Tag Archives: Sarah Broom Poetry Prize

A conversation and poem from the Sarah Broom Poetry Prize finalists: Stuart Airey

 

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Horse on the Ice

 

at first horse and rider rode easily

it was cold and bright across the ice

the frozen lake

we can’t feed you all

you’ll have to go to New Zealand

the next ride was still clear

a little mist hugged the surface

perhaps joinery carpentry building

then a little icy fog formed on the brow

some sort of motorcycle racing

a fall at night and a broken wrist

permanently numb fingers on one hand

now the rider dismounted halfway across

knelt down to get a closer look

if you peered carefully there were fine cracks

a web of spidery blue veins

a small stone bridge in the Lake District

uncle Franks boat accelerating an arc

to test the waterskier

but not last week last month last year

the horse and rider snorted steam

riding faster the crack of hooves on ice

the sure clip of memory

its web of fissures and creaking pressures

he was sure we were sure i was sure

we were all nearly quite certain

it could take the weight

 

©Stuart Airey

 

 

If you were to map your poetry reading history, what books would act as key co-ordinates?

In primary school I loved Louis Untermeyer’s Golden Treasury of Poetry especially the limericks and ‘The Highwayman’. There’s a fair bit of a lull after that until my brother passed away and then I turned a lot to The Oxford Book of English Verse – particularly Thomas Hood’s ‘The Sea of Death’. A few years back I discovered the Bloodaxe ‘Staying Alive’ trilogy which opened up a whole new world of modern poems and poets, particularly shorter ones. (Poems that is). I started writing more seriously about this time. Favourite writers would be Carol Ann Duffy, Wislawa Szymborska, Stephen Dunn and especially Alden Nowlan – a Canadian genius and earthy, accessible poet.

 

What do you want your poems to do?

I think that first of all I write for myself. I have discovered that quite often the poem is telling me something about myself that I couldn’t get to another way – a sort of self-therapy I guess. If I’m writing about an idea or a feeling it’s a way of turning it over and looking at all the edges. Sometimes it’s the poem that tells me how I’m feeling. After that though I definitely enjoy sharing (mostly) the poem with others and seeing if it touches some vital part of being human. It’s a real kick when others find layers of meaning that I was unaware of or hadn’t really intended. Some are written just to be enjoyed, a bit of a laugh or even more visceral.

A few to provoke though this rarely raises much angst.

  

Which poem in your selection particularly falls into place. Why?

I find this quite a difficult question. As none of my poems have (yet!) been published I had quite a few to select from for the competition. I have submitted to a few journals and competitions, as yet unsuccessfully, so I found it really hard to gauge which poems I should put in – actually I think I got a little cavalier with the entry. I think ‘Mercury’ fell into place as the last to be picked as it’s one of the earliest poems I wrote and got excited about. I love the word Mercury so much I’ve written several poems all with that title but the one I’ve included is the original.

 

There is no blueprint for writing poems. What might act as a poem trigger for you?

I’ve found that poems come to me in quite different ways. Usually the best or at least easiest to write is when a first line comes out of the blue, closely followed by the last line. I’m not sure exactly what the prompt in these instances is, whether a scene or a feeling or just a thought. Perhaps a glimpse into someone’s life. Then there are poems that start with an idea or a feeling I want to convey. These are a little harder to write but if the idea or feeling is quite solid they carry through and if they don’t they often morph into something else. I love it when the poem ends with so much more than it started with. I have also written a few poems to a particular theme (one was borders) – these are usually a little slower to start but once momentum kicks in they get there. There’s a lot of polishing that goes on. It’s a real high when a poem is finished.

 

If you were reviewing your entry poems, what three words would characterise their allure?

So I think you mean if I could detach myself from the poems in a sort of impartial way? In that case variety, accessibility and aftertaste.

 

You are going to read together at the Auckland Writers Festival. If you could pick a dream team of poets to read – who would we see?

Carol Ann Duffy, Paul Muldoon, Carolyn Forche, Stephen Dunn, perhaps John Burnside. Would have loved to have heard John O’Donohue live but at least we have Youtube.

