Category Archives: NZ poems

Monday Poem: Anahera Gildea’s ‘Ahi kā’

 

 

Ahi kā

 

At the top of the road

there is wind,

railways crossing at the corner,

of an old wooden prefab where

wine gums and popsicles, and

our feet in jandals fill

the one room dairy that is decades gone

 

toward the motorway

past the tree where Uncle hung himself,

is the highway

the marae-way.

Eels peg the line, and

Chip-dog is lazy barking.

Over the split verandah, you cross

the musty lounge, dark with the 70’s

squeeze down the hall past rooms so

clumsy you can smell the cob

 

out the window, into the land

blazing beneath this ancient copper;

we scrub on the washboard

of someone else’s clothes,

the broken down wringer where

this Auntie’s house is on the left,

that Auntie’s house is on the right;

 

the whole damn road is a gauntlet of aunties.

 

©Anahera Gildea
Anahera Gildea (Ngāti Raukawa-ki-te-tonga) has worked extensively as a visual and performing artist, a writer, and a teacher. She has had her poems and short stories published in multiple journals and anthologies, and her first book ‘Poroporoaki to the Lord My God: Weaving the Via Dolorosa’ was published by Seraph Press in 2016. She holds a BA in Art Theory, Graduate Diplomas in Psychology, Teaching, and Performing Arts, and a Master’s degree in Creative Writing from Victoria University.

 

 

 

 

Winner of National Schools Poetry Award 2018

Screen Shot 2018-08-23 at 8.59.36 AM.png

 

A Year 13 student at Wellington’s Queen Margaret College has won first place in the 2018 International Institute of Modern Letters’ (IIML) National Schools Poetry Award, with her poem ‘Vignettes’.

Ilena Shadbolt receives a prize of $500 and the opportunity to attend a poetry masterclass with poets James Brown and Hera Lindsay Bird at the IIML, home of Victoria University of Wellington’s prestigious creative writing programme. Ilena’s school library also receives a $500 book grant. Nine others were shortlisted in the awards and they will also attend the masterclass.

“I’m very excited to attend the masterclass with James Brown and Hera Lindsay Bird. I’m already a fan of Hera Lindsay Bird’s poetry and I’m really flattered and empowered to have won the award,” says Ilena.

“I wrote ‘Vignettes’ after my friend and I walked down to the dairy from my house at 9pm to get ice-cream. It was a strangely liberating walk; it felt like we were floating between all these glowing fish tanks dotted on the hills, pointing out to each other the little instances playing out in people’s living rooms and kitchens.”

Judge Louise Wallace—editor of Starling journal for young New Zealand writers and author of three collections of poetry—says the young poets who entered the competition are engaging sharply with the world around them, writing about gender, culture and identity, feminism and #metoo, our changing environment and political systems and their implications.

“Ilena Shadbolt’s subtly crafted ‘Vignettes’, is a beautiful observational poem, and as the title suggests, captures small glimpses of life. It is presented in the author’s natural voice, nothing feels forced, and as much is conveyed in what the poem doesn’t say, as in what it does. There is a nervous tension in this relationship, yet there is also a distance present between the speaker and the city—they are an outsider, looking in.”

Ilena Shadbolt will read her winning poem alongside leading Wellington poets at Unity Books Wellington, 12-1pm on Friday 24 August, to celebrate Phantom Billstickers National Poetry Day. National Schools Poetry Award founder and Victoria University Emeritus Professor, Bill Manhire, will introduce the event.

The nine shortlisted poets are: Stella Stevens, Motueka High School; Catherine Davidson, St Hilda’s Collegiate; Kushla Siemonek, Taumarunui High School; Patricia Alcartado, Hamilton Girls’ High School, Anna Doak, Cerys Fletcher, Cashmere High School; Ruby Rae Macomber, Harriet Carter, Northcote College; Cybella Maffitt, St Cuthbert’s College.

“This award has a fine history of uncovering some seriously talented young poets. The 2018 winner and the exciting new writers who are shortlisted receive a great boost from this recognition and are now perfectly placed to take their work to a new level,” IIML Director Professor Damien Wilkins says.

All shortlisted students receive an additional package of literary prizes provided by the New Zealand Book Council, Victoria University Press, Sport, Landfall, and the New Zealand Society of Authors, as well as $100. Flights and accommodation costs are covered for students outside of Wellington to attend the masterclass at the IIML.

The 2018 National Schools Poetry Award is organised by the IIML with the support of Creative New Zealand and advertising agency Ogilvy (formerly Ogilvy & Mather), with promotional support from Wonderlab.

