New international poetry prize

Screen Shot 2018-11-30 at 9.11.29 AM.png

 

The Brotherton Poetry Prize from the University of Leeds Poetry Centre

 

A new poetry prize aimed at nurturing previously unpublished poets is launched today by the University.

The Brotherton Poetry Prize from the University of Leeds Poetry Centre will be judged by Leeds’ Professor of Poetry Simon Armitage; writer, broadcaster and former University Chancellor Melvyn Bragg.

They will be joined by poets and University cultural fellows Dr Vahni Capildeo, winner of a Forward Prize in 2016 and Malika Booker, inaugural Poet in Residence at the Royal Shakespeare Company.

Poetry centre Director Professor John Whale and University Librarian Stella Butler complete the judging panel.

 

The prize is open to anyone over 18 who has not yet published a full collection of poems. Entries should include up to five poems. The winner will receive £1,000 and the opportunity to develop their creative practice with the poetry centre. Four runners-up will each receive £200.

The poems of the shortlisted poets will be published as an anthology by respected publisher Carcanet, and all five will be invited to take part in a series of readings and events at the University of Leeds and other Yorkshire venues.

 

Full details here

Poetry Shelf audio spot: Mere Taito’s ‘Homework’

 

 

Homework image.png

 

 

 

 

 

Mere Taito is a Rotuman Islander poet and flash fiction writer living in Hamilton with her partner Neil and nephew Lapuke. She is the author of the illustrated chapbook of poetry titled, The Light and Dark in Our Stuff.

 

 

 

Paula Green and Jesse Mulligan discuss an Emma Neale poem in the Short Story Club

img_1616

 

3.10 Thursday 29th November

Short Story Club

This week we discuss the poem Mere Mare by Emma Neale. It was first published in the Spinoff as one of its Friday poems and is in hte collection The Friday Poem edited by Steve Braunias – and we will give away a copy of that book to the person who writes us the most interesting email about Emma Neale’s poem.

 

 

 

 

 

 

 

 

 

 

a poem from Nicola Easthope’s new collection – Working the Tang

 

 

Working the tang, Birsay

 

These women are wrapped for the weather.

The fleece of long-nosed black sheep

so knitted into their skin, when their men

undress them there is often a little blood.

 

The weather wraps in gales of Arctic ice.

They gather seaweed: tremendous heaps

of tang and ware, dragged up the sloping beach

to the dry. These women burn

 

it steadily, crackling heather and hay in great pits

of stone until the white powder

of potash and soda is all that remains.

The men pound and pound,

 

cover with stones and turf. Leave overnight.

The ash shifts, cools, and lumps of toil

settle on their backs. They sleep with

the weight of a body on the chest.

 

Ghost dust drifts into livestock,

limpets. Fish are driven away.

The women are wrapped in the drapery

of ash, the cloak of salt, the taste of tang.

 

Their kelp-making for the laird’s gain.

Their backs spent for soap and glass.

 

©Nicola Easthope, from Working the Tang  The Cuba Press 2018

 

 

 

Nicola Easthope is a teacher and poet from the Kāpiti Coast. Her first book of poems, leaving my arms free to fly around you, was published by Steele Roberts Aotearoa in 2011. ‘Working the tang, Birsay’ is inspired by her Orcadian roots and the etymologies and experiences of the Norse word for seaweed (among other things). She was a guest poet at the Queensland Poetry Festival in 2012, and last month, the Tasmanian Poetry Festival.

Working-the-tang-front-cover-updated.jpg

 

 

 

 

 

 

 

 

 

Poetry Shelf Monday Poem: Heidi North’s ‘Piha Beach, Winter’

 

Piha Beach, Winter 

 

My feet punch bruises in the black sand

and I am back in the burn of childhood summers

 

the circle of sentinel gulls

their grey wings tipped to catch the light

 

warn me back

but I go down to the white foam edge

 

bluebottles boated with their pretty poison

yield to the sharp edge of my stick

 

I go down to the place

where the wind kicks holes through my heart

 

and there is a child down there

too close to the ribbony horizon line

 

holding his blue kite

towards the updraft

 

still smiling as it lurches

against the wide white blaze of sky –

 

and I smile and laugh and I run with him because how can I tell him

all the brutal things are yet to come

 

©Heidi North

 

Heidi’s poem was written during her Nancy King Foundation residency in Piha in 2017.

Heidi North’s first poetry book Possibility of Flight was published by Mākaro Press in 2015. Her poetry and short stories have been published in New Zealand, Australia, the US and the UK. She won an international Irish award for her poetry in 2007, and has won New Zealand awards for her short fiction. She joined the Shanghai International Writers Programme in 2016 as the NZ fellow. She was awarded the Hachette/NZSA mentorship for 2017 to work on her first novel. She has a Masters in Creative Writing from The University of Auckland and lives in Auckland with her partner and their two children.

