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Poetry Shelf noticeboard: Nominations open for The Prime Minister’s Awards for Literary Achievement

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Creative New Zealand is calling for nominations for three prestigious annual awards, each recognising the valued contributions of some of our country’s most talented artists: The Prime Minister’s Awards for Literary Achievement, Ngā Taonga Toi a Te Waka Toi (Te Waka Toi Awards), and the Arts Pasifika Awards.

“Now more than ever it is important to unite and be uplifted, taking time to recognise, celebrate and honour some of our top artists and practitioners, for their achievements via our annual awards,” says Creative New Zealand Chief Executive Stephen Wainwright.

“Given the volatility of the COVID-19 environment, we are yet to finalise exactly what each official awards event or presentation will look like. This will be worked through and shared in due course but, in the meantime, we invite New Zealanders to nominate artists they recognise as deserving of these awards.”

Anyone can make a nomination for the Ngā Taonga Toi a Te Waka Toi (Te Waka Toi Awards) and the Arts Pasifika Awards, and artists are also welcome to nominate themselves. For the Prime Minister’s Awards for Literary Achievement, New Zealand citizens, residents and organisations can make a nomination, and writers are also welcome to nominate themselves.

Those nominated must be New Zealand citizens or permanent residents, and each of the awards have further specific eligibility criteria. See our website for further information on who’s eligible, how to nominate someone and how award recipients are chosen.

Nominations need to be submitted via email by the following dates (listed in order of closing date):

Across the three different award groups, nominations will be assessed by external panels representative of the relevant community who are also registered peer assessors with expertise in the relevant artform(s). The panels’ recommendations will be forwarded to the Arts Council of Creative New Zealand for approval in late August (in the case of Te Waka Toi Awards, the Arts Council’s Komiti Māori will approve the recommended recipients).

As in previous years, we intend to hold separate events for each of the three awards later in the year, with details yet to be worked through – including aligning with Government COVID-19 alert levels at that time. So far, Ngā Taonga Toi a Te Waka Toi (Te Waka Toi Awards) has been confirmed for November and will have a strong digital element this year, with details to be confirmed closer to the time.

Waiho rā kia tū takitahi ana ngā whetū o te rangi, ka whakanuia.
Let’s wait until the stars in the sky align and then celebrate.

Poetry Shelf connections: much loved books picked by NZ librarians

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Today’s list of comfort books is selected by New Zealand librarians. A number of readers have been celebrating the opening of our libraries this week on social media. Libraries were missed! I know of some book lovers who disinfected books and dropped them off in friends’ letterboxes. I have always loved libraries (along with bush and beaches). Whāngarei Public Library was a favourite haunt of mine as a child and I would walk out with the maximum number in my arms. I now imagine a book tower teetering as high as my head but I am sure they were in a bag. In recent times I have discovered the joy of library archives, most notably the Alexander Turnbull Library (Wellington) and the Macmillan Brown (Christchurch). Such joy to spend time there creating Wild Honey. Indeed if I think libraries …. I think joy, nourishment, expansion of mind and heart, comfort. The lists have gathered much loved books that offer comfort but that also offer such diverse and necessary reading experiences.

This week I have adored two books: High Wire by Lloyd Jones and Euan Mcleod (Massey University Press) and Kiwi Baby by Helen Taylor (Penguin Random House). I reviewed them both on the blog because both left me with a warm book glow that i am still feeling.

Thanks to everyone for contributing.

 

The book list

 

 

 

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Crissi Blair (National Library Services to Schools Facilitator)

I haven’t found it easy to settle to reading during lockdown. A lot of my reading is compulsory, reading to review, but reading for pleasure? That was a little harder to find. There has been a lot of reading of recipe books, to fend off the boredom of constant home cooking, though I am much more likely to read the recipes than I am to make them, and my favourite of these is Nigel Slater’s Kitchen Diaries, filled as it is with details of everyday life along with delicious things to cook. I have long loved food fiction and memoirs and pulled out my very battered copy of My Family Life by Elizabeth Luard. The book itself has its own story – I bought it second hand in Wellington many years ago, after a hard-working few days, heading early to the airport and needing something, anything, to read. I read, I loved, I cried, I ate the glorious food in my imagination, and I recommended it to one person after another. Miraculously everyone who read it also returned it to me (not always the case) so I could dip in again now for some comfort reading.

