interview with Holly Hunter about Mimicry by Sarah Jane Barnett

 

13582111_855436247934556_6405324545644315713_o.jpg

 

For the complete interview on Sarah’s blog go here.

Mimicry is a new Wellington-based literary and arts journal with poetry, fiction, nonfiction, visual art, and even music. It’s the brainchild of Holly Hunter, Assistant Editor at Victoria University Press. This week I had the pleasure of talking to Hunter about the journal, editing her friends, and what she sees happening in young writers’ work.

Sarah Jane Barnett: The journal’s opening page states that ‘Mimicry 1 is an act of nepotism,’ and that your contributors are your ‘incredibly talented and creatively driven friends.’ Tell me where the idea for the journal came from, and about the process of putting Mimicry together. I think many creative people have late night ideas, but most don’t go ahead. I’m glad you made this one happen – it’s a great read. What inspired you to make it happen? Was it difficult to edit and select work from your friends?

Holly Hunter: The opening page is as much a joke as it is a disclaimer, because I think most New Zealand journals are cliquey and nepotistic. In fact the journal was almost called Nepotism, but I backtracked when I realised that poor, well-meaning contributors would forever have it on their record that they were ‘published in Nepotism’—which isn’t exactly an impressive addition to a bio. If nothing else, I want to make a habit of pretentious, grandiose and controversial opening pages that either make the reader laugh or slam the journal shut. Journals could do with more character, I reckon, to live and breathe in their own right alongside the work.

The drive behind Mimicry was less calculated than how I think it’s been received. More than anything it was born from a sappy place of admiration for the people I know who live and breathe their creative side-hustles and deserve a space to display their work. But Mimicry also partly comes from a place of frustration with what I sometimes worry is a vortex of a literary environment. I like reading things that feel raw and contemporary, like they could spin out of control and off the axis, or that don’t care how they’re read but, at the same time, are tight and controlled. Mimicry’s approach isn’t entirely new; the chapbooks, journals and zines of Jackson Nieuwland and Carolyn de Carlo have been doing edgy, fresh things for years. One of their chapbooks, Bound: an ode to falling in love (Compound Press), is a diary of love poems from the perspectives of Kim Kardashian and Kanye West. Zines like theirs, and journals like The Lifted Brow, showed me what something like Mimicry could look like. It probably also helps that I’m a plucky young upstart with no sense of responsibility or consequence.

Sound Sky – a memory walk in Christchurch using sound archives-is a very good idea indeed

attachment-1.jpg

Sound Sky: Memory Walk (Monday session)

Monday 24th 12:00 pm1:00 pm

Walk with us through a sonic landscape of memories, stories, and secrets hidden in downtown Christchurch. Audio recordings unearthed from historical interviews, archives, out-of-date audio tours and event recordings are repurposed into a city-wide, location-sensitive audioscape. We also invite you to add your own histories and memories in events the week prior. The Memory Walk will then divine a pathway through this layering of time and histories within the city.

For more info see

or here

Sound Sky runs on Sunday and Monday, 12-1pm. Meet at Godley Statue, Cathedral Square.

This project is presented by Sound Sky. It is part of FESTA 21-24 October in Christchurch.

I love this idea and hope I can get  the APP for it when I am next in Christchurch. It sent me dreaming of a poem APP that you could use on a trail around our cities. Stand here and look up at the sky and listen to this poem. Look at Katherine Mansfield’s gate and listen to this one. So beyond my expertise but I love the idea of poem sound trails for an APP. Paula

My SST Jenny Bornholdt review

Selected_Poems_Jenny_BornholdtRGBweb__66924.1464840641.220.220.jpg    Selected_Poems_Jenny_BornholdtRGBweb__66924.1464840641.220.220.jpg

 

Selected Poems
Jenny Bornholdt
Victoria University Press, $40

Jenny Bornholdt, a former New Zealand Poet Laureate, much honoured and widely loved, has published nine poetry collections and a number of chapbooks. She has also co-edited an edition of love poems and the award-winning Oxford Anthology of New Zealand Poetry in English.

Victoria University Press has recently released an exquisite hardcover edition of her Selected Poems. The beauty of returning to the start of a poet’s work and traversing the contours of a writing life is to experience the delight and wonder of the poetry all over again.

 

for full review go here