 

 

 

In the hammock: reading Fiona Kidman’s This Mortal Boy

9780143771807.jpg

 

 

Fiona Kidman This Mortal Boy Vintage, 2018

 

Fiona Kidman’s marvelous new novel features Albert Black – the ‘jukebox killer’ – the second-to-last person to be hanged in New Zealand. He had left his impoverished but loving family in Northern Ireland in the 1950s to seek a better life. He was barely an adult.

Having read extensive research material, Fiona recreated the events and relationships that led to Albert’s controversial execution. I knew the ending but I kept hoping the Irish mother or the anti-hanging supporters would change the outcome. Not possible. So I read the novel – so beautifully detailed, so alive in rendition – in  a state of sadness at human behaviour. I am not talking about what seems to be murder in the heat of the moment after physical attacks.

I am talking about the way we treat people – who are claimed as different – as inferior: those from other countries, with different coloured skin, different accents, who make sexual choices other than heterosexual. Albert Black loses his name and becomes ‘Paddy’ because his Irish identity is not worthy of attention. It seems like the legal system, the judges, the media and general public were swayed by cultural scorn.

I might have had ongoing heartache as I read but I also absorbed the pulsating life Fiona created. The dialogue, the characters, the locations, the signs of the times – these all work to make a sumptuous depiction of a particular place in a particular time. I just loved it. I was born in June in Auckland one month before the jukebox event took place on 26 July 1955. Were my parents talking about it in their rented Point Chevalier bungalow?  What did they make of the case?

The execution bothered Mt Eden’s Prison Superintendent, the defence lawyer, friends Albert had made, to the extent public disgust at the death penalty saw the campaign against it work towards change. The new Labour Government of 1957 -1960  (in contrast to the fierce support of previous PM Sydney Holland) commuted death sentences to life imprisonment. In 1961 a National Government introduced legislation to abolish the law and allowed non-party voting. With ten National Party members, and those from Labour, the law was changed.

This is the kind of book that makes you reflect deeply upon how we do things today – how our prison system works to advantage or disadvantage, how difference still contributes to a lack of societal or cultural privilege.

Some books stick to you. This compelling novel is one of them. Beautifully crafted, meticulously researched, with ample attention to the grittiness of life and both the kindness and cruelty of people. I adored it.

 

Vintage author page

Video clip: Fiona talks about the novel

Poetry Shelf audio spot: Saradha Koirala reads ‘Snapshot’

Screen Shot 2018-11-05 at 3.56.08 PM

 

 

 

 

Saradha Koirala reads ‘Snapshot’  from Photos from the Sky (Cuba Press, 2018)

 

 

Saradha Koirala is a writer and teacher living in Melbourne. Her book Lonesome When You Go won a Storylines Notable Book Award. She has published two previous poetry collections.

 

 

 

 

 

 

Maitreyabandhu in conversation with Jenny Bornholdt and Bill Manhire

Screen Shot 2018-11-21 at 2.32.35 PM.png

Maitreyabandhu, from the London Buddhist Centre, will be in conversation with Jenny Bornholdt and Bill Manhire about their life and work, New Zealand and the purpose of poetry.

City Gallery Wellington, Te Ngākau Civic Square
Tuesday 18 December, 6pm-7.30pm

All welcome. Donation entry to help cover venue costs.

Books will be for sale courtesy of Vic Books.

A poem from Leonard Lambert’s new collection: Winter Waves

 

The Dolphin Badge

 

In a carton in a corner of a drawer

I came across a badge, sky-blue, the size of a coin:

for proficiency in the pool,

the Dolphin Badge, the dream of years, the grail . . .

 

And so, or so it seems to me,

the odd dishonour of discarded things, their sad dismay,

is maybe telling us life is too fast

for the right living of it;

and maybe too in some scrambled dawn

the notion might come

of a press of tiny judgements,

some essential fabric torn.

 

©Leonard Lambert from Winter Waves (Cold Hub Press, 2018)

 

9780473457693.jpg

Leonard Lambert is a long-established NZ poet with a publication history stretching from A Washday Romance (John McIndoe, 1980) to Somewhere in August: Selected Poems 1969-2016 (Steele Roberts, 2016). He is represented in Essential NZ Poems (2003 and 2014), Swings & Roundabouts (2008), and Poems from the Pantry (2017). Between poems he paints beautiful and mysterious works which he exhibits regularly in Hastings and in his home town of Napier.