Tag Archives: Ika

Tastes of Ika 3 – Ika 4, a few days left for submissions



Ika 3 looks cool. It is the literature and arts journal from Manukau Institute of Technology and is edited by Anne Kennedy. Anne is a poet and novelist and she is about to head to Victoria University where she will be the 2016 Writer in Residence.

The internal design is fresh. The issue looks like it is wrapped in brown paper. It feels slightly rough to the hand. It features prose, poetry and art from students and staff, and stretches out to include work by well known writers from both here and overseas.

The mix is eclectic. There are appealing grades/gradients of lyricism and subject matter, but what makes this issue pop out from others is the political elbow that juts out, the raw angles, the Pacific Island presence. Compared with this journal, others seemed saturated in white. To have such diverse reading lines in to brown skinned voices makes this newish journal a vital presence within our writing/reading options.

A bundle of poets made me snap to attention. I love the playfulness of Tusiata Avia’s ‘We are the diaspora of us all’ where play becomes play with a potent bite. I love the way Chris Tse’s ‘This house’ is inventive, detail rich, personal, kinetic and catches both heart and mind. Faith Wilson’s ‘Echo (bootleg remix)’ is a poem bisected in two and the interplay of dual voices is sharp, hard, heart hitting. You need to read again to find different paths. Donovan Kūhiō Colleps wraps place and moment so acutely in ‘Muscular Dreams,’ and I love the way lines coil and repeat. J A Vili’s ‘Mother’s Rope’ is spare, just a handful of words on the page, but it is the white hot core of the issue. Sophie Van Waarden’s ‘Water Girl’ confirms that this young poet writes with linguistic grace, verve and surprise and is an emerging poet to watch.

There is much more. See some treats below in the photos, including Anna Jackson’s surprising ‘Leaving the hotel room.’ This journal is worth a subscription! The art is mind catching as well as eye-catching. Again I come back to the words fresh and vital.


Work is about to start on the next issue. Submissions for Ika 4 are due by February 1st.

Submit here.

Submission details:

We invite submissions across Moananui for Ika 4 from emerging to established practitioners in the fields of writing (poetry, prose fiction, non-fiction), performance, and visual art.

Ika 4 will be published in print and accompanied by a website for moving image and performance, to be launched as part of the Auckland Writers Festival in May 2016.

Electronic documents are preferred, but printouts together with a self-addressed envelope may be mailed to: Ika Journal, Faculty of Creative Arts, Manukau Institute of Technology, Private Bag, 9400, South Auckland Mail Centre 224, New Zealand.

Video works must be in the form of mp4 files and can be submitted via private Vimeo / Youtube links.

The submission limits are: eight poems, eight images, three video/performances, 7,000 words of prose.

Inquiries to: ikajournal@gmail.com

Editor: Anne Kennedy
Arts Editor: Richard Orjis





Submissions to Ika 3

Ika, the Arts & Literary journal from the Manuaku Institute of Technology, is calling for
Ika is panning for gold for its third issue.

Weigh in your finest pieces of writing or visual art before our deadline of 20 May 2015.

Ika publishes poetry, fiction, creative non-fiction, visual art and photography from Aotearoa, the wider Pacific and beyond.

Whether you’re an emerging talent or have been prospecting for years, we want to see your glittering nuggets.

The submission limit is eight poems, eight images, or 7,000 words of prose.

Details here

Ika2 from MIT: long may this journal continue



The second issue of Ika is out. This is a journal devoted to Literature and the Arts, is published by the Faculty of Creative Arts at Manukau Institute of Technology and is currently edited by Anne Kennedy.

This not your run-of-the-mill journal as it included a big book pasted inside a small book, a poster, a handful of postcards and a sticker. The postcards are terrific; they have a graffiti image sourced by Caryline Borerham and poems by Semira Davis, Courtney Sina Meredith, Alice Miller and Richard von Sturmer.

The look of the complete package is fresh. The line up of contributors on the literary front diverse and includes students at MIT and from Hawaii along with familiar poets. I am not sure what the submissions policy is but the guest poets include Emma Neale, Steven Toussaint, Helen Rickerby, Grace Taylor, Lee Posna, Daren Kamali, Jeffrey Paparoa Holma, David Eggleton, Michelle Elvy, Geoff Cochrane, Sue Fitchett, Johanna Emeney, Kirsti Whalen. That gives you an idea of the range of voices and styles.

A couple of personal favourites: I loved the curl and slide of Lee Posna’s ‘Island bay Blues,’ but two other poems really stood out for me. Steven Toussaint’s suite of ‘cradle’ poems are joy to read because the musical pitch is utterly rewarding. You follow the clash and link of vowels and consonants and fall upon tonal bridges, arcs and diversions. Wonderful. Emma Neale’s poem, ‘Pokpo,’ underlines how assured her writing has become. This poem reads in the ear so sweetly, yet it shocks and startles. It is risk taking not in terms of language that bends but in the degree of confession. And that confession is slipped in the cracks of the poem, subtly, surprisingly. It is a knock-out poem.

Long may this journal continue.


Subscription enquiries to: The Editor    ikajournal@gmail.com