My other comfort reading has been delving through my children’s picture book collection, trying to make some room on the shelves and thinking about what to recommend, lend and pass on to the babies and small children that are in my life now – browsing through Gavin Bishop’s magnificent Wildlife of Aotearoa (and secretly loving the pages about farm animals and what we find inside our houses more than the native birds), having a delighted secret preview of Vasanti Unka’s dazzling new book I Am the Universe (due out in September), and diving into an old favourite resource and examining the book lists in Dorothy Butler’s Babies Need Books, remembering and re-reading favourites like the Ahlberg’s Each Peach Pear Plum and Peepo, and anything by Shirley Hughes and Sarah Garland, and thinking about what might replace books on the . Perhaps the highlight for me, in the lockdown array of children’s books being shared online, has been Oliver Jeffers reading all his picture books (I have every single one) and talking about how they came to be. I’m thrilled that so many children (and their adults) have been able to ‘meet’ the authors of so many books through the internet. Those personal connections add immeasurably to the experience of the book.

 

 

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Fleur Coleman (Children’s and Youth Librarian Mahurangi East Library)

My ‘comfort book’ through this unprecedented time has been The Jungle Book by Rudyard Kipling, First Edition May 1894. Perhaps it has become a rite of passage book in our house? Lost in a sea of blankets I read to my third and final son who has just turned 13 during lockdown of Mowgli’s rejection from the jungle, his clever defeat of Shere Khan and his return to man – only to be cast aside once more for his differences. Mowgli feels like a go-between and the role his character plays in creating potential tolerance and understanding in the wider scheme is a powerful one.

COVID-19 certainly made me think about the survival of the fittest, as the supermarket shelves were emptied in haste – I worried for the people with little in their wallets. When all else fails, the law of the jungle may prevail? The fruit of the sci-fiction writer ripe for the picking?

 

 

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Linley Earnshaw (Librarian, Rutherford College)

My favourites through the lockdown had to be (in descending order):

The Luminaries by Eleanor Cotton – it takes a while to read, so the timing was perfect and I’m loving the TV series.

The Black Flamingo by Dean Atta was a very close second – look up the author…..he’s a superstar and the book is an awesome mix of poetry and prose describing the teen/college years of a gay trans man.

Shantaram by Gregory David Roberts – not for the fainthearted and very long (gangsters, drugs and poverty in Mumbai in the 80’s)

However, my go to book in times of real stress is……

Pride and Prejudice or anything by Austen except Emma – every word is valuable, no word is wasted.

 

 

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Rachel Esson (Director of Content Services at the National Library and I’m also the current President of the Library and Information Association of New Zealand Aotearoa (LIANZA))

Being Mortal: Medicine and What Matters in the End Atul Gawande

My recommendation– strongly influenced by my time as a Medical librarian– is Atul Gawande’s Being Mortal. It might seem strange to be recommending a book about end of life during a global pandemic, but to me it seems more important now than ever. The book is about seeing people as individuals, and shows that enabling people to make their own choices makes their end of life more fulfilled, and families feel better. While the media is focussed on the numbers of the pandemic, this book reminds me that each number is a person with a story and family.

I first read this book as my parents were navigating increasingly poor health, and downsizing from the family home. Although the logical step was a retirement village, they chose an (only slightly) smaller house with, lower maintenance. They enjoyed nearly five years in that house. I take comfort from knowing that they made the right choice for them, and that’s ‘what matters in the end.’

