Category Archives: NZ author

Poetry Shelf The Summer Season: Poets pick poems – Bill Manhire picks Louise Wallace

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Four Seasons on Poetry Shelf aims to widen the scope of voices, selections, opinions, poetry tastes, sidetracks, reading options in 2017 on the blog. Each season will be different.

 

First up, The Summer Season where, over the course of two weeks, New Zealand poets pick a favourite New Zealand poem and offer a few comments.

I have spent the past year reading, writing and researching my way through poetry by New Zealand women for my book. Sometimes a poem feels like a foreign country, a sea in which I haven’t the foggiest idea how to swim, and I feel like I am treading water, hopelessly. But sometimes, upon return, when the light catches the poem aslant (thanks Cilla McQueen!), I find myself swimming and it is heaven. Sometimes it’s just a matter of changing stroke, of navigating the tidal flow with different eyes. Different ears.

Reading outside your comfort zone, reading into the unfamiliar along with the much loved, is an absolute joy.

Yep, poetry is an absolute joy.

 

To launch the season, I am posting a poem Bill Manhire is very fond of:

‘Poi Girls’ by Louise Wallace (Since June, Victoria University Press, 2009).

Bill also suggested including a link to Louise’s excellent short note on the Best New Zealand Poems site. However Louise has granted permission to post both the poem and the comment. Thank you!

The Poi Girls

Kahu, Mere, and Faith
stand on the grass
by the corner.
They lean
on the fence and watch you
walk past –
spinning, twirling their poi.
Pou
Pou
Pou
The Poi Girls
say with their poi,
with each hard slap
of their poi.

On your way home
they’re in the same spot,
Kahu, Mere, and Faith.
Their older brothers and cousins
are fixing the car, out
on Mere’s lawn.
The boys stop as you
walk by.
They lean their hands
on the car’s sides and look out
from under the hood.
What
you
want?
The Poi Girls
say with their poi.

You’re walking
down the dip
but you have left
your shoes at school.
The yellow seeds
stick to your feet,
and when you get up
the other side, The Poi Girls
are looking
at you.
Om
Om
Om–mee
The Poi Girls
say with their poi.
Piss off,
you tell them,
leave me alone.
You don’t need
their crap as well.

You stuff Pak ‘n Save bags
into white plastic
and tie
them up with string.
You walk past the corner
twirling and spinning,
Hey
you!
Bumheads!
you say with your Pak ‘n Save poi.
The Poi Girls chase you
down the street
but you are too little and fast
for them,
especially for Faith, the fat one,
the one with the lighter skin.

One day in the cloakroom
It’s just you and Thomas
and he tells you
you have beautiful eyes –
green and brown,
just like his girlfriend, Jade’s.
The Poi Girls burst in, twirling.
You
kissed
Thomas!
The Poi Girls
say with their poi,
your cheeks
pounding flush.

Your sister tells you
to run through the mud
and you say you will
and that you don’t even care.
So you run
and halfway you sink
to your waist
and down the dirt road
come The Poi Girls, slowing
to a stop.
Ha!
You
egg
The Poi Girls
say with their poi
and leave
with your sister
in tow, twirling.

It’s sunny but cold
that morning, on the way
to school.
Mere’s front lawn
is filled with cars,
and there are people in suits
and old koros with sticks
and The Poi Girls stand
out the front.
Mere doesn’t
look at you today,
so Kahu and Faith
glare twice as hard for her.
The Poi Girls’ poi
hang still
from their hands
and today
say nothing at all.

©Louise Wallace Since June, Victoria University Press, 2009.

 

Louise comments:  ‘ “The Poi Girls” is one of those rare poems that came to me almost fully-formed in the middle of the night. I scribbled it down then and there, and I wish this happened more often! I grew up in Gisborne and the essence of this poem comes from there. The poem is about childhood, curiosity and the nature of difference, but contains a certain menace too. Through the sound of the poi and its repetition I hoped to convey the weight and seriousness that events so often have when you experience them as a child.’

 

Best NZ Poems

Listen to the poem here.

Poet honoured on Waitangi Day: Selina Tusitala Marsh, Honorary Literary

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Acclaimed poet and scholar, Selina Tusitala-Marsh, has been made Honorary Literary Fellow in the New Zealand Society of Authors’ annual Waitangi Day Honours.
“As the country’s largest writers’ organisation, we believe it’s important to celebrate significant literary achievements, especially on the international stage,” said NZSA President, Kyle Mewburn. “Each year more and more kiwi writers are achieving exceptional things internationally. Last year was no exception.”
“As 2016’s Commonwealth Poet, this year’s NZSA Literary Fellow, Selina Tusitala-Marsh, was able to share her unique and powerful voice with the world. This included a memorable performance before the Queen at the Commonwealth Day of Observance in Westminster Abbey, which placed the diversity of our local poetry in the international spotlight,” Mewburn said.
“Fa’afetai tele lava for this lovely acknowledgment,” said Tusitala-Marsh. “The wondrous thing about a poem is that it’s an ‘ala’ – the proto-Polynesian word for ‘path’. As a ‘Tusitala’ my poems are paths between cultures and world views. In 2016 a poem found its way into Westminster Abbey connecting my Tuvalu grandfather with the Queen of England, Samoan philosophy with global ecology, and a New Zealand Fast Talking PI poet with the Commonwealth. How marvellous is that? Here’s to paving more poetic paths!”
First introduced in 2013, the NZSA’s Waitangi Day Honours celebrate success on the international stage.
“As the only writing awards bestowed by peers, they have become a highly regarded and prestigious honour,” Mewburn said.
Previous winners include Eleanor Catton, Paul Cleave and Philip Mann.

