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Interview with Anne Kennedy at Turbine: ‘The mirage of writing keeps moving’

 

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This is a terrific interview (interviewed by Evangeline Riddiford Graham and Elizabeth Baikie) from Anne Kennedy as her Residency  at Victoria University draws to a close.

Full interview here.

 

In this place, at this time, what are you reading? 

I’ve just finished Helene Wong’s memoir, Being Chinese, which is a beautiful and moving book. I felt ashamed and inspired at once reading about the racism that was dealt to the Chinese community here, and how despite that they just got on with it. I’ve been reading what I bring home from Wellington book launches: Nick Ascroft’s Back With the Human Condition, hilarious and serious poetry, a good combination; Sarah Laing’s Mansfield and Me which I binge-read one weekend and then found myself with a Laing-like running commentary in my head. Lee Posna’s riveting Arboretum. I’m reading a novel by Susanna Moore, Sleeping Beauties, which interests me because it’s set in Hawai`i.

 

 

Some favourite quotes:

‘Writing is in defiance of the material world even though it’s often a representation of it.’

 ‘Who will write about here, apart from us?’
‘Basically my writing life is made up of getting enthusiastic about a form or medium, deciding it’s too something, too rhythmic, not rhythmic enough, and trying another one.’

Turbine | Kapohau 16 combines a new look with literature from writers who aren’t afraid to tackle change

Victoria University of Wellington’s International Institute of Modern Letters’ (IIML) annual online literary journal returns this year with a new name—Turbine | Kapohau—and a new website.

This combines the original name Turbine with a new Māori name Kapohau.

Kapohau is the Māori term for the action of a wind turbine, comprised of ‘kapo’, to catch/capture, and ‘hau’, which typically means wind in the turbine context. However, ‘hau’ is also used in other contexts to mean the vitality or vital essence of a person, place or object.  This ambiguity makes for a beautiful fit for the journal.

Showcasing new writing from an international selection of emerging and established writers, plus the latest graduates from the IIML, Turbine | Kapohau 16 is spinning with work that investigates re-invention and change. Edited during a turbulent month of the United States elections and earthquakes, the Turbine | Kapohau 16 contributions jolt and soothe in equal measure.

The 2016 Adam Foundation Prize winner Annaleese Jochems contributes a chapter from her award-winning novel, And Lower. Anna Jackson returns from the 2016 Katherine Mansfield Menton Fellowship to contribute three poems and a sound recording. Other poets in this issue include Airini Beautrais, winner of the 2016 Landfall Essay Competition, and Nick Ascroft and Bill Nelson, who have both published new books with Victoria University Press this year. There is fiction from Christine Utz and poetry from Justin Cox, both teachers at The University of Iowa and convenors of this summer’s IIML Iowa Workshops, hosted at Victoria. This year’s edition also sees a diverse selection of fiction, creative non-fiction and poetry from past, present, and future IIML Master of Arts and PhD students.

In the Turbine | Kapohau interview, 2016 Victoria University/Creative New Zealand Writer in Residence and award winning poet, novelist and scriptwriter Anne Kennedy shares her thoughts on returning to Wellington, working across form, and watching the birds from her window. When asked about the writing life in Aotearoa Kennedy says: “Writing a New Zealand novel is about as sensible as buying a Lotto ticket, but I do it because I don’t know what else to do for kicks.”

After a brief hiatus, the ‘Reading Room’ returns in this issue. Selected entries from the reading journals of students from the IIML’s Master of Arts in Creative Writing shed light on the inner workings of a developing writer’s mind as each of them looks to the future.

Turbine | Kapohau 16 was co-edited by Elizabeth Baikie and Evangeline Riddiford Graham.

Turbine | Kapohau 16 can be viewed online.

NZ Book Council posts a list of favourite reads in 2016

Elizabeth Knox

Elizabeth Knox

The Man in the High Castle by Philip K. Dick

Mansfield and Me: A Graphic Memoir by Sarah Laing

Can You Tolerate This by Ashleigh Young

 

This is excellent! For the complete list of contributions at Booknotes Unbound see here.

