Poetry Shelf Monday Poem: Vincent O’Sullivan’s ‘In defence of the adjectival’

 

In defence of the adjectival

 

An epithet you cannot get rid of

becomes, shall we say, a little house you abide in,

so when the clock dings, or the bird gargles,

the world knows he’ll attend here any second,

the man who lives in the Swiss-chalet-house.

 

Or you may think, ‘What kind of mantis,

I ask you, if I don’t say “praying”?’

A disappointed mantis I can tell you that.

 

Stripped of adjectives I’ve sometimes thought,

and you’re Adam & Eve sauntering the Garden,

no one else in sight, as yet quite undecided

as to grasping at fig-leaves.

 

I know there are writing instructors

who’ll tell you, ‘Shy clear of the adjectival,’

as though they’re telling hikers to avoid

tracks buzzed with wild honey.

 

What sort of instructor would tell you that?

 

One who fears the approaching drone.

Who hears the wing-chirrs of intent.

The little hive arriving for him to crouch to.

 

©Vincent O’Sullivan

 

 

Vincent O’Sullivan, who lives in Dunedin, is a fiction writer and poet. His recent works are the poetry collection, And so it is, the oratorio Face, with composer Ross Harris, performed by the BBC Symphony and Choir in London in April, and the novel All This by Chance.

 

 

 

 

The Meow Gurrrls online

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The Meow Gurrrls are a group of women from Wellington, the Kapiti Coast and the Wairarapa who meet regularly to write, read and discuss poetry, often at Meow café/bar in Wellington (hence the name). They’ve kicked off with half a dozen poetry videos and will be adding new content soon, such as the occasional poetry-related interview. There are a couple more Meow Gurrrls yet to record, but so far there are poems by Janis Freegard, Mary Macpherson, Mary-Jane Duffy, Sudha Rao and Abra Sandi King.

Watch here

 

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Landfall Review Online offers bilingual review of Tātai Whetū

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‘The ‘stars’ of Tātai Whetū, a collection of seven poems by seven Māori women poets, take the reader on a wistful journey that traverses the boundaries of the spiritual and physical realms. The poets who composed these poems will inevitably pass on from this physical world – he tātai whetū ki te whenua, ngaro noa – but their words and thoughts are hung in the metaphysical space of the heavens above as guiding lights never to be extinguished – he tātai whetū ki te rangi, tū tonu.

A highly charged current of feminine strength underlies the poems in this collection. Māori history is rich with narratives featuring strong female figures who defy the odds and are a powerful force to be reckoned with: ‘I heard their karanga, the dawn voice, centuries of women rising up in a vocal wiri from the motu …’ Anahera Gildea reminds us that we are a continuation of those who have gone before us and our karanga will add to the resounding echoes of quivering voices that will be heard for generations to come.’

 

‘Ko ngā whetū o te pukapuka nei, Tātai whetū, he kohikohinga o ngā rotarota e whitu kua tuhia e ngā kaiwhakairo kupu wahine Māori tokowhitu. Ka kawea te kaipānui e ā rātou kupu i tētahi haerenga whēnakonako e whakawhiti ana i te ao wairua me te ao kikokiko nei. Tāria te wā, ka matemate haere ngā kaiwhakairo kupu nei – he tātai whetū ki te whenua, ngaro noa – engari ka whakairia ō rātou whakaaro, ā rātou kupu ki te rangi hei tohutohu i a tātou mō ake tonu – he tātai whetū ki te rangi, tū tonu.

He roma mana wahine e rere ana hei pūtaketanga o ia rotarota i tēnei kohikohinga. E hia kē nei ngā kōrero pūrākau a te Māori e whakanui ana i te mana o te wahine, i tō rātou kaha, i tō rātou ūpoko mārōtanga i tā rātou i kōkiri ai. ‘… I heard their karanga, the dawn voice, centuries of women rising up in a vocal wiri from the motu …’ Ka whakamaumaharatia tātou e Anahera Gildea, he uri whakaheke tātou nō rātou kua mene atu ki te pō. Ka āpitihia ā tātou karanga ki ā rātou karanga e whakapaorotia ai i ngā reanga e haere ake nei.’

 

Full review here

 

 

 

 

 

 

Genevieve Scanlan reviews 4 poetry books at Landfall Review Online

 

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see here

 

 

 

 

 

 

Landfall Review Online reviews Katherine Mansfield volumes

Loving the LANDFALL reviews this month curated by editor Emma Neale. Would love these books – but check out the prices.

 

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These two handsome volumes are successors to the collected fiction, volumes 1 and 2 of the Edinburgh Edition of the Collected Works of Katherine Mansfield, co-edited by Gerri Kimber and Vincent O’Sullivan, who, in making available all Mansfield’s creative work, aimed at a remapping that would show her ‘rare originality’. The variety of short stories, sketches, vignettes and dialogues displayed in the collected fiction is amply complemented by the range of nonfiction presented in these volumes: Mansfield’s poetry and critical writings in volume 3, and her diaries and miscellaneous works in volume 4. Most of Mansfield’s non-fictional writings have been published in various editions since her death, many poorly edited by John Middleton Murry. The new volumes feature much newly discovered work presented with up-to-date scholarship and ample textual annotation. Volume 4 publishes Mansfield’s diaries in a chronological order, by contrast to Margaret Scott’s 1997 The Katherine Mansfield Notebooks. By bringing together the non-fiction as a greatly expanded corpus, the editors display as never before Mansfield’s multiple talents as diarist and journal writer, translator, poet, reviewer and essayist, and producer of parodies, pastiches and aphorisms.’

Full review here

Steve Braunias launches new anthology: ‘The Friday Poem: 100 New Zealand Poems’

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Join Unity Books & Luncheon Sausage Books as editor Steve Braunias introduces his new poetry anthology ‘The Friday Poem: 100 New Zealand Poems’.
With readings from Dame Fiona Kidman, Bill Manhire, Joy Holley, James Brown & Tayi Tibble.

ABOUT THE BOOK
An anthology of new New Zealand verse, which first appeared in the popular Friday Poem slot on The Spinoff website. It features some of the most well-known and established names in New Zealand poetry as well as new, exciting writers.

 

 

 

 

 

At Cordite: Louise Wallace’s ‘The Kindness of Strangers: On New Zealand’s Literary Journals’

 

‘If I had to pick one word to describe the current landscape of New Zealand literary journals, it would be ‘wild’. Practitioners are free to form their own outlets where they see gaps they would like to be filled and this makes for an exciting, vibrant time. Stimulating new journals appear regularly – over the last few years, the likes of Headland, Sweet Mammalian and the very newly established Oscen. With my co-editor, Francis Cooke, I set up Starling in the same way – an online literary journal for New Zealand writers under twenty-five years old. As a young writer growing up in an isolated region in the days before the Internet, it had been hard to find opportunities for publication. It also felt difficult to compete against established writers with decades more experience than me. I wanted to provide a space for others in similar situations.’

 

 

Full essay here