The winning poem is attached. The judge’s report and all the shortlisted poems are available on the National Schools Poetry Award website.

In the hamock: reading Ila Selwyn’s dancing with dragons

 

Screen Shot 2018-08-23 at 1.54.20 PM.png

 

Ila Selwyn, dancing with dragons, Westridge Publishing, 2018

 

Ila Selwyn has published a previous poetry collection, two sisters, two chapbooks and a number of handmade books. She was an MC at Auckand’s Poetry Live, ran Rhythm & Verse at Titirangi’s Lopdell House and has run National Poetry Day events.

Ila’s new collection is as much a performance piece as it is an aural and visual symphony for the page. The book tips you as reader. It is in landscape format turning on a vertical rather than horizontal axis. The poems hug the right-hand margin. Quirky black and white drawings are scattered throughout. Lines in italics are mashed from songs or dead poets, so as you read, familiar melodies cut into the poems.

The word at the start of a line has a big role to play. It is the bridge between two thoughts (‘you be piggy in the/ Middlemarch‘).  This is the joy of reading a collection that keeps you on your toes; that startles with its jumpcuts, its playful wit and willingness to rove and risk in myriad directions. The poems move through the personal, politics, popular culture, books, people, cities, geography, history, the weather.

dancing with dragons is an exuberant explosion of words on the page, beautifully crafted and a joy to read. It is like catching the radio static of the world.

 

 

walking, poems pop into my mind, but when i get home they vanish from my

HeadworX is a select publishing house in

Wellington won The Battle of Waterloo and gave his name to a pair of gum

Boots was my darling dog that i carried over a mile from primary school to escape the dog

Catcher in the Rye is an American classic i adore, so taught it at sixth

form the clay into balls, pressing out the air, before you

throw me the ball Doug, and Ann, you be piggy in the

Middlemarch is not a novel about a March Hare, nor is it set in the middle of

March in NZ is the beginning of our

autumn leaves float by my window / and how i wish that you were

here, hear and hair are pronounced the same way by many

kiwis are a protected species of

 

from ‘pickled impressions’

 

 

 

National Poetry Day 2018: We are the persistance

 

Screen Shot 2018-08-22 at 12.56.41 PM.png

 

Christchurch Feminist Poets presents an evening of spoken word poetry that will move you, inspire you and make you think about society today and the ongoing struggle for equality. Bringing together a stellar group of Christchurch’s most powerful and thought provoking poets, this event is a unique opportunity to hear a cross section of voices, all driven to make the world a better place. Featuring Tusiata Avia, Ray Shipley, Alice Anderson, Rebecca Nash and Isla Martin, this event will immerse the audience in poetry that is as diverse as it is uplifting.

 

 

Poetry Shelf Monday Poem: Tracey Slaughter’s ‘it was the seventies when me & Karen Carpenter hung out’

 

 

it was the seventies when me & Karen Carpenter hung out

 

*

(cream)

me & Karen Carpenter

blu-tacked heartthrobs

to the hangout

wall & laid down

under our own gatefold

smiles. The ridges of our mouths

tasted like corduroy & the hangout

door was a polygon of un-hinged

ultra-violet. We stole lines from stones

& rolled them like acid

checkers on each

other’s tongues, testing

the discs of our tucked spines as we

swallowed. We rippled all through

the magazines: there were morsels of cosmetic

Top Tip to live on. We loaded our skin

& rubbed in the limits like cream, microscoped

for layouts of handbag & muscle. We could

not switch off the mirrors: it turned out

since me & Karen C

were kids we’d sucked on dolls cross

legged & shaved their limbs

to size with the

zip of our teeth. Somewhere

our mothers had bleach

dreams. We lay & grinned

on the oblong of leftover

shagpile. The seventies tasted

like orangeade, like groovy wars & honeybrown

explosions in the wallpaper. Karen

Carpenter held my hand & walked me

through the detonating spirals.

She showed me where

we could feast

on tangerine horizons

 

©Tracey Slaughter

 

Tracey Slaughter is the author of deleted scenes for lovers an acclaimed collection of short stories (VUP, 2016). Her poetry and prose have received many awards including the international Bridport Prize (2014), two BNZ Katherine Mansfield Awards, and the Landfall Essay Prize 2015. Her poetry cycle ‘it was the seventies when me & Karen Carpenter hung out’ was shortlisted in the Manchester Poetry Prize 2014, and her poem ‘breather’ won Second Place in the ABR Peter Porter Poetry Prize 2018. She teaches at Waikato University where she edits the journal Mayhem.