 

 

 

Stuart Airey graduated in Optometry from Auckland University in 1986 and has worked in this role for over 30 years. He also has a post-graduate Diploma in Theology from Laidlaw College. He is married with three children and lives in Hamilton. Apart from dabbling in short stories in high school Stuart began writing poetry more seriously after the Christchurch earthquake which resonated with personal loss in his family. Stuart has enjoyed performing some of his poetry in a series of dedicated evenings featuring a mix of drama, audio-visual, lighting and special effects. His poems are currently unpublished and he feels he is very much on the threshold of an unknown yet inspiring path.

 

 

The four finalists will read from their work at the Sarah Broom Poetry Prize event at the Auckland Writers Festival on Sunday 20 May, 3.15-4.15pm. 

Sarah Broom Poetry Prize page.

A conversation and poem from the Sarah Broom Poetry Prize Finalists: Wes Lee

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Lifesaving

They don’t do it anymore,
breathe into the mouth to save.

We had learnt it reluctantly,
lined up beside a recumbent dummy,

waiting to take our turn to kneel at that mouth.
The simplest things disturb –

at night when the fluoros shut off and the cover is pulled,
the tiles swabbed – there it lies open,

not even a ventriloquist’s dummy
is so exposed.

 

©Wes Lee    ‘Lifesaving’ won second place in The London Magazine‘s 2015 Poetry Competition

 

 

A conversation:

 

If you were to map your poetry reading history, what books would act as key co-ordinates? 

I have always admired truth-tellers: Anne Sexton (The Awful Rowing Toward God), Raymond Carver (All of Us), Denis Johnson (The Throne of the Third Heaven of the Nations Millennium General Assembly), Dorothea Lasky (Thunderbird), Sharon Olds (Satan Says), Rachel Wetzsteon (Sakura Park), Claudia Rankine (Don’t Let Me Be Lonely), Douglas Wright (Laughing Mirror), Alice Anderson (Human Nature). To name a few.

One of my favourite poets at the moment is a Lovelock Paiute writer from Nevada, Adrian C. Louis (Ceremonies of the Damned), who blows my hair back, and makes me laugh out loud! He speaks such truths, I am in awe of him.

I also recently loved Michel Faber’s first book of poems on the subject of his late wife’s struggle with cancer: ‘Undying’. Brilliant book.

I am waiting to receive (through the mail) the Collected Poems of Jane Kenyon.

 

What do you want your poems to do?  

Sharon Olds has said that she wants her poems to do something useful. I agree with that.

I want my poems to be brave, to connect, to surprise. I want to trust my voice, to resist self-censorship; to learn something each day about my own drama, as I learn each day from other poets. A journey of surprise and discovery.

  

Which poem in your selection particularly falls into place. Why?  

I suppose a poem like: ‘Mania Come Back!’ which goes against the grain of the prevailing idea that the stable world is the desired world. It’s a poem that grinds against the flat plane of balance.

 

There is no blueprint for writing poems. What might act as a poem trigger for you? 

I read poetry every day, and often other people’s writing is a trigger. Not only poetry but articles, essays, interviews, world news, movies, etc. And of course lines come up from “nowhere” and set the thing off.

 

If you were reviewing your entry poems, what three words would characterise their allure?

Resilient.

Ordnance.

Sly.

 

You are going to read together at the Auckland Writers Festival. If you could pick a dream team of poets to read – who would we see?

 

Probably poets I would like to meet, reading from the following collections:

Julian Stannard (The Parrots of Villa Gruber Discover Lapis Lazuli)

Michel Faber (Undying)

Vicki Feaver (The Book of Blood)

Elspeth Smith (Dangerous Cakes)

John Burnside (Black Cat Bone)

Martin Figura (Whistle)

 

Wes Lee is the author of Body, Remember (Eyewear Publishing, 2017), Shooting Gallery (Steele Roberts, 2016), and Cowboy Genes (Grist Books, University of Huddersfield Press, 2014). Her work has appeared in the Poetry New Zealand Yearbook 2018, New Writing Scotland, Westerly, The London Magazine, Landfall, Cordite, Poetry London, Irises: The University of Canberra Vice-Chancellor’s Poetry Prize Anthology 2017, and many other journals and anthologies. She has won a number of awards for her writing including the BNZ Katherine Mansfield Literary Award; The Short FICTION Writing Prize (University of Plymouth Press); The Bronwyn Tate Memorial Award. She is currently working on her third poetry collection, By the Lapels

 

The four finalists will read from their work at the Sarah Broom Poetry Prize event at the Auckland Writers Festival on Sunday 20 May, 3.15-4.15pm. Guest judge Eileen Myles will introduce the finalists and announce the winner.

