Category Archives: Uncategorized

Sarah Jane Barnett’s Home essay

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Suffering is Optional

In this moving essay, Sarah Jane Barnett writes about womanhood, grief, and how running allows her to feel at home in her body.


I started running in my twenties. I’d never done any regular exercise, so my first attempt involved running the distance between two lampposts, and then walking to the next. The route I took on those first few runs was a loop starting from my parents’ house and out around the suburbs of my childhood. At the time I was essentially homeless. I was staying with my parents after my first marriage had ended, after my husband calmly said on the phone, ‘I don’t desire you any more.’ Looking back, I don’t blame him. I didn’t desire myself either. Dragging my body through the dark streets was the only way to numb the public humiliation of being discarded, to ease the shame and grief.

 

Full essay here. It is so very good. Excellent lure to get the book: Home: New Writing, published by Massey University Press, 2017.

PS If you break your foot on Queen Charlotte track and then walk on it for six hours to get out and then get back to running too soon and too fast – ah it all goes haywire, so watch for that. Walking is just not the same! Love your essay, Sarah!

the writers (3!) residencies at the Surrey Hotel in Auckland courtesy of The SpinOff

Calling all New Zealand writers! Apply now for the writers residency at the Surrey Hotel in Auckland.

New Zealand literature’s coolest writing residency is up and running again. The fabulous Surrey Hotel – named the Best Hotel in Auckland by a well-known writer in the New Zealand Herald – has once again agreed to offer a writers residency award in association with The Spinoff.

The winner of the second annual Surrey Hotel Steve Braunias Memorial Writers Residency In Association With The Spinoff Award will be given a week’s free accommodation at the Surrey in Grey Lynn, along with free breakfast and free wifi. They will also pocket a cool $500 from The Spinoff.

There is also be a second and third prize with less nights and less money but the same thrill.

 

Full details and photos here

Kathleen Grattan Poetry Award entries close end of July

Kathleen Grattan Poetry Award

Kathleen GrattanAuckland poet Kathleen Grattan, a journalist and former editor of the New Zealand Woman’s Weekly, died in 1990. A member of the Titirangi Poets, her work was published in Landfall and other volumes including Premier Poets, a collection from the World Poetry Society. Her daughter Jocelyn Grattan, who also worked for the New Zealand Woman’s Weekly, shared her mother’s love of literature. She has generously left Landfall a bequest with which to establish an award in memory of Kathleen Grattan.

About the award

This biennial award is for an original collection of poems, or one long poem, by a New Zealand or Pacific permanent resident or citizen. Individual poems in the collection can have been previously published, but the collection as a whole should be unpublished. Entries are accepted until 31 July of the award year and must be either received or postmarked by this date. The result will be announced in the November issue of Landfall, and the winner will receive $10,000 and a year’s subscription to Landfall.

Entries to the 2017 Kathleen Grattan Poetry Award are now open and close on 31 July 2017.
The winner will be announced in Landfall 234, published November 2017.
The judge of the 2017 award is prize-winning New Zealand poet and fiction writer Bill Manhire. Manhire has won several New Zealand Book Awards, a number of significant fellowships, and he was the 1997/1998 New Zealand Te Mata Estate Poet Laureate. He was also honoured with the Prime Minister’s Award for Literary Achievement in 2007.
The award will next be granted in 2019.

Conditions of entry (go here)

  • Entries will be a collection of poems or one long poem.
  • Minimum submission length is 20 pages. Formatting, font size etc is your choice.
  • Entries will be unpublished, original work. Note, it is the collection as a whole that should not have been previously published. Individual poems in the collection can have been published previously.
  • Entrants will be New Zealand or Pacific permanent residents or citizens.
  • Only one entry per person will be accepted.
  • The judging panel will assess the merits of submissions and reserves the right not to award a prize.
  • No correspondence with the judges will be entered into.
  • Landfall/Otago University Press reserves the right of first publication of the winning entry. Any other entries may be considered for publication.
  • The name and photograph of the winning writer may be used by Landfall and/or its publishers for publicity purposes.
  • No present employees of Otago University Press or present editors of Landfall are eligible to enter.

