Iona Winter’s hybrid work is widely published internationally, and she holds a Master of Creative Writing. The author of three collections, Gaps in the Light (2021), Te Hau Kāika (2019), and then the wind came (2018), Iona has recently completed her fourth, which addresses the complexities of being suicide bereaved. Iona Winter’s website
‘i think i can feel reverberations/of something further downstream’, originally published in Milly Magazine
‘Sentries’
‘stocktaking during venlafaxine discontinuation’, originally published in Scum
‘a girl’s name a headline’, originally published in Midway Journal
‘moirai’, a slightly different version published in The Three Lamps
Lily Holloway is a queer postgraduate English student who likes collecting Teletubbies paraphernalia. She recently won highly commended for the Caselberg International Poetry Prize and was this year’s recipient of the Shimon Weinroth Prize in Poetry, the Kendrick Smithyman Scholarship for Poetry, and second place in the Charles Brasch Young Writers’ Essay Competition. You can find a full list of her published and forthcoming work here.
Simon Sweetman reads poems from his debut poetry collection, The Death of Music Journalism (The Cuba Press, 2020)
Simon Sweetman is a Wellington-based writer of poems, stories, blogs and reviews. He grew up in Hawke’s Bay where sport was the thing. Now it’s music, horror movies, dog walks and family time. The Death of Music Journalism is his second book (after 2012’s On Song) and his first book of poetry. He blogs, everyday, at offthetracks.co.nz and is the host of Sweetman Podcast. Sometimes he appears on RNZ talking about music. And would like to do that more often.
Vanessa Mei Crofskey reads ‘”Something in the Water” by Brooke Fraser’
This poem was published in the latest issue of Starling (Starling 10).
Vanessa Mei Crofskey is an artist and writer based in Tāmaki Makaurau. They are a staff writer at The Pantograph Punch, have a collection of poems out in AUP New Poets 6, and often write about the water.