Author Archives: Paula Green

New Zealander Charles Olsen awarded the III Poetry Award SxS Antonio Machado in Spain

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Warm congratulations from Poetry Shelf!
New Zealander Charles Olsen has been awarded the III Poetry Award SxS Antonio Machado, which takes the name of the Spanish writer who lived and worked in the cities of Segovia and Soria in Spain.

Organized by the town councils of Segovia and Soria the residency is open to poets resident in Europe of any nationality other than Spanish who have a basic knowledge of the Spanish language. The winner receives 3,000 euros and the town councils cover the poet’s travel costs to and from their cities.

The jury, presided over by Manuel Rico Rego and including Amalia Iglesias, María Isabel Gil, César Ibáñez and Andrés Martín has awarded the III Poetry Award SxS Antonio Machado to Charles Olsen for his proposal, which includes the first draft of a collection of between 30 and 40 poems in Spanish divided in two parts (Segovia and Soria) and a poetry project with the participation of residents of Segovia and Soria.

Charles will spend one month in each city following in the footsteps of the Spanish poet Antonio Machado, who first moved to the region of Castile in 1907 taking up the position of Professor of French at the Instituto General y Técnico of Soria, which now bears his name. He stayed until 1912, the year his young wife, Leonor Izquierdo, died and shortly after the publication of the first edition of Campos de Castilla.

2019 will be the centenary of the Antonio Machado’s arrival in Segovia where he stayed from 1919 until 1932 giving classes at the Instituto General y Técnico—now the IES Mariano Quintanilla—and actively participating in the creation and development of valuable democratic projects such as the Popular University, which will also celebrate its centenary in 2019 and has now become the San Quirce Royal Academy of History and Arts. A convinced pro-European and committed to peace and respect when both were becoming scarce in the world, Antonio Machado continues to be an important humanist and ethical figure, which only adds to the greatness of his literary oeuvre.

Charles himself has published two collections of poetry in Spain, Sr Citizen and Antípodas, and his poems are included in recent editions of Landfall, Poetry New Zealand Yearbook and Blackmail Press.

For New Zealand’s Phantom Billstickers National Poetry Day in August he will be running the competition Given Words, now in its third year, and to celebrate receiving the award he will choose words from one of Antonio Machado’s poems with which participants must weave their own poem. The Given Words competition, open to all New Zealand citizens and residents of any age, will go live on 1 August and has prizes for Best Poem and Best Poem by Under-16s, donated by Massey University Press and Mākaro Press. The winning poems will also be translated into Spanish.

 

 

 

 

Poetry Shelf audio spot: Sarah Jane Barnett’s ‘Playing Dead’

 

 

 

Sarah Jane Barnett is a poet and freelance editor. Her poetry has been published in Aotearoa, Australia, and the US. Sarah’s debut collection A Man Runs into a Woman was a finalist in the 2013 New Zealand Post Book Awards. Her second collection WORK was released in October 2015. She is currently working on a third collection, a poetic memoir about how raising her son makes her confront her own childhood trauma. She lives in Wellington, Aotearoa, with her family.

 

‘Playing Dead’ was published in Turbine.

 

 

 

 

 

 

 

 

At Corpus: Mary McCallum on her moving poem, ‘C’

 

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If like me you loved reading Harriet Rowland’s The Book of Hat, you will love this.

Mary McCallum talks about the genesis of her poem ‘C’, at Corpus: conversations about medicine and life. The poem is in her new collection XYZ of Happiness and navigates her time with Harriet and cancer. Wonderful!

 

We were a very new press, barely begun. The daughter of an old school friend had been diagnosed with cancer and was writing a blog. A bunch of us who’d been at school together began to read it. One of our group, illustrator Fifi Colston, sent me an email: ‘You could do worse than make a book about this.’ I agreed. This young woman knew how to write. Her blog posts had strong read-me titles and energetic don’t-argue-with-me first lines. They were focused on one event or idea and they told that story with economy and humour and knew where to end. She didn’t feel sorry for herself. She celebrated life. She often said how lucky she was.

 

Full piece plus poem here

 

 

 

 

 

 

Monday Poem: Nicola Easthope’s ‘Blue Night’

 

 

Blue night

 

Out of the frame is the baby.

Beyond the door is the sea.

Its white noise is not working.

The black out is not working.

 

The mother is not in the frame.

She brings him to her breast.

She rests her head on the sill.

Her head part goes to sleep.

 

The mother’s body, like a whale’s

mind, half insentient, half on

depth watch. The milk draws

blue and baby sleep.s.

 

Here in the painting is a man.

At four he sends her back.

Her neck clicks in the pillow.

The baby whistles awake.

 

Though it is full and fully burped.

The mother jolts and palpitates.

She begins to rise. But the father.

The father is in the picture.

 

On a chair, hardly, dressed, barely, under

damp green light, he shifts from buttock

to buttock, pumping and pressing

the red piano accordion.

 

 

 

Tendrils sling off the lampshade,

sea grass hums. A harmonic

vamp of frond and must and

tears become his cheek.

 

Her fingers free the water –

His fingers free the wind –

breath is the chord is the base tone

small pod of falling whales.

 

 

©Nicola Easthope

Nicola Easthope is a poet, reader, teacher, partner and Mum, living on the Kāpiti Coast. She is a champion of children, teenagers, and activism for a more just, green and peaceful world. Her forthcoming collection, Working the tang (The Cuba Press), includes explorations of her ancestral roots (Orkney Islands, Scotland, Wales and England), the life of oceans in between there and here, and what it means to be Pākehā supporting Te Tiriti o Waitangi, in Aotearoa. Nicola was a guest poet at the Queensland Poetry Festival in 2012, following her debut collection, leaving my arms free to fly around you (Steele Roberts Aotearoa, 2011). She will appear at the Tasmanian Poetry Festival in October. You can follow her at Nicola Easthope – poet, on Facebook.

The poem originally appeared in an online anthology for National Poetry Day 2015 – ‘Catch and Release‘ (KUPU poetry anthology). 

‘Blue night’ was inspired by Kelly Joseph’s pencil and pen artwork, dirge. Check out her beautiful creations here.

 

 

 

 

 

 

Announcing New Volumes: Pantograph Punch’s 2018-19 Critics in Residence Programme

What a fabulous initiative!

Full details here

The Pantograph Punch and Basement Theatre are pleased to invite submissions from individual writers to be part of New Volumes for 2018-19. Nau mai, haere mai!

 

TE KAUPAPA

We all know the deal: it’s tough out there for writers, and even more impossible to survive as a critic, let alone start out as one. But without critical writing – writing that responds, interrogates, and examines our experiences with artists and their work – how do we debate and grow as a community? How do we have public conversations about how work can be better, and how can we share the multiplicity of responses that any single experience might have?

New Volumes will involve up to four writers being mentored as a group across a 12-month period (beginning August 2018), covering three to four Basement shows each throughout the year  (primarily through critical writing, but with the opportunity to explore other forms like profiles or features). These pieces will go through a peer-editing process, and be accompanied by a series of workshops looking at a range of ideas, including form, structure, genre and the commercial reality of working as a writer.

Poetry Shelf audio spot: Vaughan Rapatahana’s Te Henga

 

 

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Vaughan Rapatahana continues to write and to live across three countries. Several new books in different genre are due out soon in Hong Kong SAR, Aotearoa New Zealand, France, United Kingdom. Thank you also for this opportunity.

 

Poetry Shelf review of Ternion