How to enter

  • Submit two hard copies of your manuscript (your name is NOT to appear on these). Your copies will not be returned.
  • Include a cover letter with your personal contact details: name, postal address, email address and telephone number.
  • Please ensure the title of the submission is on both the cover letter and on the manuscript itself.
  • Please include notes on which poems have been previously published and where in the cover letter, but NOT within the manuscript itself.

Mail entries to

The Kathleen Grattan Award
Otago University Press
PO Box 56
Dunedin 9054
New Zealand

Courier entries to

Otago University Press
Level 1
398 Cumberland St
Dunedin 9054
New Zealand

Further information

Tel 64 3 479 4155
Email landfall@otago.ac.nz

Flow: Whanganui River Poems – Airini Beautrais’s poetry launch

Nau mai, haere mai. Come and help celebrate the launch of Airini Beautrais’s new collection, Flow: Whanganui River Poems.
Featuring stories from the catchment, river and town.
Shipwrecks, floods, soldier-settlers, surveyors, missionaries, protests, poets, petrolheads, deviants, sly-groggers, environmentalists, heroes, anti-heroes and complicated characters.

With readings by Airini, Maria McMillan, and special guests.

All welcome. Drinks and nibbles will be served (in adjacent space as food and drink can’t be consumed in the museum. Please do not bring these items).

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Susan Howe introduces Debths, her new poetry collection, at The Paris Review

When I was eight my parents packed me off to Little Sir Echo Camp for Girls on Lake Armington in the foothills of New Hampshire cofounded and owned by Mary Hoisington and Margaret Conoboy ten years earlier. Apparently the women chose the name because of an echo that bounces off the surrounding White Mountains. An actual child may or may not fit parental fantasies. I hated the place. Most of all I dreaded riding classes and spent many nights praying I would be assigned the tired elderly horse with a creaking stomach for the next day’s obligatory ride around the ring. On the one visiting day allowed per summer we rowed across the lake and picnicked on a secluded beach at the edge of a pine forest. I begged them to ransom me. But no. Around four P.M. they left for Boston, leaving me alone with my dread of being lost in the past; absent.

 

Full extract here

NZ Festival series: Ian Wedde’s Reading Life (and Bill and Catherine’s)

 

 

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This terrific series edited by Guy Somerset also includes Bill Manhire and Catherine Chidgey.

To celebrate Ian Wedde’s Selected Poems, we are invited to share a smidgeon of Ian’s reading life:

‘The first book to capture my imagination was … A toss up between May Gibbs’ Snugglepot and Cuddlepie (I was scared of the Banksia Men) and Rudyard Kipling’s Jungle Books (I was Mowgli!).’

Ian’s full book shelf here

Sadly this was Guy’s last edition, but he left a terrific Glastonbury link as an adieu.

Launch of A TransPacific Poetics

 

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A TransPacific Poetics, Litmus Press, 2017

Edited by Lisa Samuels & Sawako Nakayasu

 

Thursday 27 July 530-7 PM, Gus Fisher Gallery, 74 Shortland Street, Auckland

 

With Murray Edmond, Ya-Wen Ho, Melanie Rands, & Lisa Samuels

 

Join us as we launch A TransPacific Poetics, a new collection of poetry, essays, and poetics committed to transcultural experimental witness in both hemispheres of the Pacific and Oceania. The works in ATPP re-map identity and locale in their modes of argument, resituated genres, and textual innovations. A TransPacific Poetics includes Lisa Samuels, Don Mee Choi, Melanie Rands, Jai Arun Ravine, Ya-Wen Ho, Murray Edmond, Susan M. Schultz, Eileen Tabios, Craig Santos Perez, Corey Wakeling, Lehua Taitano, Stuart Cooke, Sean Labrador y Manzano, Barbara Jane Reyes, Myung Mi Kim, and Sawako Nakayasu, with cover art by Dagmar Vaikalafi Dyck, who will also be present for this launch event.

 

Free & all welcome. Book copies available for a celebratory reduced price of $30 (cash only).