 

 

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Nova Gibson (Librarian, Massey Primary School)

I was one of those people who found it difficult to concentrate on a meaty novel even though I was excited about having ALL this time to read! After rereading the same page of a particular novel numerous times, I decided to lower my expectations of myself and roll with it. Our school started a Youtube channel and I read chapter books and picture books for our school community. I picked humorous books Mo Willem’s Elephant & Piggie books and these proved to be popular. Another thing I struggled with is the fact that our three kids and spouses live and work overseas. I miss them and wonder about when we can see them again. I read Resistance by Jennifer Nielsen. I love WW2 stories and found that it helped put this situation in perspective as those brave resistance fighters said goodbye to their loved ones not knowing if or when they’d see each other again. The other book I read was Canterbury Quake by Desna Wallace. In Christchurch, they went through horrendous times but as I thought about the way that community supported each other with physical help and contact, I challenged myself to find ways of supporting others but in a totally different way. I ended up delivering ‘sanitised’ books on my bicycle to people who had run out of reading material.

 

 

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Corin Haines (Library and Archives Manager, Masterton District Library)

My book would be H is for Hawk by Helen Macdonald. This book was perfect for me as a lover of both memoir and grief based prose. As a sporadic reader this book drew me back into a period of intense reading on both grief and birds. I found Helen’s journey with Mabel her Goshawk and her grief compelling, moving and enriching. At once a celebration of life and the agony of coming to terms with death, it truly is one of the best things I have ever read.

 

 

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Peter Ireland (Exhibition Specialist, Alexander Turnbull Library)

A few days before lockdown, long-awaited bookshelves arrived and were installed. This meant going through all the books in the house to sort, dust off, locate in the shelves; books, which in some cases, hadn’t been picked up since the 1970’s. It is like having access to a brand-new library. To add to this new/old horizon of reading were a few books on extended loan from the Public Library. I’ve not thought about books for comfort per se during this period, but I have enjoyed the comfort of discovering books again, realising how many books I have that are yet unread and browsing the new bookshelves. Reading poems, both loved and familiar, Being Here by Vincent O’Sullivan, for instance, and finding the unfamiliar; such as, Asphodel, That Greeny Flower by William Carlos Williams.

I bought this copy of Pictures from Breughel & other poems from a book seller in Greytown. I was as pleased to find it as he was sad to see it go, which seems to me the right terms of doing business. I fell for the cover, had to have it, bought the book home, leafed through it. It sat. Asphodel is a poem in which the elderly Williams is seeking redemption for wrongs against his wife Flossie. Discomfort is in part the prompt here as the poet attempts to come to terms with things for perhaps a final time.

By contrast, I have enjoyed a book from the Kilbirnie branch of the Wellington Public Library – for which, in seemingly perpetual lockdown, we mourn. The History of Ireland in 100 Words appeared as a good prospect for someone with connections to Balleyhorsey in County Wicklow and so it has proved. One of the hundred words is file, poet. The word is thought to relate to a verb meaning sees, and given the high proportion of blind Irish poets, that’s, seeing in terms of prophecy. Ireland, what a country! Any place that had these lines on the reverse of their £5 note has a head start in my affections.

 

I am Raftery, the poet,

full of hope and love

with eyes without light,

silence without torment

 

 

 

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Pamela Jones (Children’s & YA Librarian, South Taranaki District Libraries)

My Journey with Maya by Travis Smiley recounts the story of the author’s friendship with Maya Angelou. In this book I found peace, joy and yes, comfort, reading accounts by someone who’s life was profoundly impacted by this inspirational woman. Until I read it I only knew of Maya in passing, as a civil rights activist and poet. The book came to me at a perfect time in my life, inspiring me to begin my own journey with Maya. That journey has had me meditating on life lessons, taught me to forgive and accept myself, to accept life’s challenges without being reduced by them and most specially, to try to be a rainbow in someone else’s cloud. Maya Angelou encourages us to work at making kindness a habit and endeavour to make magic happen in others’ lives – something sorely needed in the past weeks of lockdown.

My second recommendation is Women in Sunlight by Frances Mayes.

This delightful, laugh out loud novel makes me wonder if the author too has walked someway with Maya’s voice in her head. The three women in the story, all of retirement age, make a decision to go against their families desire to place them in a retirement village (for their own good). Instead they take a leap of faith to follow their Heartsong and end up together in an Italian Village pursuing their dreams and passions. They learn to forgive & accept themselves and to make magic happen in their own lives. A wonderful example of Maya’s belief that life loves the liver of it! – and such a delight to read.

