Victoria University announces Emerging Pasifika Writer’s Residency

 

Victoria University of Wellington’s International Institute of Modern Letters (IIML) is delighted to announce a new Emerging Pasifika Writer’s Residency for 2019.

The Residency, supported by Creative New Zealand, runs for three months and includes a writing room and a stipend of $15,000. A member of the Pasifika arts community will mentor the Emerging Pasifika Writer-in-Residence.

The Residency was one of several ideas proposed around supporting new Pasifika writers at a Talanoa—a process of inclusive, participatory and transparent dialogue—hosted by the IIML and attended by Pasifika writers and theatre-makers. Maualaivao Albert Wendt, whose ground-breaking fiction, poetry and teaching has influenced generations of writers, says emerging Pasifika writers need funding, “and the IIML offers a supportive, established and nourishing environment in which new writers can flourish”.

 

“This is a fabulous opportunity for a new Pasifika writer to work on a creative project in a stimulating and supportive environment. I am very excited,” says Assistant Vice-Chancellor (Pasifika) Dame Luamanuvao Winnie Laban.

The IIML welcomes applications from writers at an early stage of their careers, with a growing body of work. This Residency is unique in that applications are invited from writers in all areas of literary activity, including drama, fiction and poetry (page and performance), devised performance, creative non-fiction and graphic novels.

 

“There are so many exciting things happening in Pasifika writing and we’re thrilled to be involved with this residency,” says IIML Director, Professor Damien Wilkins.

 

Applications close 31 July 2018. Apply here, or for further details please contact modernletters@vuw.ac.nz

 

For more information contact Emily Perkins on 04-463 6905 or emily.perkins@vuw.ac.nz.

 

 

 

At Jacket 2 – Artists across another terrain: Non-Kiwi interpretations of Kiwi poetry

 

Vaughan Rapatahana’s full article here

 

As promised in the previous commentary, in these variegated tangents away from the vast soft white underbelly of New Zealand poetry, I here focus on two non–New Zealanders and their valuable and vitally different representations of Kiwi poets and their mahi, or work. One is French, one is American; both have been keenly involved in publishing or producing New Zealand poems for quite some time now. Both are visual artists. Alphabetically, I now approach them — America to France.

David Kelly-Hedrick is an artist who works with Kiwi (and others’) words and transforms them into quite brilliant tree/fence/free-range poetic sculptures.

Describe what you do in terms of depicting Kiwi poems (i.e. written by NZ poets) via your tree sculptures (that is, the physical outdoor depictions).

I gather scrap pieces of wood, often pieces that have washed up in our harbors and along our beaches, and I router words and lines of great verse and then paint them in bright acrylic colors. I place these lines in organized art installations or leave them out in public locations. I wish to lift and place poetry in surprising places. I want it to last a while, to fare all right in the weather. I want to install these wood planks and let them sing with new art. I started nearly ten years ago with an installation in a Botanical Garden in the States and have continued from there. In Dunedin, New Zealand, I collaborated with the poet Loveday Why on a Wild Lines installation as part of the Dunedin Fringe Festival.

 

 

 

 

Poetry Shelf Audio Spot: Louise Wallace reads Darling-

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Louise Wallace, Bad Things, Victoria University Press, 2017

 

‘Darling—’ from Bad Things—

 

Louise Wallace now lives in Dunedin and is the author of three collections of poetry, the most recent being Bad Things (Victoria University Press, 2017). In 2015 she was the Robert Burns Fellow at the University of Otago. She is the founder and editor of Starling, an online journal publishing the work of New Zealand writers under 25 years of age.

 

 

 

 

Victoria University announces Emerging Pasifika Writer’s Residency

 

Victoria University of Wellington’s International Institute of Modern Letters (IIML) is delighted to announce a new Emerging Pasifika Writer’s Residency for 2019.

 

The Residency, supported by Creative New Zealand, runs for three months and includes a writing room and a stipend of $15,000. A member of the Pasifika arts community will mentor the Emerging Pasifika Writer-in-Residence.

