Category Archives: NZ poetry

Reading The Friday Poems in a book

 

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Luncheon Sausage Books, 2018

 

A new poem. Wow just wow

A new poem that no one will forget any time soon.

A new poem. I think it’s important.

I wrote a new poem. You’ll be amazed at what happened next.

 

Bill Manhire from ‘Thread’

 

Steve Braunias kickstarted his Friday poem at the Spinoff four years ago – which prompted me to shift my Friday poems to Mondays! Decided to begin the week  with a poem in the ear and have since started an ongoing season of Thursday readings (I really like hearing other poets read, especially those I have never met). More importantly I also like the fact we have more than one online space dedicated to local poems. Steve tends to pick from new books which is great publicity for the poet. I tend to pick poems that have not yet been published in book form and find other ways to feature the new arrivals (interviews, reviews, popup poems on other days).

Steve’s anthology of picks from the Friday-Poem posts underlines our current passion for poetry. I don’t see him belonging to any one club (like a hub around a particular press or city) – unless he is inventing his own: Steve’s poetry club. And there is a big welcome mat out. You will find mainstream presses and boutique presses, established poets and hot-off-the-press brand new poets, a strong showing of Pasifika voices, outsiders, insiders. He is fired up by the charismatic lines of Hera Lindsay Bird and Tayi Tibble but he is equally swayed by the tones of Brian Turner, CK Stead, Elizabeth Smither, Fiona Kidman.

 

She cried wolf but she was the wolf

so she slit sad’s bellyskin

and stones of want rolled out.

 

Emma Neale from ‘Big Bad’

 

Who would he feature at a festival reading? At Unity Books on November 12th in Wellington he has picked: Dame Fiona Kidman, Bill Manhire, James Brown, Joy Holley, Tayi Tibble.

The anthology is worth buying for the introduction alone – expect someone writing over hot coals with an astute eye for what is happening now but also what has happened in the past (especially to women poets). And by hot coals I mean a mix of passionate and polemical. This person loves poetry and that is hot.

 

Where there’s a gate there’s a gatekeeper, I suppose, but I think of the past few years as an exercise in welcoming rather than turning away. Publishing works of art every week these past four years has been one of the most intoxicating pastimes of my writing life. But I came to a decision while I was writing the Introduction, and commenting on the work of women writers, and adding up the number of women writers: it’s time to step aside. An ageing white male just doesn’t seem the ideal person right now to act as the bouncer at this particular doorway to New Zealand poetry. Women are where the action is: the poetry editor at the Spinoff in 2019 will be Ashleigh Young.

Steve Braunias, from ‘Introduction’

 

I felt kind of sad reading that. I will miss Steve as our idiosyncratic poetry gate keeper.  Of course this book and the posts are unashamedly Steve’s taste, and there are a truckload of other excellent poets out there with new books, but his taste keeps you reading in multiple directions.

That said it’s a warm welcome to the exciting prospect of Ashleigh Young!

 

On most drives I like quiet because my mother

had a habit of appraising every passing scene, calling ordinary

things, especially any animal standing in a field, lovely

 

and this instilled in me a strong dislike for the world lovely

and for associated words of praise like wonderful and superb

but on our drive home tonight the sky is categorically lovely

 

Ashleigh Young from ‘Words of praise’

 

 

 

 

 

 

A book launch, a reading and a new poem: Saradha Koirala’s ‘Confession, confessed’

 

Confession, confessed

 

I’ve been the secret and the secret-keeper

the one from whom the secret is kept.

 

I’ve been a curiosity of connections that don’t concern me

the cause and effect of all that is curious.

 

I’ve been right and I’ve been wronged

I’ve been righteously wrong.

 

I’ve been a cut-out shape where I used to be seen

and I too have cut fleshy shapes from my life.

 

I’ve been the problem and the solution

the floating object of insomnia, rage

 

a presence off limits

that has in turn been there for me.

 

I’ve been the reason and I’ve been the excuse.

I’ve been falsely accused, rightly refused.

 

I’ve been the obsession

the obsessed.

 

I had an alibi.

I am the reason you needed an alibi.

 

©Saradha Koirala, from Photos from the Sky (Cuba Press, 2018)

 

November 5th Saradha is launching this new collection tonight at The Thistle Inn in Wellington at 5.30 pm (3 Mulgrave St, Thorndon, Wellington). Launched by the wonderful Tim Jones. Come early to the marquee area at Thistle Inn for a glass of bubbly and some vegetarian snacks, stay for the poetry.

Then on Wednesday 7th Nicola Easthope will join Saradha at Unity Books in Wellington at noon until 12.45 to celebrate their two new books with Cuba Press, Photos of the Sky and Working the Tang.

Saradha Koirala is a writer and teacher living in Melbourne. Her book Lonesome When You Go won a Storylines Notable Book Award. She has Published two previous pietry collections.

 

Cuba Press page

 

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Poetry Shelf Monday Poem: Vincent O’Sullivan’s ‘In defence of the adjectival’

 

In defence of the adjectival

 

An epithet you cannot get rid of

becomes, shall we say, a little house you abide in,

so when the clock dings, or the bird gargles,

the world knows he’ll attend here any second,

the man who lives in the Swiss-chalet-house.