 

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Cathy Mahone (Librarian, St Francis Catholic School)

All of This is for You: A Little Book of Kindness by Ruby Jones

This is a gem of a book and so uplifting during this time of Covid19 when a little kindness can indeed lift the spirits. The beautiful simplicity of her drawings belies the poignant and powerful messages within. Ruby writes “I hope that on any given day, rain or shine, happy tears or painful ones, you can open this book and find a page that speaks to you” and indeed you do. I just love this special book.
Walk in a Relaxed Manner by Joyce Rupp inspired me pre my 1st Camino back in 2014 and has nourished me post Caminos since. A book to constantly delve in, it tells the story of the writer’s physical and personal journey on the Camino de Santiago in Northern Spain. The gift of this book to me is to take life lessons from each chapter to continue your journey after you leave the Way and return home to your new reality. Your journey truly begins upon your arrival in Santiago de Compostela.

 

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Jeannie Skinner (Facilitator, National Library Services to Schools, Northland)

When invited to share a book or books that have given comfort I agreed immediately, as I absolutely associate reading with comfort, but when it came to choosing just which books to mention it got me thinking…

Is the comfort from nostalgia – re-reading old favourites, especially from childhood, when things were simpler and books were magical escapes?  Yes, maybe… Hello Anne of Green Gables, Tom’s Midnight Garden, I Capture the Castle, Flambards

Is it about familiarity with the characters, like a pair of comfortable slippers, revisiting old friends and seeing what they have been up to – perhaps picking up one of Sue Grafton’s ABC mysteries with Kinsey Milhone in California, or taking a trip to Venice in a Donna Leon novel with Guido Brunetti, solving crime, loving his family, eating wonderful food, and appreciating the play of light on the water.

Is it about distraction and absorption into another world or the discovery of a new author? This summer I read Ann Patchett’s The Dutch House which I loved and it made me go and read others of hers – Commonwealth, Run, Bel Canto… plus her blog and her enthusiastic recommendations there such as Less by Sean Greer which I enjoyed too, and it provided a perfect escape reading plan during lockdown.

Maybe it is about the books that affirm great truths, even if they couldn’t be described as comforting reads – I’m thinking of the harrowing A Monster Calls by Patrick Ness, based on an idea by Siobhan Dowd, about a boy suffering the nightmare of the loss of his mother to cancer.  I quietly snivelled and then sobbed my way through it as it resonated with my similar recent loss (one review said it would “make a stone doorstep weep”), but ultimately absorbed the message that sometimes terrible things will happen, our worst fears realised, but that you will have the strength to manage and cope and go on.

Looking for comfort it is hard to go past the healing of laughter, and books that make me smile or laugh are always welcome. I adore well-written family stories – Jane Gardam, Ann Tyler, Barbara Kingsolver, and in children’s books favourites include Kate De Goldi, anything by Richard Peck, Katherine Rundell, and Hilary McKay, whose characters are endearing, funny, kind, interesting, clever and complicated.  Hilary McKay’s The Skylarks’ War was one of my favourites last year, and it made me go back and re-read all her Binny series where The Skylarks’ War characters first appeared.

Poetry provides comfort too – Mary Oliver is someone I often revisit and find something new each time, reminders to appreciate and celebrate the world we live in.  I’ve just made a quilt for a friend’s young daughter and stitched some words from one of Mary’s poems into the quilting…

Hello, sun in my face. Hello you who made the morning and spread it over the fields…
Watch, now, how I start the day in happiness, in kindness.

― Mary Oliver

Such books provide sustenance and insight; they wrap me in a warm and comforting blanket, and are perennials in my life.

 

 

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Chris Szekely

Letters

Last year was horrible.
Someone I loved got the big C,
Prognosis twelve months.
But it happened in three.

What do you do with that?
Death for him. Depression for me.
Where do you find comfort?
He was a great reader, a great read.