Good to see Emma Neale’s Billy Bird, Gregory Kan’s This Paper Boat and Sarah Laing’s Mansfield & Me make numerous appearances. Good reads indeed!

I felt the best books of 2016 list in The Herald did not involve a scan back over the year to select gold nuggets but a cluster of books that had not yet been reviewed. Disappointing.

 

 

 

Bold new novel wins Adam Prize

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In a strong year for new writing at Victoria University of Wellington’s International Institute of Modern Letters (IIML), a risk-taking, wildly funny, ‘powerful and troubling’ novel has been awarded the 2016 Adam Foundation Prize in Creative Writing.

Annaleese Jochems, 22, wrote the winning book, And Lower, as part of her 2016 Master of Arts (MA) at the IIML.

“I’m ecstatic and still a little unbelieving at having won. My classmates are a group of deep-feeling, hard-thinking writers and we’re a team now. It’s been a privilege to be involved in their projects and to receive their considered feedback on my novel. Emily Perkins and Pip Adam are both extremely patient, knowledgeable and questioning teacher-supervisors who pushed me to the edge of my brain’s capacity. I’ll never be the same again!” Annaleese says.

Annaleese had been studying writing at the Manakau Institute of Technology in Auckland and moved to Wellington to take up a place on the IIML MA programme.

Supported by Wellingtonians Denis and Verna Adam through the Victoria University Foundation, the $3,000 Adam Prize is awarded annually to an outstanding student in the MA in Creative Writing programme at the IIML.

And Lower tells the dream-like story of two young women who steal money and flee Auckland to live on a boat in the Bay of Islands. It centres on Cynthia, described by one examiner as “a superb character, a creature of pure physical and emotional need,” and her series of misadventures, driven by an erotic fixation and a world-view gleaned from a close study of reality TV. Cynthia wants nothing but love, but when a rival gets in her way the black comedy heats up, and the plot takes a thrilling, violent turn.

Emily Perkins, a senior lecturer at the IIML and co-convenor of this year’s Master’s programme, says it’s been a delight to read the novel as it has developed over the course of the MA.

“Annaleese is an inventive, bold and ambitious writer. She is one of a terrific group of new writers coming through the MA programme, and her exhilarating novel is full of ideas and absurdities that speak to our times. And Lower takes the reader on an unsettling, sometimes hilarious, always surprising ride, rendered with sensory acuity and charm.”

Acclaimed author Tracey Slaughter, an examiner for Annaleese’s thesis, praises:  ‘a narrative of delightful originality’ and ‘dazzlingly astute observations’, delivering a ‘slick transition from irony to menace… with lucid, pared-back imagery’.

“Throughout, it is Jochems’ piercing sense of tone which shines. The voice of the piece is always taut, savvy, biting… beautiful.”

An extract from the novel features in the newly launched 2016 edition of literary journal Turbine | Kapohau, available online.

Previous Adam Foundation Prize recipients include authors Eleanor Catton, Catherine Chidgey, Ashleigh Young and Hera Lindsay Bird.

The Kathleen Grattan Prize for a Sequence of Poems 2016

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The winner of the 2016 Kathleen Grattan Prize for a Sequence of Poems, run by International Writers’ Workshop NZ Inc (IWW), has been announced with the $1000 prize awarded to Michael Giacon of Auckland for his sequence, Argento in no man land.

Giacon was born and raised in Ponsonby. He is from a large Pakeha-Italian-Samoan family, and has worked at tertiary level in English language teaching for quite some time. In 2016 he graduated with an AUT Masters in Creative Writing, producing a volume of poetry, Beyond Retrieve, which was all about a life of writing. Argento in no man land began as part of his Masters. A series of IWW poetry workshops helped him select and shape his winning sequence of 13 poems telling of spring-to-spring romance, love, lust, break-up, some sadness, hope, for Argento Q in the gay milieu.

