Monthly Archives: September 2016

Congratulations to this fine writer: Tina Makereti wins NZSA Peter & Dianne Beatson Fellowship

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MEDIA RELEASE  from NZSA

13 September 2016

Kapiti Coast writer Tina Makereti is the recipient of the New Zealand Society of Authors Peter & Dianne Beatson Fellowship 2016.

The NZSA Peter and Dianne Beatson Fellowship of $7,000 is awarded each year to a mid-career or senior writer to work on a project that shows a high level of literary merit and national significance.

Tina Makereti will use the fellowship to work on her fiction project the Imaginary Lives of James Pōneke. Tina said “I’m so very grateful to receive the NZSA Peter & Dianne Beatson Fellowship as it means I’ll be able to take valuable time out to complete this novel. The Fellowship not only supports the project financially, but provides crucial encouragement and just the right amount of time pressure to get things done! Ngā mihi nui ki te whānau Beatson mō tēnei taonga miharo.”

Selection panel convenor Joan Rosier-Jones commented: “there were a number of most worthy applications for the fellowship and the final eight applications were so close in merit that the task of choosing one was enormous. The panel were eventually unanimous in their choice of Tina Makereti for The Imaginary Lives of James Poneke. It is very fine writing and an entertaining concept which should guarantee a wide market”.

This annual award is made possible with grateful thanks to the generosity of the Beatson’s. In 2015 the fellowship was awarded to Michael Harlow who used the time to work on his manuscript All the Pianos in the Wood. He also used the stipend to accept an invitation to represent NZ at the ‘Europa in Versi’ Poetry Festival at Lake Como, Italy. Previous recipients have included Emma Neale, Mandy Hager, Carl Nixon, Glenn Colquhoun, Sue McCauley and Marilyn Duckworth.

We congratulate Tina Makereti and also the applicants who were shortlisted.

Three cheers for Going West’s 21st

 

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My Place/ View

‘Now our literature shapes how we see ourselves and our cultures – challenging stereotypes’

Albert Wendt Going West 2016

 

There was a lot of talk about place and where you come from at Going West this year. I live in West Auckland but seem to come from many places so don’t think of myself as a West Aucklander. I have anchors here and anchors elsewhere, but I have strong attachments to my local literary festival. I like the way it embraces a literary whanau. We share very good food and we share stories.

 

Like other New Zealand writers I am very grateful for the local festivals that celebrate local writing no matter the degree of international presence. Earlier this year I flew to Wellington to see The National Library’s fabulous Circle of Laureates event. It was a very special occasion but I was hard-pressed to find many other local fiction or poetry events at the festival. I see this as such a loss – not just for Wellington readers and writers but for all of us.

Auckland seems to be upping its game at their major festival. The dedication to New Zealand writing of all ilks is tremendous. It is a huge festival, overwhelming in terms of crowds and choice, but every year I come away rejuvenated as both reader and writer.

 

Going West is one of our key local festivals —  100 per cent devoted to New Zealand writing that crosses a range of genre, subject matter and format. This year was no exception. With new programme directors (Nicola Strawbridge and Mark Easterbrook) things were slightly different but the end result immensely satisfying. My only regret was the little poetry slots that used to pop up between longer sessions. I missed those.

The sun shone, the food was as good as ever, and I came away with a stack of books to read. Hearing Damien Wilkins read from Dad Art (two extracts) and share ideas and anecdotes with Sue Orr was so good, I raced to get the book. I loved the detail, the humour, the premise of the book, the absolute warmth and human pulse. This book deserves a wide readership.

I got to hear Emma Neale read as the Curnow Reader with her pitch-perfect melody, tender eye and acute detail of family  (among other things). Emma was also in conversation with Siobhan Harvey about her new novel, Billy Bird, and again an extract from the book and a fascinating conversation made me race to get the book. Already I am drawn to this curious boy who thinks he is a bird. Emma will also read from this at The Ladies LiteraTea in October.

Albert Wendt gave a terrific speech on Friday night that rattled our literary complacency. Where are the Pacific voices? he asked with both fire and poetry in his belly.

