FOLD The Bone Feeder Opera, 2017
once, we were apart.
two ends of a flat earth. then
something folded
we touched.
voices running downstream
the tops of grasses stirring
a light breeze
like, at dawn.
my words fold. touch.
worlds, fold. touch. some I barely grasp.
Cantonese is my first language
English my second
a light breeze,
like at dawn.
I am a toddler again
walking
knees folding unfolding finding ignoring
the mind yelling doubt
red light stabs the clouds
injects rolling passion
use poetry. ignore the play.
no, don’t lose the fact you are a playwright.
I can almost grasp it.
there are days when I think
now I can see.
wind rises
ah, a storm
I fold. physical folding of myself is
all I can do to make it work. will it to work.
come together with you to make it work.
force myself to (make it) work. one day, we will place this
carefully folded piece
in front of an audience.
something folded
we touched.
red light stabs the clouds
injects rolling passion
a light breeze,
like at dawn.
©Renee Liang
Renee, a second-generation Chinese Kiwi, is a poet, playwright, paediatrician, medical researcher and fiction writer. Most recently she has written libretto for an opera, The Bone Feeder (based on her play of the same name) which premiered in March 2017 at the Auckland Arts Festival. Renee has collaborated on visual arts works, film and music, produced and directed theatre works and worked as a dramaturge. She organises community arts events such as New Kiwi Women Write, a writing workshop series for migrant women, and is about to publish the eighth anthology of work from this course. She contributes to The Big Idea which links NZ’s arts community. Renee has written, produced and toured seven plays and three chapbooks of poetry. Her next work will be Dominion Rd The Musical, premiering in August. She won the Royal Society of NZ Manhire Prize for science writing in 2012, and a Sir Peter Blake Trust Emerging Leadership award in 2010.