 

Last year I invented a personal reading challenge. I would read 26 novels, one for each letter of the alphabet, by author surname. Fiction. Not real life. Or death. And nothing sad. Choosing titles was easy. When friends heard about it, everyone had a recommendation. One day, there was a letter in the letterbox in a handwritten envelope from a girl called Olive. My neighbour’s granddaughter.

 

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How could I refuse such an invitation?

Eva Ibbotson was an Austrian-born, British children’s writer, known for her “warmth and humour, magical characters and heaps of adventure.” (1) I had never read her before, but warmth and humour sounded good to me. Journey to the River Sea was published in 2001 and tells the story of Maia Fielding, a trust fund orphan in an English boarding school. Maia is sent to live with distant relatives in the Amazon. The relatives are beastly. They want the money attached to Maia, but they don’t want her. What’s to be done?

I can see why this is Olive’s favourite story. It’s full of adventure and danger. The kids are resourceful (except for the spoilt ones). The adults are baddies (expect for the good ones). And the Amazon is amazing. For the couple of days it took to read, it was a great escape to somewhere warm; a moment of comfort.

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I loved it Olive. Thank you.

 

 

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Bee Trudgeon (Porirua Children’s Librarian Kaitiaki Pukapuka Tamariki)

Write to the Centre – navigating life with a gluestick and words Helen Lehndorf (HauNui Press, 2016)

For the past few years I have kept Helen Lehndorf’s very valuable Write to the Centre by my bed, near my pen, Gluestick/Sellotape and diary. It’s the perfect tool for when you do not want to plug anything in, put anything on, or move anywhere, but you do need to express some of the things building up in and around you (movie tickets, restaurant receipts, mental lists, old arguments, eggy bits of what could be poetry). It has a divinely organic way of transforming the likes of simple laziness, desperate exhaustion, and deep lethargy, into playfully curious creation. I find this particularly useful when I’m feeling too bunched up – or laid low – to create (anything!), but know it is the only cure for my constriction, ennui, or despair.

As I reach for it now and find it missing, I remember, I am also periodically lending it to people who simply must take its medicine. So, now I have to find where I put it when my last borrower returned it… [didn’t have to look too far] complete with a collage of me tucked inside the cover! I don’t think I have ever picked this book up without feeling better afterwards. It permits me; and in a world of tightening rules and regulations – that is a rare and comforting thing.

 

 

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Desna Wallace (Librarian, Fendalton Open Air School)

Mary’s Monster Love, Madness and How Mary Shelley Created Frankenstein by Lita Judge

This is a powerful book that brings out so many emotions when I read it. Horror, anger, joy, sadness, the whole gamut. This is also a book that whenever I pick it up, I automatically hold it tight to my chest, wrap my arms around it and hug it tight, like an old friend.

Mary’s Monster is a verse novel aimed at young adults but it is a crossover for adults too.  I love verse novels. I’m obsessed with their format. They tend to have succinct writing that in its brevity, often packs a punch, which it certainly did in this book.

Judge tells the story of Mary Shelly beginning with her young days and her relationship with Percy Bysshe Shelley. It is also an insight to the poets of the time including Lord Byron. Her story is incredibly sad but also uplifting as Mary begins to find solace and confidence in her writing. The language is sublime and I find myself often pausing after different poems, to just soak up all its beauty. The book is also heavily illustrated with the most haunting images. I feel the eyes piercing right through me and I’m connected.

It is the connection that makes this book so special. It is the connection to the beauty of art and language.

Mary’s mother died when she was a baby. At seventeen, Mary herself had a baby that also died shortly after birth.

 

I am seventeen

 

Already

I am daughter to a ghost

and mother to bones. 

 

I don’t offer a review here but this book and its story and stunning illustrations have had a profound impact on me, and for that reason it is a book that brings comfort. A treasure I hold dear.

 

 

 

 

 

 

 

 

 

Poetry Shelf noticeboard: National Flash Fiction Day is moving online

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National Flash Fiction Day / 22 June 2020

 NFFD 2020 is moving online!

 

To ensure the safety of our reading and writing community, NFFD moves online this year. Our big day of celebrating the shortest form will include a series of readings, interviews, discussions and prize-givings.
We begin with a new video programme, posted at the Flash Frontier YouTube channel.