Sarah Broom Poetry Prize page.

 

 

 

Congratulations! Sarah Broom Poetry Prize finalists 2018

 

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Sarah Broom Poetry Prize Finalists 2018

We are delighted to announce four finalists for the Sarah Broom Poetry Prize in 2018.

 

Stuart Airey is a poet with a day job as an optometrist, which involves using the logical, scientific part of his mind. He describes poetry as “letting me explore all the other bits”.  Stuart began writing poetry a few years ago; these poems are as yet unpublished, but they have been performed in his local church. Though he has been living in Hamilton for many years now, Stuart feels an increasingly strong call from his Christchurch roots and his resonance with loss. Poems allow a part of him to look up at the Port Hills, walk along leafy Saint Albans, and gaze longlingly out at the Sumner surf.

 

Jane Arthur was born in New Plymouth and lives in Wellington with her partner, baby and dogs. She has worked in the book industry for over 15 years as a bookseller and editor, and is a founder of the New Zealand children’s literature website The Sapling. She has a Master’s in Creative Writing from the IIML at Victoria University, where her supervisor was Cliff Fell, a 2017 Sarah Broom Poetry Prize finalist. She also has a Diploma in Publishing from Whitireia Polytech and a Master’s in English Literature from Auckland University. Her poems have appeared in journals including Sport, Turbine, Ika, and Sweet Mammalian.

 

Wes Lee is the author of Body, Remember (Eyewear Publishing, 2017), Shooting Gallery (Steele Roberts, 2016), and Cowboy Genes (Grist Books, University of Huddersfield Press, 2014). Her work has appeared in the Poetry New Zealand Yearbook 2018, New Writing Scotland, The London Magazine, Landfall, Poetry LondonIrises: The University of Canberra Vice-Chancellor’s Poetry Prize Anthology 2017, and many other journals and anthologies. She has won a number of awards for her writing including the BNZ Katherine Mansfield Literary Award; the Short Fiction Writing Prize (University of Plymouth Press) and the Over the Edge New Writer of the Year Award in Galway. Wes is currently working on her third poetry collection, By the Lapels.

 

Robyn Maree Pickens is an art writer, poet, and curator. Her critical and creative work is centred on the relationship between aesthetic practices and ecological reparation. Robyn’s poetry has appeared in the Australian eco-poetic journal Plumwood Mountain (2018), and US journals Matador Review (2017), water soup (2017), and Jacket 2 (2017). Her most recent work was exhibited at ARTSPACE, Auckland in March 2018. Robyn’s poetry criticism has appeared in Rain Taxi (2018) and Jacket 2 (2018). Currently Robyn is a PhD candidate in ecological aesthetics in the English Department at the University of Otago, and an art reviewer for the Otago Daily Times, The Pantograph Punch, and Art News.

The four finalists will read from their work at the Sarah Broom Poetry Prize event at the Auckland Writers Festival on Sunday 20 May, 3.15-4.15pm.  Guest judge Eileen Myles will introduce the finalists and announce the winner.

 

The judge:

Eileen Myles is an American poet and writer who has produced more than twenty volumes of poetry, fiction and other works. Their poetry collections includes I Must Be Living Twice (selected poems) and Not Me, and they are the author of Inferno, a novel detailing the hell of the life of the female poet. Myles has been awarded the Guggenheim Fellowship in nonfiction, four Lambda Book Awards, and numerous other awards and fellowships. Fellow novelist Dennis Cooper has described Myles as “one of the savviest and most restless intellects in contemporary literature”.