I missed the Poetry Slam but saw Robert Sullivan in conversation with Gregory Kan and Serie Barford. Thoughtful questions that included rocks, sediment and the thorny issue of revealing family. I came away thinking if I were a book-award judge this year I would honour This Paper Boat as it resonates so deeply with me.

Then there are the sessions you have no familiarity with. I loved a session on NZ rivers, for example, and came home with books on that topic (Dr Marama Muru-Lanning).

I ended the festival (I missed the beer session sadly) with the conversation between John Campbell and Roger Shepherd. A perfect close for me because it took me right back to listening to music in Auckland in the 1980s when I wasn’t listening to music in London (82-86). It was funny and sad and surprising and nostalgic and inspiring. How lucky we are to have John on National Radio bringing us stories that matter and ask questions that matter even more.

 

Thanks Going West. It was a privilege to be a small part of your festival on stage and a member of the audience over three days. I came away exhausted yet full. Festivals like this ( I am thinking of the ones in Nelson and Wanaka too) matter. Congratulations team – it was a fine occasion – like a family picnic in a way. There was warmth, prickly questions, delicious connections, challenging ideas, good stories told, a generosity of ear and mouth. Bravo!

 

PS I went early one morning so I could breakfast on delicious Turkish eggs at Deco, the Lopdell House cafe. Great view. Very good food and coffee! Highly recommended.

 

AUT – Visiting Writers Programme: Helen Rickerby

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Tuesday 13 September, 1-2pm

WT1501, City Campus

The Visiting Writers Programme connects you to experienced authors and publishers, giving you the opportunity to engage in discussions with them about the production of their work. The next session in the series features acclaimed poet, Helen Rickerby.

Helen Rickerby has published four collections of poetry, most recently Cinema (Mākaro, 2014), which took its inspiration from films and film-making. Previous collections include Heading North (Kilmog Press, 2010) a poem sequence that road-trips from Wellington to Cape Rēinga; My Iron Spine (Headworx, 2008), which features biographical poems about women from history; and Abstract Internal Furniture (HeadworX, 2001), in which the mythic and the everyday meet. She’s currently working on her next collection (working title: How to Live), in which she attempts to grapple with the big philosophical issues, but does not promise to answer them.

Helen is the managing editor of Seraph Press, a boutique poetry publisher she founded in 2004, which has to date published 16 books, with more on the way. She was one of the founders of JAAM literary magazine in 1995, and has been co-managing editor since 2005. She has been involved in organising many literary events, including Truth or Beauty, a conference about biographical poetry (2014), and the inaugural Ruapehu Writers Festival, held in Ohākune in March 2016.

She lives in Wellington’s Aro Valley in a cliff-top tower and works mainly as a web editor.

Applications invited for 2016 Katherine Mansfield Menton Fellowship

Established and mid-career New Zealand writers are invited to apply for the Katherine Mansfield Menton Fellowship 2016.

The Fellowship is one of New Zealand’s longest-standing and most prestigious literary opportunities. In 2016 it offers a residency of three months or more in Menton, France during 2017 and an allowance of NZ$35,000 to cover return travel to France and living and accommodation expenses.

The support of the city of Menton enables a New Zealand author to work at the Villa Isola Bella, where Katherine Mansfield lived and wrote during the latter part of her life.

Applications are sought from established writers across all genres of creative writing: fiction, poetry, literary non-fiction, children’s fiction and playwriting.

Since it was established in 1970, there have been 45 recipients of this fellowship including Janet Frame, Michael King, Lloyd Jones, Witi Ihimaera, Vincent O’Sullivan, Bill Manhire, Ian Wedde, Elizabeth Knox, Dame Fiona Kidman, Jenny Pattrick, Ken Duncum, Mandy Hager and the 2015 recipient, Anna Jackson.

The Fellowship is administered by the Arts Foundation of New Zealand and supported by Creative New Zealand.

Applications close at 5pm on Friday 23 September 2016

How to apply

September 21st: Selina Tusitala Marsh’s Lounge Reading list

MEGA-READING AT OGH LOUNGE 21 September, 5.30-7 PM
ALL WELCOME!