Please subscribe and see what’s coming! New books, new stories, new poetry and more.  And beginning June 1: top selections from Micro Madness, and a sneak peek at the NFFD 2020 competition Long List.
Watch this space…!

Judges are deliberating – long lists and short lists coming soon! Winners will be announced at the June 22 online event.

 

nationalflash.org

Queries: nationalflash@gmail.com

Poetry Shelf review: Lloyd Jones and Euan Macleod’s High Wire

 

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High Wire Lloyd Jones and Euan Macleod Massey University Press 2020

 

Massey University has launched the kōrero series of picture books for adults – a series of collaborations where ‘two different kinds of artistic intelligence’ work on a shared topic.

The first collaboration links author Lloyd Jones and artist Euan Macleod.

After Lloyd invited Euan to the bridge project, Euan drew and sketched profusely. Lloyd mused upon the crisscrossing bridges that constitute a life, and the way such structures lift you above the mundane. But then his musings changed:

But soon the heady ideas I had about bridges began to collapse. Where I had been, others had. The commonality of experience breathed its deflating air. As exhilarating as it had been to walk across Golden Gate Bridge or to soar above Sydney Harbour or to flit across the modest rainbow from child hood, my footsteps fitted neatly into others’: my beating heart fell in with theirs.

 

Bridges became high wire.

With High Wire you enter a collaboration that is glorious at every level: the words, the images, the ideas, the feelings. It is a book that saturates you in wonder and, as reader, I contemplate, observe, sidetrack. I had thought about interviewing both Lloyd and Euan, but the book is so powerful, so haunting, I want to celebrate that. Keep room for the unsaid, the enigma, the openings.

 

To begin with I am mindful of the beauty, the vistas and heights that bridges might deliver but then, as Lloyd abandons his first musings and settles on the high wire, I am lodged in the terrain of vertigo, fear, death, exhilaration, memory, wobbliness.

Euan’s initial drawings resemble subconscious scrawls steered by predetermined subject matter (an oxymoron?).  I can’t stop looking at them. I can’t stop turning the pages as the opening light and airiness hit the dark. The thicker wedges of ink and line draw me in and then switch back to an enigmatic wash of light, a sudden and surprising flash of colour. Euan’s kinetic sketches are as much about the maker as they are the subject. I read them as a piece of music. Again an oxymoron, as all senses are lit. More than anything, I relish the musical flow. Art as music as feeling as idea in a tempo-ed move between light and dark, thin and thick, space and density. The high-wire figures – scrawled and ink washed – are a catalogue of human emotion. Think intimacy, think vulnerability, think daring. Think astonishing!

This is gut wrenching stuff. It is a book you feel before you move on and speculate. I find myself thinking about art, heights, tightrope walkers, childhood, people leaping from the flaming Twin Towers, struts and balancing acts. I get to the drawing ‘hold your nerve’ and it seems prescient.

 

Adjacent to each image is the writing – tightrope writing – where the author opens himself up, testing where he places the next foot so to speak. At one point he writes:

In the subconscious everything is up for grabs – there is no enforced geographical isolation. There are no trespass notices.

Again I am pondering the degree to which the subconscious steers the predetermined subject matter – to the way a sense of risk and challenge is heightened in the state of writing. I could have asked Lloyd this if I had interviewed him, but I remember he once told me his novels are guided by the unknown and discovery.

I don’t need to know how this book came into being – I want to navigate its existence in as many ways as possible. That makes it a book of returns.

 

On a pragmatic level you could stick with the simple premise that this is a book about a narrator walking to Australia on a high wire! Or the story of Philippe Petit who walked a high wire between the Twin Towers in 1974. Ah but this is a book of so many crossings, crisscrossings and possibilities, both physical and ethereal. At one point we meet the saddest bridge in the world. It is a bridge that is as much about disconnection as it is connection.

Lloyd muses on the bridges between random things as Bill Gates had imagined. So now, having stalled on this opening on the page, the bridges between me reading and my own random things are spiked into view by the book. How do I dare? How do I dare? How do I dare? How do I cross the vertigo-inducing gap between here and there? As reader? As writer? As human being?