 

The Residency was one of several ideas proposed around supporting new Pasifika writers at a Talanoa—a process of inclusive, participatory and transparent dialogue—hosted by the IIML and attended by Pasifika writers and theatre-makers. Maualaivao Albert Wendt, whose ground-breaking fiction, poetry and teaching has influenced generations of writers, says emerging Pasifika writers need funding, “and the IIML offers a supportive, established and nourishing environment in which new writers can flourish”.

 

“This is a fabulous opportunity for a new Pasifika writer to work on a creative project in a stimulating and supportive environment. I am very excited,” says Assistant Vice-Chancellor (Pasifika) Dame Luamanuvao Winnie Laban.

 

The IIML welcomes applications from writers at an early stage of their careers, with a growing body of work. This Residency is unique in that applications are invited from writers in all areas of literary activity, including drama, fiction and poetry (page and performance), devised performance, creative non-fiction and graphic novels.

 

“There are so many exciting things happening in Pasifika writing and we’re thrilled to be involved with this residency,” says IIML Director, Professor Damien Wilkins.

 

Applications close 31 July 2018. Apply here, or for further details please contact modernletters@vuw.ac.nz

 

For more information contact Emily Perkins on 04-463 6905 or emily.perkins@vuw.ac.nz.

 

 

 

Pip Adam talks scintillating poetry with Jesse Mulligan

 

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Pip Adam talks poetry with Jesse Mulligan

at RNZ National

 

Therese Lloyd’s The Facts      Check out my review

Helen Heath Are Friends Electric?    Check out Helen reading 2 poems and our interview

Helen Rickerby‘s poem ‘George Eliot: A Life’  Check out Helen reading an extract

 

Wonderful! and thanks for the Poetry Shelf plug

 

 

 

 

 

 

 

 

Monday Poem: Fiona Farrell’s ‘Photo opportunity’

 

 

Photo opportunity

 

As we approach the river of

forgetfulness, you will notice a

slight acceleration. On your left,

the garage and the motorcamp.

On your right, a thicket of

blackberry. (The berry’s blood,

thorn under the skin.)

Do not adjust your headset.

Do not open the windows.

(Grey braid of river silt, the

lupin’s yellow throat.)

 

Take out your cameras now.

There will be an opportunity

as we cross the river of

forgetfulness. We will pull

over. On the south bank,

shadows cluster. On the

north bank, bone and

rubble. Upriver, the lips

of the gorge, the narrow

source. Downriver is

dispersal and the dump

and seabirds weeping.

 

There are exits here.

And here. They have been

sealed for your security.

Do not adjust your aperture.

 

And now we are on our way.

We have crossed

the whatchamacallit

 

and we are heading

fast toward

 

thingummiebob.

 

©Fiona Farrell

 

 

Fiona Farrell writes poetry, fiction and, occasionally, fact. After 25 years living in a remote bay on Banks Peninsula, she moved last year to Dunedin.

 

 

 

National Flash Fiction Day Celebrations

 

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National Flash Fiction Day Celebrations

22 June 2018

in

Dunedin, Christchurch, Wellington, Auckland and Kawakawa

Guest speakers include Sue Wootton, Vaughan Rapatahana, Patrick Pink, Tim Jones, Jac Jenkins, Jennifer Lane and Wellington Mayor, Justin Lester

Flash fiction and micros

NFFD Awards – Regional Awards

Spot prizes

Listen to the winning stories from the 2018 NFFD competitions.

All welcome.

Find an event near you

A terrific new Emma Neale poem at HeadStuff

 

 

 

First time in my god
damned life I forgot

 

opening lines to ‘So Buttoned Up’

 

for the poem go here

 

 

 

 

 

 

 

 

 

 

Poetry Shelf audio spot: Helen Heath reads two new poems from Are Friends Electric

 

 

 

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‘Greg and the bird’

and the bird’

 

 

‘A rise of starlings’

 

 

Helen Heath’s debut collection, Graft, won the NZSA Jessie Mackay Best First Book for Poetry Award. It was also shortlisted for the Royal Society of New Zealand Science Book Prize (the first poetry or fiction shortlisted). Helen has a PhD in Creative Writing from Victoria University of Wellington’s IIML. Her new collection, Are Friends Electric, is a poetic smorgasbord that offers diverse and satisfying engagements.

 

Paula Green and Helen Heath in conversation

Victoria University Press page