This year’s judge, Gus Simonovic, said of the winning sequence: “This seduces on the first read with its feel of ‘ease’. You know when you read one of those poems that have just ‘landed’ as they are; the ones that look and sound as if they come directly from that eternal creative source; and where the poet is just the medium between the source and the reader. The structure of the poem is ‘predictable’, but the content itself is everything but. Its natural flow and the richness of the emotional landscape makes it readable and re-readable with endless incarnations of poetic surprise(s).”

The Emerging Poet Award, presented to an IWW member of at least three years standing who has not had poetry published previously, is Caroline Carlyle for her sequence The Chongololo Therapy Sessions. A chongololo is a giant African millipede and the seven poem sequence relates to her childhood growing up in Zimbabwe.

About the Prize

The Kathleen Grattan Prize for a Sequence of Poems has been made possible by a bequest from the Jocelyn Grattan Charitable Trust. It was a specific request of the late Jocelyn Grattan that her mother be recognised through an annual competition in recognition of her love for poetry and that the competition be for a sequence or cycle of poems with no limit on the length of the poems. It is one of two poetry competitions funded by the Trust, the other being the prestigious Kathleen Grattan Award run by the publishers of Landfall magazine.

This is the 8th year the prize has been contested. Previous winners are:

2009: Alice Hooton for America.

2010: Janet Charman for Mother won’t come to us, and Rosetta Allan for Capricious Memory.

2011: Jillian Sullivan for how to live it

2012: James Norcliffe for What do you call your male parent?

2013: Belinda Diepenheim for Bittercress and Flax.

2014: Julie Ryan for On Visiting Old Ladies.

2015: Maris O’Rourke for Motherings

Summer School for Young Christchurch Writers

Workshops Booking Fast

Be in quick to get your top picks of workshops. Some are almost full!

As they become full they will be deleted from the booking form, and you will be assigned the alternative. So don’t miss out on your top picks ( although we think all of the workshops will be fabulous!)

If you miss out on a workshop that you really really wanted to do then let us know and we will do our best to make another opportunity for this to happen for you in 2017.

Visit here for info

 

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Love the sound of this workshop ‘to bring us closer to the heart of what we are trying to say’

heraHera Lindsay Bird

Having Our Imagist Cake and Eating It, Too

“You owe reality nothing and the truth about your feelings everything.”
~Richard Hugo, Triggering Town

For me, the central question/task of poetry is how to make something that feels alive on the page. How do we get to the heart of what we are trying to say, without being overly didactic or too shy? How do we to approach what we are unable to approach, when we are stuck and overwhelmed, staring at a blank page? Good poetry should guide itself, not be dragged kicking and screaming towards a predestined conclusion. Good poetry allows the poem permission to steer itself. But how, practically, can we achieve this? And how can we take linguistic and formal risks while staying emotionally honest. In other words, how can we have our imagist cake and eat it too?

This workshop is a practical guide to generating new ideas & experimenting with text, but it’s also about how we integrate emotional honesty into our writing practice, and how we can adapt formal exercises, (which are so often sterile and cerebral) to bring us closer to the heart of what we are trying to say.

Hera Lindsay Bird is a poet from Wellington. Her debut collection Hera Lindsay Bird was published by Victoria University Press in 2016, and has gone on to be reprinted several times since. She has published work in the Toast, The Hairpin, The Listener and The Spinoff, and her book has been featured in The Guardian, Vice, and The Sunday Star Times. She believes in emotional honesty, excessive similes, and the occasional dick joke.

 

The 2017 Kāpiti Writers’ Retreat

 

 

The 2017 Kāpiti Writers’ Retreat with Helen Lehndorf, Hera Lindsay Bird, Jordan Hartt, Nalini Singh, Queenie Rikihana-Hyland, and Vivienne Plumb

For the programme see here

Immerse yourself in writing and conversation this summer. There’s something for everyone–whether you’re new to writing, an established writer, or somewhere in-between.