Eileen Myles to judge Sarah Broom Poetry Prize: entries now open

Exciting news! Will be in the queue for this festival session that’s for sure.

 

 

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SARAH BROOM POETRY PRIZE

The Sarah Broom Poetry Prize is one of New Zealand’s most valuable poetry prizes and aims to recognise and financially support new work from an emerging or established New Zealand poet. In 2018, the prize is an award of $5,000.

The prize was established in 2013 in honour of the New Zealand poet Sarah Broom (1972-2013), the author of Tigers at Awhitu (2010) and Gleam (2013).

Entries open on 19 February and close on 11 March 2018

Now in its fifth year, we are pleased to again showcase and celebrate New Zealand poetry during Auckland Writers Festival week in May 2018. Shortlisted poets will read from their work at a dedicated poetry event hosted by the Sarah Broom Poetry Trust where the winner will be announced.

 

 

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For more information about the prize and Sarah Broom visit http://www.sarahbroom.co.nz

For more information about the Auckland Writers Festival, which will be held from 15 – 20 May 2018, visit here

HOW TO ENTER

The prize is awarded on the basis of an original collection of poems by a New Zealand resident or citizen. Entries will be accepted from from 19 February 2018 until 11 March 2018.

Poets are required to submit six to eight poems, of which at least five must be unpublished. The recipient of the prize will be announced in May 2018 during Auckland Writers Festival week. Shortlisted poets will be invited to attend a dedicated event and read from their work.

Entries should be emailed to poetryprize@sarahbroom.co.nz

Any queries should be emailed to enquiries@sarahbroom.co.nz

CONDITIONS OF ENTRY

  1. Poets are required to submit six to eight poems of which at least five must be unpublished.
  2. There is no maximum or minimum length – formatting and font size is your choice.
  3. Entrants must be New Zealand permanent residents or citizens.
  4. Only one entry per person will be accepted.
  5. Entries must be the author’s original work. Any use of quotation must be acknowledged by attribution to its source.
  6. Entries must be submitted as one electronic file per entrant, as an email attachment in Word or PDF format. No identifying details should be present in this poetry portfolio.
  7. Your entry should also include a covering email with a brief personal statement, an indication of how you would use the award money, and contact details. These covering details are not provided to the judge.
  8. The judge will assess the merits of submissions, and the Sarah Broom Poetry Trust reserves the right not to award a prize.
  9. The prize recipient will be announced during Auckland Writers Festival week in May 2018 and in other appropriate publications.
  10. It is expected that entrants would be able to travel to Auckland, if shortlisted, for the Sarah Broom Poetry Prize event which will likely be on either Saturday 19 May or Sunday 20 May 2018. Times and details will be announced on the website http://www.sarahbroom.co.nz
  11. No correspondence with the judge will be entered into.
  12. The name and photograph of the prize recipient may be used by the Sarah Broom Poetry Trust for publicity purposes.

Entries now open for the Sarah Broom Poetry Prize — established poets welcome to enter

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Entries are now open for the inaugural Sarah Broom Poetry Prize. Poets (both emerging and established) are invited to send in 6 to 8 poems (of which at least 5 must be unpublished).

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The Sarah Broom Poetry Prize is inspired by the spirit of imagination, freedom and determination that marked Sarah’s life and work. The prize aims to provide recognition for a New Zealand poet and a financial contribution to support their work.

The prize will be awarded annually, based on 6-8 unpublished poems, to encourage and support the recipient in the completion of a full manuscript of original poetry.

Entries for the Sarah Broom Poetry Prize open on 3 February 2014 and close 14 March 2014 and the inaugural Sarah Broom Poetry Prize will be announced at the Auckland Writers & Readers Festival in May 2014.

Shortlisted poets will be invited to read their poetry at a specific poetry event at the Festival.

Fundraising for the Poetry Prize is now underway and will determine the final amount awarded to the recipient. If you would like to contribute to the fund please make a donation with your credit card or internet banking via PayPal.

If you would like more information about donating please emailtrustfund@sarahbroom.co.nz

 

Details on how to enter here