 

 

 

Poetry Day audio invite: An excellent celebration of poetry on Lately with Karyn Hay

image003   image003

From RNZ:

We’re getting listeners to download our Voxpop app onto their smartphones and read a two minute poem so we can play it on air during the show all week.
If you write poems and would like to read one to be heard on Lately with Karyn Hay next week on RNZ National, we’d love to hear it. Download the RNZ Voxpop App from the Appstore or wherever you get your apps, and read a short poem of up to two minutes onto it. Simple as that. Make sure you say who you are, and what it’s called and – if you like, other deets such as where it’s been published. Karyn will play it on air next week on her show. We already have lots of poems to play, some from published authors, others from complete novices. Have a go! And please, share away!!

Instructions for the app:

1. To download the VoxPop app search for “RNZ VoxPop” in the app store on your iPhone or android phone.

You can find also find the app here:

VoxPop Apple
VoxPop Android

2. Give yourself a username and give the app permission to use the microphone.

3. Select the question you wish to answer and it will bring up the microphone to begin recording.

4. Touch the microphone in the red circle to begin recording and then touch it again to end recording. You can “replay” to listen back and if you are happy hit the “publish” button to send the reading to us.

If you have any issues or questions email me: ceinwen.curtis@radionz.co.nz

 

National Poetry Day

 

Screen Shot 2018-08-16 at 12.54.14 PM.png

 

 

 

Poetry Shelf audio Spot: Jeffrey Paparoa Holman reads ‘Toroa Feeding – Taiaroa Heads’

 

 

 

 

Jeffrey Paparoa Holman reads ‘Toroa Feeding – Taiaroa Heads’, from Fly Boy (Steele Roberts: 2010).

 

Reading to the albatross.jpeg

 

Jeffrey Paparoa Holman is a Christchurch poet and a writer of non-fiction, and senior adjunct fellow in the School of Humanities and Creative Arts at the University of Canterbury. Born in London, Jeffrey immigrated to New Zealand in 1950, growing up in the Devonport naval base in Auckland, then the coal mining town of Blackball on the West Coast of the South Island. He has worked as a sheep-shearer, postman, psychiatric social worker and bookseller.

Jeffrey’s poetry collection As Big as a Father was longlisted for the Montana New Zealand Book Awards (2003). In 2007, Jeffrey and Martin Edmond won the Copyright Licensing Limited Award giving them $35,000 each towards a non-fiction project. Best of Both Worlds: The Story of Elsdon Best and Tutakangahau, was published by Penguin in 2010. Jeffrey was the 2011 Waikato University Writer-in-Residence and in the same year shortlisted for the Ernest-Scott History prize, Australia. In 2012, he was awarded the Creative New Zealand University of Iowa Residency. The resulting book, The Lost Pilot: A Memoir was published by Penguin NZ (2013). In 2014, Jeffrey travelled to Berlin on a Goethe-Institute scholarship, pursuing research for his current project, a family history based on links with his German relations.

Jeffrey’s SHAKEN DOWN 6.3: Poems from the Second Christchurch Earthquake was published by Canterbury University Press in 2012. His most recent collection, Blood Ties: New and Selected Poems was published by Canterbury University Press in 2017.

 

 

 

 

 

 

Poetry Shelf Monday Poem: Gregory O’Brien’s ‘On drinking water’

 

On drinking water

 

What besides

pure water a glass

of water contains:

 

of the sky nothing

necessarily, but always

something

 

of the cavernous

substratum

calcium, potassium

 

the wooden ladder we climb

down into the chasm

to swim.

 

©Gregory O’Brien

 

This poem was included in a painting of mine in the Water Project exhibition, curated by Shirin Khosraviani  at the Ashburton Art Gallery. The exhibition has just come down–but will be touring the nation over the next year or two. Pic of the painting, ‘Ode to a South Island water molecule’:

 

Ode+to+a+South+Island_Ode+to+a+water+molecule_OBRIEN.jpg

 

 

Gregory O’Brien is currently living in Alexandra, Central Otago, where he is working on a new collection of poems and finishing Always song in the water, a book of travels in Northland and aquatic regions north of there.

 

 

 

 

nzepc presents poet Lola Ridge’s author page

 

index_clip_image002.jpg

credit: New Zealand Illustrated Magazine

7.6 (Mar 1903): 424

 

visit page

 

nzepc presents Lola Ridge’s New Zealand and Australia, an author page that includes Ridge’s antipodean poetry and video of biographer Terese Svoboda reading and talking about Lola Ridge in Hokitika, where the poet lived 1880-1903.

This long overdue collection of writings, images and recordings in the one place will open up avenues into a poet who got lost in the shadows. Thanks again to the dedicated excavation work of Michele Leggott and Brian Flaherty.