Congratulations to the winners, commiserations to those who missed out and hats off to Victoria University Press for an extraordinary showing. VUP is a strong supporter of local writing, publishing more poetry that anyone else without compromising on quality. Three cheers VUP! Hats off to all NZ publishers, large and small, who back local writers and books. We are in debt to you. Away from the glitz and flare of an awards ceremony, there is an active terrain of writing and writers. Hats off to that too!
And hats off to the winners! Enjoy this moment of well-deserved recognition by your peers.
This year’s four category award winners will appear at a free event at the Auckland Writers Festival: The State We’re In on Friday 19 May at 5.30pm in the Heartland Festival Room, Aotea Square.
Fiction: Catherine Chidgey
Internationally renowned Ngāruawāhia resident Catherine Chidgey has won New Zealand’s richest writing award, the $50,000 Acorn Foundation Fiction Prize, for her novel The Wish Child. The award was announced this evening at the 2017 Ockham New Zealand Book Awards.
The panel of judges — Bronwyn Wylie Gibb, Peter Wells, Jill Rawnsley and inaugural international judge the Canadian writer Madeleine Thien — said “The Wish Child exposes and celebrates the power of words – so dangerous they must be cut out or shredded, so magical they can be wondered at and conjured with – Chidgey also exposes the fragility and strength of humanity … Compelling and memorable, you’ll be caught by surprise by its plumbing of depths and sudden moments of grace, beauty and light.”
The Wish Child, Chidgey’s fourth novel, comes 13 years after her last work, The Transformation, was published to critical acclaim. Chidgey’s previous novel Golden Deeds was chosen as a Book of the Year by Time Out (London), a Best Book by the LA Times Book Review and a Notable Book of the Year by the New York Times. Her debut novel, In a Fishbone Church, won a Commonwealth Writers Prize (South East Asia and South Pacific).
Her latest novel, published by Victoria University Press, is one of four Ockham New Zealand Book Awards category winners, selected by four panels of specialist judges out of a shortlist of 16, which were in turn drawn from 40 longlisted titles from 150 entries.
Poetry: Andrew Johnston
Paris-based Andrew Johnston won the Poetry category for his collection Fits & Starts (Victoria University Press), a book described by the category’s judges’ convenor, Harry Ricketts, as a slow-burning tour de force.
“The judges’ admiration for Andrew Johnston’s remarkable collection grew with each rereading, as its rich intellectual and emotional layers continued to reveal themselves … Using a minimalist couplet-form, the collection is at once philosophical and political, witty and moving, risky and grounded, while maintaining a marvellously varied singing line.
“To reward Fits & Starts with the overall poetry prize is to reward New Zealand poetry at its most impressive and its most promising.”
Nonfiction: Ashleigh Young
Ashleigh Young (Wellington) took the Royal Society Te Apārangi Award for General Non-Fiction for her collection of personal essays Can You Tolerate This? (Victoria University Press).
The category’s judges’ convenor, Susanna Andrew, says Young’s work sets a high bar for style and originality in a form that has very little precedent in this country. “Always an acute observer, it is in Young’s commitment to writing as an art that the true miracle occurs; she tells us her story and somehow we get our own.”
Young catapulted to international recognition earlier this year when she won the Yale University US$165,000 Windham-Campbell Prize for the collection.
Illustrated Non-Fiction: Barbara Brookes
Dunedin writer and historian Barbara Brookes won the Illustrated Non-Fiction category for her meticulously documented work A History of New Zealand Women (Bridget Williams Books).
The category’s judges’ convenor, Linda Tyler, says Brookes’ work combines deep research, an immensely readable narrative, superbly well-integrated images and is distinguished by close attention to both Māori and Pakehā women.
“Putting women at the centre of our history, this sweeping survey shows exactly when, how and why gender mattered. General changes in each period are combined effortlessly with the particular, local stories of individual women, many not well-known. A wider sense of women’s experiences is beautifully conveyed by the many well-captioned artworks, photographs, texts and objects.”
Best First Books:
The Judith Binney Best First Book Award for Illustrated Non-Fiction: Ngarino Ellis for A Whakapapa of Tradition: 100 Years of Ngāti Porou Carving, 1830-1930, with new photography by Natalie Robertson (Auckland University Press).
The Jessie Mackay Best First Book Award for Poetry: Hera Lindsay Bird for Hera Lindsay Bird (Victoria University Press).
The E.H. McCormick Best First Book Award for General Non-Fiction: Adam Dudding for My Father’s Island: A Memoir (Victoria University Press).
The Hubert Church Best First Book Award for Fiction: Gina Cole for Black Ice Matter (Huia Publishers).