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This is scary. I do applaud all the boutique poetry presses running on skimpy rags along with the university presses with an enduring commitment to poetry in times such as these.
What are the figures for festival attendances in NZ sessions, NZ book purchases, NZ book reviews, a comparison of NZ books published?
Somehow NZ poetry is clinging on; somehow we poetry fans our doing our best to support it. Writing, reading, buying, sharing, debating, promoting, reviewing, interviewing, loving, not wanting to do without!
The New Zealand Book Council invites you to join us for the 2016 NZ Book Council Lecture:
This event is brought to you in partnership with the National Library of New Zealand.
The Samoan word ‘Tusitala’ means ‘storyteller’ – but what about its inverse, ‘tala tusi’, where the ‘teller is the tale?’
Poet and academic Selina Tusitala Marsh powerfully explores the relationship between our stories, ourselves, and the fate of our literature if we ignore the wisdom offered by ‘tala tusi’ in her remarkable 2016 New Zealand Book Council lecture.
The New Zealand Book Council Lecture has become a prominent part of the literary landscape in Aotearoa New Zealand. It provides an opportunity for one of our country’s leading writers to discuss an aspect of literature close to their heart.

Daffodils Lip Sync
I wandered longwise as a crab
that floats a ‘hi’ and flaps a claw
when on the wall I spied a tap
and hosed a golden Labrador.
* *
I wandered Langley with a cold,
like drones on high that veil the ill.
Vanilla white, we spies of old
would roast a cold in Benadryl.
* *
A squalid mauve miasmic cloud,
whose frozen height in ladles spills
one awful stench that flies enshroud:
your nose is blown, it’s daffodils.
©Nick Ascroft, Back with the Human Condition, Victoria University Press, 2016
Nick Ascroft’s new collection is in four parts: Love, Money, Complaints, Death. He exhibits an enviable linguistic palette with words on the lines languid, sideways darting, playful, ever playful, wriggling and exquisitely calm. You see all that in the ‘The Tide.’ Ascroft’s poems will sound good when read aloud; the poet resisting monotone, shifting then settling in surprising places, catching love and humour. I adored ‘A Hill’ – glorious in its slow contemplation, tender detail compounding. And ‘The Sad Goose,’ a concrete poem stamping the shape of a goose on the page. This book is a treasure trove of poetry delight; one to savour slowly to get the full dance of flavour on the tongue (or in the ear).
Nick and VUP have kindly granted permission to post ‘Daffodils Lip Sync.’ I love the idea of a poem in skewed lip sync with its predecessor. I laughed out loud, mesmerised next step by the word play, and the madcap images that buffet/buff the original.
After this brief sample, I recommend you get the book and read poems in altogether different but equally satisfying keys.

The first album I ever bought was this compilation of Bob Dylan’s Greatest Hits released March 1967. I was twelve and when I put the album on the turntable it felt like I was blown out of our lounge up the hill over the highway into the rolling mist of the world. The words were sharp hooks, unfathomable, music in their own making. Phrases stuck in my head, to repeat though the day like a sweet refrain. This was poetry. This was poetry that a young ear didn’t entirely get from her sheltered lee of the globe, naive and green was she. But as I wrote in my Mick-Jagger poem, I could feel a change brewing in me, the words mixing. When I was young AA Milne had tipped and tilted the poet in me; when I was twelve Bob Dylan did the same thing.
What classic songs to launch a turntable! What a cover with the light gleaming. I did a painting of this to go on my wall.
I remember my father saying, Well he can’t sing. I silently disagreed as Bob Dylan sang his way into what words can do.
I have loved his albums ever since: the way story unfolds, lines are sumptuous in both detail and surprise.
I am very glad Bob Dylan has been awarded the Nobel Prize for Literature – to the delight of some and the chagrin of others.
Time to get a Bob Dylan CD out, old-fashioned girl I am, and head into the city.
Cheers, Bob Dylan, cheers!
MEGA-READING AT OGH LOUNGE 19 OCTOBER 5.30-7 PM
ALL WELCOME!
LOUNGE #53 Wednesday 19 October
Old Government House Lounge, UoA City Campus, Princes St and Waterloo Quadrant, 5.30-7 pm
Michelle Chote
Bill Direen
Alex Jespersen
Rosalie Liu
Helen Macfarlane
Maris O’Rourke
Lisa Samuels
Jamie Trower
Vaughan Rapatahana
Susannah Whaley
Free entry. Food and drinks for sale in the Buttery. Information Michele Leggott m.leggott@auckland.ac.nz or 09 373 7599 ext. 87342. Poster: http://www.nzepc.auckland.ac.nz/events/lounge53_poster.pdf
The LOUNGE readings are a continuing project of the New Zealand Electronic Poetry Centre (nzepc), Auckland University Press and Auckland University English, Drama and Writing Studies, in association with the Staff Common Room Club at Old Government House.

An invitation from Sarah Laing:
Friday night I’m having an opening at the Katherine Mansfield House & Garden! 25 Tinakori Road, Thorndon, 5pm, drinks and free entry into KM’s birthplace on the occasion of her 128th birthday. I’ve got pages of my manuscript pinned all over the wall, alongside objects from the collection. Come along!

Back with the Human Condition Nick Ascroft, Victoria University Press, 2016
John Campbell couldn’t make Nick Ascroft’s book launch but sent a letter for Ashleigh Young to read out. It made me laugh out loud and want to stop my job at hand (writing my book) and get reading Nick’s new poems. Be warned: it might have you dashing out in traffic to pick up a copy.
Dear Nick,
Hello, it’s John Campbell here.
I’m so sorry I couldn’t be there tonight. I’m in a coma. Or hosting Checkpoint, which, depending on who I’m interviewing, may feel like the same thing.
Ashleigh kindly invited me. And I would have loved to have come. I think your book’s fantastic, not withstanding the inexplicable mystery of why you didn’t help that Chinese grandmother with her shopping bags?
for the complete letter
for the book details

Prime Minister’s Literary Award for Poetry 2016: David Eggleton
To celebrate David Eggleton’s well-deserved honour, here is a poem from his award-winning book, The Conch Trumpet. Having just watched the second presidential debate, reading this lucid lament was a perfect antidote to my allergic reaction to stupidity.
David has gifted us a sumptuous and kinetic weave of lines across decades. He dares to challenge. He makes words sing. He lets us into an idiosyncratic and warm absorption of the world about him, whether it is back country or city streets. Read one of his poems, and you get to see the world a little differently. Hear him read one of his poems and you are shuffling on your feet. His poetry is a banquet of constant return.
Congratulations David!
Clocks, Calendars, Nights, Days
Bitterness of bees dying out,
honeyless clouds, forest drought,
red, yellow, charcoal’s grain,
eyes smarting from a world on fire,
air thick with grit; cleave to it.
by clocks, calendars, nights, days
Bog cotton frenzy of winter
dancing erasures over hills,
leaf litter corrected by snow;
fog quickly swallows the sea,
then starts in on the shore.
by clocks, calendars, nights, days
Skerricks of twigs skim high,
flung far from grips of fists;
remember to dip your bucket
deep into the morning sun,
but don’t drown in apathy.
by clocks, calendars, nights, days
Then down in earth’s mouth,
a slow song about the rain,
as you heave from the dark
to hear a thunderous beat
clocking on the old tin roof.
by clocks, calendars, nights, days
By fast, slow, high, deep;
by sing, dance, laugh, sleep;
by climb, fall, jump, walk;
by chance, breath, cry, talk;
by clocks, calendars, nights, days.
by clocks, calendars, nights, days
© David Eggleton, The Conch Trumpet, Otago University Press, 2015