Dates: 3-5 March 2017
Location: El Rancho, Kāpiti Coast, New Zealand
Registration:  Register securely online or contact kirsten@kahini.org with any and all questions or for additional information.
Join us for the Kāpiti Writers’ Retreat and renew and recharge your writing and your life. The Kāpiti Writers’ Retreat is an immersive, two-day gathering for writers, happening on the Kāpiti Coast. The retreat includes intensive morning workshops, lively afternoon panels, discussions and space and time to write, relax and engage with topics critical to your work. Read about last year’s event here.
Kahini is delighted to host six established New Zealand and international writers–Helen Lehndorf, Hera Lindsay Bird, Jordan Hartt, Nalini Singh, Queenie Rikihana-Hyland, and Vivienne Plumb–who will teach the Retreat. Each writer will teach morning workshops: three in fiction, two in poetry, one in memoir writing, and one cross-genre. (Read descriptions of the workshops and teachers below.)
Evening get together
In the afternoons the same teachers will lead panels and discussions on topics pertinent to craft and literature in Aotearoa. All writers are welcome, at whatever stage you are in your writing life. You’ll find community, encouragement, and a safe place in which to take artistic risks. Please contact Kirsten at kirsten@kahini.org for more information. Register for the Kāpiti Writers’ Retreat!
 

2017 Grimshaw Sargeson Fellows announced – two poets – Congratulations!

New Zealand poets Steven Toussaint and Gregory Kan have been awarded the prestigious 2017 Grimshaw Sargeson Fellowship. This is the first time two poets have been the recipients of the fellowship.

The poets will have the opportunity to focus on their craft full-time, with each having a six-month tenure at the Sargeson Centre in Auckland, and sharing an annual stipend of $20,000.

Originally from the United States, Steven Toussaint is looking forward to seeing where the fellowship takes him, as his writing is often troubled by our increasingly digital environment.

“The digital age has opened up wonderful opportunities for new kinds of communication. However, it has also scattered our attention in many different directions. At times I feel concerned that my attention is strained by all the media and digital attractions that exist around me,” he says.

Steven will use the fellowship to work on a new book of poetry, which will consist of individual poems with unifying themes about religious imagination.

Steven’s published works include a chapbook, Fiddlehead, which was published in New Zealand in 2014, with his first full length book, The Bellfounder, published the following year in the United States.

Gregory Kan says the fellowship provides a wonderful platform to help writers gain traction in an unrestrained world of literature.

“The digital age has meant that we have more writing than ever before – it’s a form that was previously only accessible to a privileged group, but is now more pervasive than ever which is fantastic,” he says.

Gregory will be using the fellowship to work on another book of poems. He will be consolidating pieces of already completed work as well as writing new pieces which interrogate the writing of biography and autobiography in this era of overwhelming and spectacular information.

Gregory published his first book this year, This Paper Boat with Auckland University Press, which is on the Okham NZ Book Awards long list for poetry. His work has been published in numerous literary journals, as well as contemporary art exhibitions and catalogues.

Frank Sargeson Trust Chair Elizabeth Aitken-Rose says she is delighted with the calibre of this year’s fellows and is excited to see them take their work to the next level.

“The current technological revolution is shining a light on some wonderful talent we may never have known about before – and this was quite evident in the quality of applicants we received this year,” she says.

“Being a writer in the digital age gives writers unprecedented opportunity, yet this can make it more challenging for writers to cut through and have their voice heard. This is particularly the case for poets, we are very excited to have two poets win the Fellowship this year.

“The fellowship will assist Steven and Gregory in gaining traction in this highly competitive environment, giving them a platform from which they can continue to build their careers and time to dedicate to their projects.”

The fellowship will run from 1 April 2017 to 30 November 2017. Steven will have the first stint at the residence with Gregory finishing out the tenure.

In 2016 the fellowship was awarded to Diana Wichtel and Breton Dukes. Other previous winners include Alan Duff, Michael King and Janet Frame.

The fellowship has been recognising and supporting some of our greatest talents for more than 30 years, says Grimshaw & Co Partner Paul Grimshaw.

“It offers vital support to New Zealand writers to focus, uninterrupted, on their work,” Grimshaw says. “They are contributing to New Zealand’s literary landscape and we are very proud to support them.”

Further information on the Fellowship is available here. Any queries can be directed to Elizabeth Bennie at elizabeth.bennie@grimshaw.co.nz or on +64 9 375 2393.