 

Or you may think, ‘What kind of mantis,

I ask you, if I don’t say “praying”?’

A disappointed mantis I can tell you that.

 

Stripped of adjectives I’ve sometimes thought,

and you’re Adam & Eve sauntering the Garden,

no one else in sight, as yet quite undecided

as to grasping at fig-leaves.

 

I know there are writing instructors

who’ll tell you, ‘Shy clear of the adjectival,’

as though they’re telling hikers to avoid

tracks buzzed with wild honey.

 

What sort of instructor would tell you that?

 

One who fears the approaching drone.

Who hears the wing-chirrs of intent.

The little hive arriving for him to crouch to.

 

©Vincent O’Sullivan

 

 

Vincent O’Sullivan, who lives in Dunedin, is a fiction writer and poet. His recent works are the poetry collection, And so it is, the oratorio Face, with composer Ross Harris, performed by the BBC Symphony and Choir in London in April, and the novel All This by Chance.

 

 

 

 

The Meow Gurrrls online

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The Meow Gurrrls are a group of women from Wellington, the Kapiti Coast and the Wairarapa who meet regularly to write, read and discuss poetry, often at Meow café/bar in Wellington (hence the name). They’ve kicked off with half a dozen poetry videos and will be adding new content soon, such as the occasional poetry-related interview. There are a couple more Meow Gurrrls yet to record, but so far there are poems by Janis Freegard, Mary Macpherson, Mary-Jane Duffy, Sudha Rao and Abra Sandi King.

Watch here

 

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Landfall Review Online offers bilingual review of Tātai Whetū

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‘The ‘stars’ of Tātai Whetū, a collection of seven poems by seven Māori women poets, take the reader on a wistful journey that traverses the boundaries of the spiritual and physical realms. The poets who composed these poems will inevitably pass on from this physical world – he tātai whetū ki te whenua, ngaro noa – but their words and thoughts are hung in the metaphysical space of the heavens above as guiding lights never to be extinguished – he tātai whetū ki te rangi, tū tonu.

A highly charged current of feminine strength underlies the poems in this collection. Māori history is rich with narratives featuring strong female figures who defy the odds and are a powerful force to be reckoned with: ‘I heard their karanga, the dawn voice, centuries of women rising up in a vocal wiri from the motu …’ Anahera Gildea reminds us that we are a continuation of those who have gone before us and our karanga will add to the resounding echoes of quivering voices that will be heard for generations to come.’

 

‘Ko ngā whetū o te pukapuka nei, Tātai whetū, he kohikohinga o ngā rotarota e whitu kua tuhia e ngā kaiwhakairo kupu wahine Māori tokowhitu. Ka kawea te kaipānui e ā rātou kupu i tētahi haerenga whēnakonako e whakawhiti ana i te ao wairua me te ao kikokiko nei. Tāria te wā, ka matemate haere ngā kaiwhakairo kupu nei – he tātai whetū ki te whenua, ngaro noa – engari ka whakairia ō rātou whakaaro, ā rātou kupu ki te rangi hei tohutohu i a tātou mō ake tonu – he tātai whetū ki te rangi, tū tonu.

He roma mana wahine e rere ana hei pūtaketanga o ia rotarota i tēnei kohikohinga. E hia kē nei ngā kōrero pūrākau a te Māori e whakanui ana i te mana o te wahine, i tō rātou kaha, i tō rātou ūpoko mārōtanga i tā rātou i kōkiri ai. ‘… I heard their karanga, the dawn voice, centuries of women rising up in a vocal wiri from the motu …’ Ka whakamaumaharatia tātou e Anahera Gildea, he uri whakaheke tātou nō rātou kua mene atu ki te pō. Ka āpitihia ā tātou karanga ki ā rātou karanga e whakapaorotia ai i ngā reanga e haere ake nei.’

 

Full review here

 

 

 

 

 

 

Genevieve Scanlan reviews 4 poetry books at Landfall Review Online

 

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see here

 

 

 

 

 

 

Steve Braunias launches new anthology: ‘The Friday Poem: 100 New Zealand Poems’

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Join Unity Books & Luncheon Sausage Books as editor Steve Braunias introduces his new poetry anthology ‘The Friday Poem: 100 New Zealand Poems’.
With readings from Dame Fiona Kidman, Bill Manhire, Joy Holley, James Brown & Tayi Tibble.

ABOUT THE BOOK
An anthology of new New Zealand verse, which first appeared in the popular Friday Poem slot on The Spinoff website. It features some of the most well-known and established names in New Zealand poetry as well as new, exciting writers.

 

 

 

 

 

Poetry Shelf Audio Spot: Kiri Piahana-Wong reads ‘So far below’

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Kiri reads ‘So far below’, originally published in Ika No. 4 (2016).

 

 

Kiri Piahana-Wong is a poet and editor, and is the publisher at Anahera Press. Her poems have appeared in over forty journals and anthologies, most recently in tātai whetū: seven Māori women poets in translation, Bonsai: Best small stories from Aotearoa New Zealand, Landfall, and Ora Nui. Kiri lives in central Auckland with her partner and baby son. Her second full collection, Tidelines, is due out next year.