Carolyn McCurdie Bones in the Octagon  Mākaro Press 2015

Reading Carolyn’s debut poetry collection is akin to opening a picnic hamper that is full of surprises. You sit back under a leafy tree and inhale a moment perfectly caught. You taste flavours both familiar and less so. You shut your eyes and absorb little anecdotes. You look at the clouds and let imagination drift in the form of story. You bite into little memories.

The poems that stand out for me are full of grace, canny detail, measured presence and a musical lift plucked on the line.

I particularly love the mysterious little stories that are in debt to myth or fable or an imagination wandering. The first poem, ‘Inside a story,’ takes you from a market stall with ‘fruit in brown paper bags’ to seashells (‘this is why we went under the sea’). The gaps are exquisite, the slow pace compelling. I loved, too, the inventive kick of ‘Making up the spare beds for the Brothers Grimm’ — not so much in the light of skewing form but in the kinetic detail:

What can she offer them? Not true love, though she’s heard

that a young man looking for love was given

a bowl of milk, a chunk of white bread

and a freshly minted coin that sparkled.

She has kneaded the bread, set it in the hot oven.

The poems that track paths from the plenitude of things are also a delight. In one poem, the poet imagines in luminous detail an existence as ‘hut’: ‘If I come back as a building/ it will be as a tramping hut.’ Detail meets economy so beautifully in ‘Dormant,’ a poem that liberates a baking hot cat on the page (‘on the red satin cushion’): ‘where she might ignite/ flare/ collapse into ash.’ A poem about potatoes, ‘A potato sonnet: Jersey Bennes for Christmas,’ celebrates the vegetable plucked from ‘the black/ crumbled earth’ but casts a warm glow that keyholes family as much as it does nourishment (I posted the whole poem here):

This is old, wondrous

as moonrise,

mundane

as the maternal voice

that calls, come in

to the table

More than anything, I love the way certain poems harness a moment and let it glint and reflect as you stall. ‘Memories of long grass’ invests in a moment and as you embrace that moment, poetic loveliness abounds: ‘The grass held us cupped; the sky bent down/ and sipped us up’. There is often loveliness and that loveliness sometimes couples with strangeness, sometimes personal revelation, sometimes a stockpot of detail. In ‘Invitation to dance,’ the poet takes a backward gaze to a younger self. The poem exudes tenderness, boldness, love.

While you wait, give her all that you have:

a largeness, the swirl of a cape or a skirt,

and balance at speed. Stand by her

as she pulls on her boots.

Not all poems held my attention, but this is a gem of a book that relishes the mundane as much as it sets clouds dancing. I enjoyed it very much indeed.

Carolyn McCurdie is a Dunedin writer who has worked as a teacher and librarian. She has won both The New Zealand Poetry Society’s International Poetry Competition and the Lilian Ida Smith Award. She is a member of the Octagon Poets Collective.

The book is one of the three books in Mākaro Press’s Hoopla series 2015. The other books were Jennifer Compton’s Mr Clean & the Junkie (currently longlisted for the NZ Book Awards and reviewed by me) and Bryan Walpert’s Native Bird (reviewed by me). Hoopla books are published annually in April in sets of three.

Mākaro Press page

Entries open 5 January 2016 and close 18 February 2016

Now in its third year, the Sarah Broom Poetry Prize will be announced at the Auckland Writers Festival in May 2016. Shortlisted poets will be invited to read their poetry at a dedicated poetry event at the Festival, where the winner will be announced.

In 2016 the judge for the prize will be Paul Muldoon. One of the world’s leading contemporary poets, and the author of over thirty collections, Paul was awarded the Pulitzer Prize for Poetry in 2003, and the T.S. Eliot Prize in 1994. A past Professor of Poetry at Oxford, he is now at Princeton University. Paul is the President of the British Poetry Society and Poetry Editor at The New Yorker. The Guardian describes Paul Muldoon as “amongst the few significant poets of our half-century” and “the most significant English-language poet born since the second world war.” His most recent collection is One Thousand Things Worth Knowing (2015).

For more information about the prize and Sarah Broom visit here.

For more information about the Auckland Writers Festival, which launches its 2016 programme on 16 March 2016, visit here.

HOW TO ENTER

The prize is awarded on the basis of an original collection of poems by a New Zealand resident or citizen. Entries will be accepted from 5 January 2016 until 18 February 2016. Poets are required to submit six to eight poems, of which at least five must be unpublished. The recipient of the prize will be announced in May 2016 at the Auckland Writers Festival.

Entries should be emailed to poetryprize@sarahbroom.co.nz
Any queries should be emailed to enquiries@sarahbroom.co.nz

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Time to kick start Poetry Shelf back to life for 2016 as I get set to kick off a moon boot!

This year I will post poetry reviews, interviews with New Zealand poets, poetry news from anywhere, event details, competition details, poems that I fall in love with, and whatever else takes my fancy.

I particularly want to keep you aware of poetry books that are released in New Zealand. With a big new book on the go, I cannot promise to review all books released, but this year I do want to flag all arrivals.

Please send copies so I can highlight them (and perhaps review, set up an interview, post a poem from) on the blog.  I do want to support the grassroot presses! See address below.

I am also happy to consider pieces by other writers whether reviews, interviews or musings on poetry.

This blog continues to run on the currency of love so I cannot pay people who contribute.

New Zealand desperately needs poetry forums. Poetry books so seldom get attention in mainstream media. In 2016 I will work hard to celebrate and critique our poetry and create an ongoing resource for poetry fans.

Any way you can think of to strengthen this aim is much appreciated.

Paula Green

paulajoygreen@gmail.com

PO Box 95078 Swanson Waitakere 0653