What would the world be like without bridges? Lloyd asks. I carry that question as I follow the drawings again.

 

Lloyd weaves together the mysterious and the physical: to the point a sentence becomes luminous. Haunting.

 

A dark wriggle in the lunar surface of the sea turns yellow as the cloud passes and the moon reappears. To the west, the steady light of an aeroplane on its direct and patient course.

 

I love this book for so many reasons: because of its fertility for both heart and mind, because images and words speak to each other without taking a privileged position, because human experience is made complex and absorbing.

I don’t see this as a graphic novel – I see it as a book of connections born out of collaboration. An adult picture book. Massey University Press has created an exquisite book – the paper a perfect hue and texture. A gorgeous object to hold. High Wire is bookmaking at its very best. I recommend it highly and I can’t wait to read the next one.

 

 

Massey University Press page

Launch video (an excellent lockdown launch)

 

 

 

 

Poetry Shelf video spot: Frankie McMillan reads ‘ The Winter Swimming of my Grandmother’

 

 

 

Frankie reads ‘The Winter Swimming of my Grandmother’  (first published by New Flash Fiction Review, 2019)

 

 

 

 

Frankie McMillan is the author of five books, the most recent of which, The Father of Octopus Wrestling and other small fictions was listed by Spinoff as one of the 10 best New Zealand fiction books of 2019. Her previous book, My Mother and the Hungarians and other small fictions was long listed for the NZ Ockham Book Awards, 2017. She was awarded the NZSA Peter and Dianne Beatson Fellowship in 2019. Frankie currently teaches at the Hagley Writers’ Institute in Christchurch.

 

 

 

 

 

Poetry Shelf Monday Poem: Fleur Adcock’s ‘Island Bay’

 

Island Bay

 

Bright specks of neverlastingness

float at me out of the blue air,

perhaps constructed by my retina

 

which these days constructs so much else,

or by the air itself, the limpid sky,

the sea drenched in its turquoise liquors

 

like the paua shells we used to pick up

seventy years ago, two bays

along from here, under the whale’s great jaw.

 

Fleur Adcock

 

 

Fleur Adcock was born in New Zealand but has lived in England since 1963, with regular visits to NZ. She lives in London, and has dual British and New Zealand citizenship. She was awarded an OBE in 1996, a CNZM in 2008 and the Queen’s Gold Medal for Poetry in 2006. Her poetry is published in Britain by Bloodaxe Books and in New Zealand by Victoria University Press. In 2019 her Collected Poems appeared from Victoria University Press, and later that year she received the Prime Minister’s award for Literary Achievement in Poetry.

Fleur: I wrote this poem when I was in New Zealand late last year. It feels unbelievable that I should have been able to walk freely along the coast of Island Bay basking in the sunshine and the wind, just because I felt like it; things are not like that here, and may never be again for someone of my age. But at least it’s spring, and I have my garden, and am allowed to go for walks in the local woods as long as I don’t travel on a bus to get there, or risk doing anything so audacious as my own shopping.

 

 

 

 

 

 

 

Poetry Shelf noticeboard: Emma Neale awarded 2020 Lauris Edmond Memorial Award

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Warm congratulations to award winner, Emma Neale.

 

Verb Wellington is proudly supporting the Friends of Lauris Edmond. Below is a Press Release announcing the 2020 Lauris Edmond Memorial Award for Poetry. Read on to discover three new poems by the 2020 winner, Emma Neale.

 

A Birthday Celebration: Dunedin poet honoured in biennial poetry award

Dunedin poet Emma Neale is the 2020 recipient of the Lauris Edmond Memorial Award for Poetry, a prize given biennially in recognition of a distinguished contribution to New Zealand poetry.

 

Emma Neale is the author of six novels and six collections of poetry. Her most recent novel, Billy Bird (2016) was short-listed for the Acorn Prize at the Ockham NZ Book Awards and long-listed for the Dublin International Literary Award. Her new book of poems is To the Occupant which was published in 2019 by Otago University Press. Emma is currently editor of the iconic Aotearoa literary journal, Landfall.

