Tag Archives: Poetry Shelf speaking out for with

Poetry Shelf Speaks Out: Practical Navigation by Lyndsey Knight

Practical Navigation                                                                                     

1.
I sit at a moon filled window
sail off to far away lands
he slides ship biscuits under the door.

I need time to consider this leaving
heal the bruises, soothe a heart
burned black.

I roll about on the window-ledge
like a bird trapped in an egg
wanting, but unable to hatch.

2.
My eyes, like hurricane warnings
burn red with two black centres.
you are standing into danger.

It’s as if I am undergoing a speed trial here
dry land is receding fast       I wobble
it would be wise to keep clear of me.

I am maneuvering with difficulty
feel your way past me with care.
help me          don’t help me

3.
NC   –    (am I in distress?)
F      –    (am I disabled?)
communicate with me
CXL       CXL       C  X  L 
(do not abandon me)
hold me    until I am there
not lost.

Lyndsey Knight

                                                                                                                 

Note:

Flag Signals from Charles H Cugle’s 1936 Code of Practical Navigation:
A =I am undergoing a speed trial
D = keep clear of me I am maneuvering with difficulty
F = I am disabled, communicate with me
R=. you may feel your way past me
U = you are standing into danger
X = stop carrying out your intentions
NC = I am in distress
CXL = do not abandon me

The Hurricane Warning.—Two storm flags (red with black centres), displayed one above the other, are used to announce the expected approach of tropical hurricanes.

Lyndsey Knight is an Auckland writer of poetry, flash and essays. She creates hybrid works of written word and abstract collage. Her work has been published in various anthologies and journals at home and abroad, including Landfall, The Miller’s Damsel, Ginosko Literary Journal, The Ekphrastic Review, Mindfood, NZPSA etc.

Poetry Shelf Speaking Out To For With: Radiogram by Bee Trudgeon

Radiogram

 The discharge meeting was as pointless as a stylus without a needle. Ray wore a blue sateen Anko robe, he insisted was made by extraterrestrials.

“This is not my first time on the ship,” he told the doctor who was shining a pen torch into his eyes, refusing to surrender his watering can for any part of the exam.

The demand for his bed was high. In the garden, on the other side of barred windows, Pierrot-collared roses barely concealed their giggles, the punchline of his release clear as a cling film face mask.  

Pouring wet cement into the ocean, after the funeral, I stripped off to wade in and lie on my back. Lost in lenticular clouds, I recalled Ray’s certainty that UFO beams evaporate puddles, and wished like a child at Christmas.

Driving back to the old house in my underwear, the traffic lights tested my adhesion to mortality.

 “Why slow down now?,” a stop sign at the level crossing taunted.

 I got out of my car and clambered up on the bonnet to punch it, in case it had spoken this way before, or planned to ever again.  My old high school principal chose that moment to drive past, tactful enough to solemnly wave but not stop. He would have known that Ray had died the week prior, thanks to the Dominion Post, whose thoughts (if not their discretion) were ‘with the family of the deceased’ – a story about a body found in two pieces on Moonshine Road, pulled from the wreckage of a stolen car my brother had neither the licence or knowledge to drive.

But Ray hasn’t left the lounge of the family home. Forever a tin-foil-hatted boy of five, 10, 15, pointing a coat hanger at the sky, only travelling in the glow of the radiogram’s regional dial, the mystery of telephone wires.

 “Good evening, Ray, always good to hear from you,” the talk show host greets him like a trusted envoy. “What’s happening in Plimmerton tonight?”

Bee Trudgeon

Bee Trudgeon is a writer, rocker, mama, storyteller, children’s librarian, perpetual student, and frequent Crip the Lit collaborator. Her journalism has been published in Capital TimesRipItUpThe SaplingNZ Poetry ShelfThe SpinoffMuzic.NZ, and AudioCulture Iwi Waiata; her poetry in  NZ Poetry BoxNZ Poetry Shelf, a fine lineTarot, and the NZ Poetry Society 2024 and 2025 anthologies. She was awarded the 2024 Story Inc. Poetry Prize. She has been posting a poem a week on the Patreon page of her alter ego – Grace Beaster – for over a decade. Read more here.

Bee says: “‘Radiogram’ contains my grief for the ones squeezed out of our broken health systems, turned into indiscrete news stories while their families are still wondering what went wrong, remembering them the ways they were, not the ways they were let down. It’s a quiet protest, like the ones we hold inside ourselves that very few placards are ever lofted for.”

Poetry Shelf Speaking Out To For With: Saturday Morning at St Peter’s by Manjit Grewal

Saturday Morning at St Peter’s

Overcoming poverty is not a gesture of charity. It is an act of justice.
– Nelson Mandela

Anyone who comes in for kai will be served
with whatever we can share.
Equally and meaningfully.

They can’t make ends meet
or they are between ‘need’ and ‘okay’
or they just want to be together.
They want the company.
Young people, students,
or out of a job for a while.
They will be cared,

Sixty percent, seventy per cent
come regularly.
We recognise their needs,
and do the little gesture
to make it possible for another day or night

There are those who believe they are poor.
There are the greedy and the lazy
But it’s difficult.
We tell them this food is for the needy.
We don’t want to be judgemental.
But we don’t want our food wasted.

Are we doing good, or making people dependent?
This debate is constant.
Where do we draw a line?
Right or wrong, we go on

There may come a  day when we can’t continue.
So we  building knowledge to empower
and resilience to face the challenges..
We say, You have to do something for yourself
You can for starters plant a tomato in your room
to know that you can and you must

Over time, those who are queuing become volunteers.
They contribute; they have a sense of  fulfilment.

We are living in a time of food inequality.
We hope that a period of plenty will come
when food is shared, so all have enough
and all is balanced.

Manjit Grewal

Co-founded Ekta (Oneness) in 2017 as a migrant community’s multidimensional response to the needy in the city. The intention is to develop social cohesion and resilience of new ethnic migrants whilst addressing the issue of poverty. In St Peter’s Church we found the perfect setting to achieve these objectives.

Manjit Grewal