
Poetry at Dog with Two Tails
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Deleted Scenes for Lovers
Tracey Slaughter
Victoria University Press, $30
Tracey Slaughter’s daring short fiction deposits you on a rollercoaster, hoists you in the air, puts you in a dank, dark cupboard to eavesdrop, spins you round and round, makes you feel things to the nth degree.
Her short fiction has won awards, attracted widespread admiration in journals for years; Deleted Scenes for Lovers is her second collection.
She teaches creative writing at the University of Waikato. If the quality and originality of writing is a yardstick for the quality and originality of a creative writing teacher, then students should flock to Slaughter’s courses. This book is something special.
for the rest of my review in SST see here
Radio NZ has produced a small video of Sam Hunt reading a few poems from his new collection, Salt River Songs. It is a perfect snap shot of Sam at home in the Kaipara, and of the lyrical joy of his poetry. Altogether mesmerising.
h a p p y b i r t h d a y S a m Hunt, you are our poetry icon extraordinaire, and poetry in New Zealand would not be the same without you. We grew up with Sam-Hunt poems sizzling and simmering in our blood.
T h a n k y o u !
Extraordinary Anywhere: Essays on Place from Aotearoa New Zealand
I heard a taste of this at the Ruapehu Writers Festival and was hooked.
Victoria University Press warmly invite you to the launch of
Extraordinary Anywhere: Essays on place from Aotearoa New Zealand
edited by Ingrid Horrocks and Cherie Lacey
on Tuesday 26 July, 6.00pm–7.30pm
at Unity Books, 57 Willis St, Wellington.
The launch will include short readings by essayists Tim Corballis, Lynn Jenner, Tina Makereti, Harry Ricketts and Lydia Wevers.
With thanks to the School of English and Media Studies, Massey University, for helping to support this launch.


Sarah Jane Barnett recently interviewed me about my new collection, New York Pocket Book. The shoe was on the foot, for a change! I really enjoyed the questions. Took me right back to New York!
For the complete interview go here.
SJB: The poems in New York Pocket Book touch on the idea that the experience of being a tourist can give us a new way to see and experience ourselves. The collection’s main character, Josephine, closely observes her new experiences – the ‘American accent dipping and pausing,’ the ‘Manhattan sky.’ The idea works on two levels, with Josephine experiencing New York and with the reader experiencing Josephine. Can you speak to this idea in terms of your poetry? Do you see the poem as a way to provide a reader with a new experience of themselves?
PG: Perhaps any book refreshes our view of ourselves to varying degrees, but I really like the multiple reading experiences you have spotted. Learning another language for years, I always felt I wore my clothes slightly differently, that I had licence to be a slightly different person. I get that feeling when I stay in foreign cities. I am both myself and not myself. I eat things I might not normally eat. My daily routine goes out the window. So is it a stretch to say the reader in entering a book that is anchored in an iconic place, triggers different relations with the world and self? I don’t know but it’s a fascinating idea. One of the upshots of learning another language, is the way you learn more about your own language. Conversely, when someone speaks a foreign language they always leave clues about their mother tongue. When we experience a new city, we open windows on the familiar as much as we do the unfamiliar. So perhaps the poem is the surrogate new city, the surrogate new language.
Josephine is somewhat elusive. You are right in that you view her through a New York filter (and vice versa) and everything else lands in accidental traces. Some readers might crave more of her backstory but I resisted that. There are some red-hot traces though hiding away. This is a pocket book after all.


Really love Kerrin’s new book – looking forward to reading the other two on the cusp of launches!
Book launch
Rabbit Rabbit by Kerrin P. Sharpe at St Andrew’s College, Christchurch,
on Tuesday 5 July,
6.00 pm–7.30 pm.
All welcome.
Book launch
Hera Lindsay Bird by Hera Lindsay Bird at Unity Books
on Thursday 14 July, 6.00 pm–7.30 pm.
All welcome.
Book launch
Extraordinary Anywhere, edited by Ingrid Horrocks and Cherie Lacey at Unity Books on Tuesday 26 July, 6.00 pm–7.30 pm.
All welcome.

This year’s Winter Readings celebrates the
return of Winter Readings itself, a popular event at
the City Gallery and other venues in Wellington
2003-2008. Each event featured a tribute to
an album or group.
This year’s readings form a tribute to the Bee Gees.
Sunday, 17 July 2016
Poets: MaryJane Thomson, Mark Pirie, Rob Hack,
Polina Kouzminova, Michael O’Leary and Jeanne
Bernhardt (Otago).
Venue: St Peter’s Hall, Beach Rd, Paekakariki.
Time: 2-4pm.
Admission to the reading is by koha. Books for
sale from 2.00pm. No refreshments will be served.
The Main Street houses cafes and a bar close by,
for those who arrive early.
All welcome.
Earl of Seacliff Art Workshop (ESAW) will publish
an anthology of poems by the readers featured to
celebrate the event.
Winter Readings are presented by:
HeadworX Publishers
Paekakariki Community Trust
Poetry Archive Trust
Earl of Seacliff Art Workshop

The Philippine edition of Atonement, was launched at the New Zealand Embassy, Manila in late January this year.
Launch photos here