The gift shop

 

 

The gift shop

 

 

When Josephine leaves Ellis Island she is not yet sure what she takes away with her, and what she leaves behind in the glass cabinets, and she wonders if the gift shop sells little blue bottles of hope, gathered as carefully as saffron, to keep in a coat pocket and season the next day, and then the day when it is most needed.

 

© Paula Green New York Pocket Book Seraph Press, 2016.

 

 

 

 

Sarah Broom Poetry Prize – Entries now open

SARAH BROOM POETRY PRIZE

The Sarah Broom Poetry Prize is New Zealand’s most valuable poetry prize and aims to recognise and financially support new work from an emerging or established New Zealand poet through a $10,000 award.

The prize was established in 2013 in honour of the New Zealand poet Sarah Broom (1972-2013), the author of Tigers at Awhitu (2010) and Gleam (2013).

Entries open on 6 February and close on 2 March 2017

The Sarah Broom Poetry Prize is now in its fourth year, and we are pleased again to be working together with the Auckland Writers Festival to showcase and celebrate New Zealand poetry. The prize will be announced at the Auckland Writers Festival in May 2017. Shortlisted poets will be invited to read their poetry at a dedicated poetry event at the Festival, where the winner will be announced.

The judge for the 2017 prize is Carol Ann Duffy. Duffy is Britain’s Poet Laureate and is the first woman in the role’s 400 year history. She is one of the most significant names in contemporary poetry and the author of books for children, plays and many celebrated poetry collections including Mean Time (1993), which won the Whitbread Poetry Award and the Forward Poetry Prize, The World’s Wife (1999), Love Poems (2010) and The Bees (2011). She has been awarded numerous awards and prizes for her work including the T.S Eliot Poetry Prize.

 

For more information about the prize and Sarah Broom see here.

For more information about the Auckland Writers Festival, which will be held from 16 – 21 May 2017, visit here.

 

HOW TO ENTER

The prize is awarded on the basis of an original collection of poems by a New Zealand resident or citizen. Entries will be accepted from from 6 February 2017 until 2 March 2017.

Poets are required to submit six to eight poems, of which at least five must be unpublished. The recipient of the prize will be announced in May 2017 at the Auckland Writers Festival. Shortlisted poets will be invited to attend a dedicated event and read from their work.

Entries should be emailed to poetryprize@sarahbroom.co.nz Any queries should be emailed to enquiries@sarahbroom.co.nz

 

CONDITIONS OF ENTRY

1. Poets are required to submit six to eight poems of which at least five must be unpublished. 2. There is no maximum or minimum length – formatting and font size is your choice.
3. Entrants must be New Zealand permanent residents or citizens.
4. Only one entry per person will be accepted.

5. Entries must be the author’s original work. Any use of quotation must be acknowledged by attribution to its source.

6. Entries must be submitted as one electronic file per entrant, as an email attachment in Word or PDF format. No identifying details should be present in this poetry portfolio.

7. Your entry should also include a covering email with a brief personal statement, an indication of how you would use the award money, and contact details. These covering details are not provided to the judge.

8. The judge will assess the merits of submissions, and the Sarah Broom Poetry Trust reserves the right not to award a prize.

9. The prize recipient will be announced at the Auckland Writers Festival in May 2017 and in other appropriate publications.

10. No correspondence with the judge will be entered into.

11. The name and photograph of the prize recipient may be used by the Sarah Broom Poetry Trust for publicity purposes.

A Selected Poems from Jeffrey Paparoa Holman is out this month

BLOOD TIES: New and Selected Poems 1963-2016.
Jeffrey Paparoa Holman, Canterbury University Press,
978-1-927145-88-3, $25.00, due February 2017.

‘Blood Ties is a journey through a lifetime that is a parable of settlement, one man’s response to the challenge of living responsibly and with sensitivity to the question of where we are and what we must be. There are strong ancestors throughout, but, at the same time and very distinctively, the urgent sound of this river of poetry is all this fine poet’s own.’
Patrick Evans

 

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Poetry Live relaunches with Anne Kennedy and MW Sellwood

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Come one, come all, to our opening night of the year!

GUEST POET: ANNE KENNEDY
Anne Kennedy is a poet, novelist and screenwriter. Her awards include the NZ Post Book Award for Poetry for Sing-song and the Montana New Zealand Book Award for Poetry for The Darling North. Her novel, The Last Days of the National Costume, was shortlisted for the NZ Post Book Award for Fiction in 2014. In 2016 Anne was Writer in Residence at IIML, Victoria University of Wellington. She teaches fiction and screenwriting at Manukau Institute of Technology.

GUEST MUSICIAN: MW SELLWOOD
MW Sellwood is an up-and-coming Auckland blues artist from the city’s thriving underground music scene. Equally at home performing tunes on stage or a street corner, his groovy electric guitar riffs and playful vocals combine for a fresh take on Blues music in the new millennium!

POETRY OPEN MIC

KOHA ENTRY

MC: KIRI

The 2017 National Flash Fiction Day competition opens February 15

 

The 2017 National Flash Fiction Day competition will open February 15, with entries accepted through April 30. Send your best 300-word story! Cash prizes equaling $1500!

First Prize: $1000

Second Prize: $400

Third Prize: $100

We are pleased to announce that the judges for this year’s competition are Michael Harlow and Emma Neale. Competition entry details will be posted in early February – watch this space.

And there are still a few days to submit to the February issue of Flash Frontier: An Adventure in Short Fiction. The issue will feature stories up to 250 words with the theme remnants; guest edited by 2017 NFFD judge Michael Harlow. Submissions close January 31. Details here.

Fabulous poems from Talia Marshall on Radio NZ National

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Good to see Radio NZ National deleting excellent poetry.

Poems can be heard here.