Author Archives: Paula Green

Poetry Shelf connections: Vana Manasiadis dialoguing with Jill Sorensen

 

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The full dialogue is here

The Alternative Reality Huts is here

 

 

Vana Manasiadis is a Greek-New Zealand poet, translator and creative writing teacher who has been moving between Aotearoa and Greece, and is now living in Tāmaki Makaurau/Auckland. Her most recent collection, The Grief Almanac: A Sequel, was published by Seraph Press in 2019. She is the co-editor of the Seraph Press Translation Series, and was the editor and translator of Ναυάγια/Καταφύγια: Shipwrecks/Shelters: Six Contemporary Greek Poets (2016) and co-editor, with Maraea Rakuraku, of Tātai Whetū: Seven Māori Women Poets in Translation.

 

Jill Sorenson completed her undergraduate studies at the College of Fine Arts, University of New South Wales, Australia (1991) and gained an MFA (1st class honours) at Elam School of Fine Arts, University of Auckland (2002). She is a Fine Arts lecturer in the undergraduate program at Whitecliffe College of Arts and Design in Auckland and currently undertaking a PhD at Massey University College of Creative Arts,. She has exhibited both nationally and internationally, showing regularly at Whitespace in Auckland and Kobo Chika in Tokyo, as well as regional public galleries and independent exhibition spaces throughout New Zealand. She has initiated and lead a number of collaborative group projects played out as a series of installations at Rm Gallery in Auckland and  Blue Oyster in Dunedin. She is currently instigating research into ‘thinking together’ through the Conversation Pit project.

 

 

 

 

 

Petry Shelf connections: ‘The view from here’ series on Poet Laureate blog

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Peter Ireland introduced ‘The view from here’ series on April 14th on NZ Poet Laureate blog:

It is a time of the view from here, where each of us is, ensconced in our bubble, and so this seemed like a good peg to suggest to former poets’ laureate, on which to hang a few poems. The response to the invitation was generous and diverse in range. With poems came email conversations and further views, ‘of this place, this time of year, new footsteps overlaying the old ones’ from Michele Leggott. This view of Bluff port from Cilla McQueen: ‘In my study looking out at the port. The cranes immobile, little movement on the wharf, occasional trucks across the bridge. Log piles, woodchips, containers, pale blue sky, bright sun, slanting shadows, misty horizon. It feels like a solemn public holiday.

 

Over a number of days in April, former New Zealand Poets Laureate posted a poem from lockdown:

Vincent O’Sullivan  ‘In these troubled times’

Ian Wedde  ‘The view from here’

Elizabeth Smither ‘Cilla, writing’

Michele Leggott ‘h e l l o   a n d   g o o d b y e’

Cilla McQueen ‘Breach’

Brian Turner ‘Between Shingle Creek and Fruitlands’

Bill Manhire  ‘Takahe’

 

This is a terrific suite of poems that take you travelling. I got to hear the Laureates in Wellington read togther and it was a memorable occasion. This is a taste of that.

You can read the poems here.

 

 

 

 

 

 

 

Poetry Shelf connections: Frankie McMillan’s ‘We are not out of the woods yet’

 

We are not out of the woods yet

 

 

In the Netherlands during the war

the news came from watching

the windmills, sails set to indicate

good news or bad.

 

Here we shelter in place

in a city street and watch the one o’clock

Ashley Bloomfield show.

We wait for the numbers,

the dip and rise

 

of probable and confirmed and

the suspected cases who remain suspected

who drag their bodies from one day’s count

into the next, perhaps peering from their window

at the dark and tilted trees.

 

Meanwhile from our thick and boundless dreams

the scuffle of an unknown beast

rough nose pressed against the pane

checking to see if there has been change

in what was once our living room.

 

 

Frankie McMillan 2020

 

Frankie McMillan is the author of five books, the most recent of which, The Father of Octopus Wrestling and other small fictions, was listed by The Spinoff as one of the 10 best New Zealand fiction books of 2019. Her previous book , My Mother and the Hungarians and other small fictions was long listed for the NZ Ockham Book Awards, 2017. She was awarded the NZSA Peter and Dianne Beatson Fellowship in 2019. Frankie currently teaches at the Hagley Writers’ Institute in Christchurch.

Poetry Shelf noticeboard: new journal Milly Mag seeks submissions

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Milly Mag is new online literary magazine based out of Palmerston North. We have an emphasis on personal essays, but are accepting all short prose, criticism, poetry, as well as reviews of all kinds. We have no set genre or theme, and want to be surprised and surprise our audience. Looking forward to hearing from you all.

Go here

 

 

 

Poetry Shelf noticeboard: broadsheet 25 online

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Mark Pirie has put the latest issue of broadsheet No. 25, May 2020, up on the website for download as a PDF for reading. He is hoping he can have it printed soon, but notes it will probably be delayed this year.

Poetry Shelf connections: Sam Duckor-Jones reads two poems

 

 

 

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Photo credit: Rebecca Hawkes

 

 

 

 

1. Lesson Six

I worked briefly at a very posh school. These kids had everything and neither they nor their teachers cared much about art except how to collect it. The walls had actual Colin McCahons on them. And the desks in the art rooms were very clean. It was a real big shame and I didn’t have the cahones to make much of a diff.

 

 

 

 

2. Report

I worked for a couple of years at a community art studio. A free creative space for anyone having a little trouble and it was so beautiful and rich (rich with mana & love & creativity that it is…. Funding, I imagine, continues to be a struggle). Wednesday mornings the staff met and reported on the attendees projects and progress…………………….. This poem, Report, is drawn from those meetings, tho names have been changed, of course.

 

 

Sam is a writer and artist who lives in Wellington. His first poetry collection, People from the Pit Stand Up, was published by VUP in 2018. He is represented by Bowen Galleries.

 

 

 

 

 

 

Poetry Shelf connections: Support NZ books

 

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Kiwi book publishers are struggling to regroup after seeing sales obliterated in April.

The Publishers Association of New Zealand/Te Rau o Tākupu (PANZ) says members are reporting zero or minimal sales for the month of the Level 4 lockdown.

The risk to the book industry is at its greatest since the Global Financial Crisis.

“Publishers, along with our authors, illustrators and booksellers, are caught up in a negative spiral,” says Julia Marshall, PANZ President.

Unlike in most countries, in New Zealand books were not classed as essential items during Level 4.

“Online sales of books made a massive difference to sustaining publishers in many markets, including Australia,” Marshall says.

“While New Zealand publishers have remained at work remotely, preparing books for 2020 and 2021, they couldn’t sell print books until Level 3 permitted online and click & collect sales.”

Despite some short-term rescheduling due to the lockdown, Marshall says that PANZ members are on track to produce many fine books this year.

Publishers have also stepped up to make content available digitally to schools and families, recognising the vital role of books in home-based learning and personal wellbeing.

Educational publishers entrusted design files for many textbooks to the Ministry of Education so it could print and despatch books to schools, ensuring students could go on studying.

Others have given free licence to libraries, booksellers and schools across the country to provide readings and content from New Zealand books during the lockdown period.

Now that it’s ok to shop for books, Marshall encouraged New Zealanders to support the Kiwi booksellers and authors who like all of us are facing major challenges with the Covid-19 epidemic .

“This is the year to buy New Zealand books, if you want to be sure our books are still around in the future.