 

On receiving the award, Emma says:

“I’m incredulous, happy and stunned in my tracks, as if someone has thrown a surprise party – the way friends did when I was nine, and they waited to jump out at me until I was standing near the host’s swimming pool. All the other nine-year-olds were hoping I’d fall into the water with shock. I didn’t. So here I am, dry, a bit disoriented and also delighted again, and remembering that Lauris Edmond was the first poet I ever heard give a public reading. When I was 16, I caught the bus alone to a Book Council lunchtime lecture during school holidays in Wellington, and went to hear her talk about her writing career. I have a feeling I’d sneaked out of the house to do it – as if my interest in poetry and my aspirations to write it were somehow going to get me into trouble, and my parents and friends shouldn’t know. I sat and listened on the edge of my seat, as the poems and the talk opened a portal that meant I could glimpse the green and shifting light of hidden things. The portal was still a long way off, but I was convinced that poetry and literature were going to carry me into an understanding of intimacy, identity, time, ethics, deeper metaphysical questions.

I still think of Lauris Edmond as a kind of poet laureate of family relationships; her work was immensely important to me as the work of a local woman poet I could not only read on the page but also hear in person. I am just sorry that I can’t thank her face to face for what her work has meant to me, and I’m enormously grateful to the Friends for reading my own poetry and giving me this generous award. I’ve pinched myself sore. I actually feel like leaping into a pool.”

 

Established in 2002, the Award is named after New Zealand writer Lauris Edmond who published many volumes of poetry, a novel, a number of plays and an autobiography. Her Selected Poems (1984) won the Commonwealth Poetry Prize.

The 2020 award was announced on 2 April the date of Lauris Edmond’s birthday. A ceremony and birthday celebration was due to take place at National Library of New Zealand in Wellington on 3 April to honour Emma, however due to COVID-19 the event is postponed and will take place in collaboration with Verb Wellington later in the year.

 

 

Piece in ODT

 

 

 

 

 

 

 

 

 

 

Poetry Shelf noticeboard: Montreal International Poetry Prize open until June 1st

 

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$20,000. One poem.
40 lines or fewer.

Submit your poem to the next cycle of the Montreal International Poetry Prize!

Each entry must be an original, unpublished poem of 40 lines or fewer. The language of the competition is English.

Deadline

Early entry: 1 May 2020

Later entry: 1 June 2020*

Multiple submissions are allowed.

*The usual deadline of 15 May has been extended to 1 June in response to COVID-19. .

Fees

Early entry: 20 CAD

Later entry: 25 CAD

Additional entry: 17 CAD

The 2020 Competition Judge

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Yusef Komunyakaa

 

Yusef Komunyakaa’s books of poetry include Taboo, Dien Cai Dau, Thieves of Paradise, Neon Vernacular, for which he received the Pulitzer Prize, Pleasure Dome, Talking Dirty to the Gods, Warhorses, The Chameleon Couch, Testimony, The Emperor of Water Clocks, and Everyday Mojo Songs of Earth (forthcoming 2020). His honours include the William Faulkner Prize (Université Rennes, France), the Ruth Lilly Poetry Prize, and the Wallace Stevens Award. His plays, performance art, and libretti include The Deacons, Wakonda’s Dream, Saturnalia, Testimony, Gilgamesh: A Verse Play, and Somewhere Near Here (Bright Darkness). He is Distinguished Senior Poet and Global Professor at New York University.

 

 

Further details here

 

 

 

Poetry Shelf connections: Hana Pera Aoake’s video – ‘a eulogy to love’

 

 

 

https://vimeo.com/378275058

 

 

 

Hana Pera Aoake (Ngaati Raukawa, Ngaati Mahuta, Tainui/Waikato) is an INFP, Gemini heartthrob living on Kai Tahu land in Te wai pounamu. They are a writer, editor and artist in a stupid amount of debt (Liv, Laff, Luv), having completed an MFA in Fine Arts (first class) in 2018 from Massey University. They are a current participant in the Independent study program at the Maumaus des escola artes via a screen and an editor at both Tupuranga journal and Kei te pai press.