Not even hurt
We are wearing the t-shirt proclaiming peace
We are walking the talk in the street
We are over sung and under weight
We are procreating far too late
We are smug and deceitful
We are crippled and smoke-filled
We are ripe with forgiveness with
none to forgive
We even pray for a moment —
it cant hurt to imagine
some finer godly cerebellum
We believe we breathe sanctuary
We believe we live well—
our fingertips tell us what we
believe in is hell
Click-clacking click-clacking like the
click of a pen, only treacherous seas
threaten to bring all to an end
From water we sloshed with mud on our shoes
to water we slither leaving no clues
A species a family a swarm and a tribe
And now not an echo of heartbeat inside
A gaggle a tangle a sleuth and a web
amoeba and diatoms what’s left just a thread
And so it goes
And
What will be?
Philosophers, painters rolled into one
We try to hook on but our claws are too short
Pride is deflated our nestlings all caught
One egg insufficient to keep up the plot
Chemical peels too late give over to rot
We sing and we diet and we cannot keep quiet
Like the stone and the river a ruckus a riot
Glue and cement a tiny toehold
Now withered, a memory of once was so bold
So this is the tale of what happens when
stories of heroes parade simulacra of men
Without texture, delight, humour or spice
heads bowed, genuflect, try to make nice
What is left are the tailings, the shit heap the pile
Naked mole rats shuffle and eat all our bile
Ant pathways like accordions filter the dirt
We feel nothing at all, not even hurt
Reihana Robinson
Reihana Robinson: Starting out near year end of 2019 there was the beautiful volume Ko Aotearoa Tatou/We are New Zealand (An anthology) I had the fortune to join. Next up was Nga kupu Waikato Kotahitanga online, video and exhibition with creator Vaughan Rapatahana at the helm.
Love in the Time of Covid Chronicle of a Pandemic through the good graces of Michelle and Witi brought me to the surface of writing after a spell of painting. Astonishing art and inspirational writing from around the world.
The year of 2020 was a year of editing both a new volume of poetry and a collection of poems for young voices. The new volume is woven, not like tukutuku or taniko (no absolute pattern). There are beginnings and a few endings that bleed, come together and come apart. Poems stitched with threads of rural misenchantment, misplaced desire and simmering memories that hover just over the horizon. Characters fledge their wings and some fly, some die. Language both gentle and brutal.