LOUNGE #52 Wednesday 21 September
Old Government House Lounge, UoA City Campus, Princes St and Waterloo Quadrant, 5.30-7 pm

MC Selina Tusitala Marsh
Helen Sword
Caitlin Smith
Lanicia Chang
Gina Cole
Fiona Stevens
Faga Tuigamala
Ken Arkind
Tusiata and Sepela Avia
MIT Spoken Word Students
Alys Longley and the Eleventeen Collective

Free entry. Food and drinks for sale in the Buttery. Information Michele Leggott  m.leggott@auckland.ac.nz  or 09 373 7599 ext. 87342. Poster: http://www.nzepc.auckland.ac.nz/events/lounge52_poster.pdf

The LOUNGE readings are a continuing project of the New Zealand Electronic Poetry Centre (nzepc), Auckland University Press and Auckland University English, Drama and Writing Studies,  in association with the Staff Common Room Club at Old Government House.

LOUNGE READINGS #51-53: 10 August, 21 September, 19 October 2016

Double pass for Sunday’s session of Going West up for grab

(Sue Orr, Paula Green, Renee Liang, Himali McInnes, & Giovanni Tiso will be there along with Roger Shepherd & John Campbell and more)

WIN A DOUBLE PASS FOR SUNDAY! Comment on the Facebook post and tag a friend you’d like to bring with you. We’ll draw the winner from a hat on Friday night. From migrant fiction to women’s history, poetry to the future of journalism, and ending with a bang – Flying Nun & craft beer – Sunday will be filled with intellectual and sensory delights!

Books & Writers Weekend September 2016 Sunday 11th

2017 Ockham New Zealand Book Awards judges announced

ockhamThe 2017 Ockham New Zealand Book Awards will be judged by 12 eminent academics, writers, journalists, librarians, curators, commentators and booksellers from around New Zealand, it is announced today.

For the first time, an international judge has also been invited to take a seat at the fiction ‘table,’ assisting the local judges of the Acorn Foundation Literary Award and taking the total number of judges to 13. The name of the international judge will be revealed early next year.

There are four Awards categories: The Acorn Foundation Literary Award (for Fiction), Poetry, General Non-Fiction and Illustrated Non-Fiction. The judges will also award a Best First Book Award in each category. A Māori language adviser will judge the Māori Language Award.

The judges will announce their longlist on November 22, 2016, and their shortlist on March 07 2017.

New Zealand Book Awards Trust chairwoman Nicola Legat says “the experience and range of our 13 judges is superb, and we look forward to their longlist decisions.”

The $50,000 Acorn Foundation Literary Award will be judged by the yet-to-be-named international judge; former Director of the Auckland Writers Festival and Creative New Zealand literature adviser Jill Rawnsley; highly-regarded bookseller from UBS Otago Bronwyn Wylie-Gibb; and esteemed writer and co-founder of the Auckland Writers Festival Peter Wells.

The Poetry Prize will be judged by eminent Wellington poet and Professor at Victoria University Harry Ricketts; Chicago-born poet and 2016 Writer in Residence at The University of Waikato Steven Toussaint; and poet, playwright and fiction writer Vivienne Plumb.

The General Non-Fiction Prize will be judged by Metro books editor and former bookseller Susanna Andrew; writer and academic Professor Tom Brooking of the University of Otago; and Wellington writer, commentator and trade unionist Morgan Godfery.

The Illustrated Non-Fiction Prize will be judged by writer, historian and Curator Mäori at the Alexander Turnbull Library Paul Diamond; Associate Professor and Director of the Centre for Art Studies at the University of Auckland Linda Tyler; and Bronwyn Labrum, Head of New Zealand and Pacific Cultures at the Museum of New Zealand Te Papa Tongarewa and 2016 Ockham New Zealand Book Awards finalist for Real Modern.

“Judging these prestigious and significant awards is a major commitment,” says Nicola Legat. “We are hugely appreciative of the time and expertise these busy people bring to the judging process. We look forward to their longlist, shortlist and winner selections being announced.”

The winners will be announced on May 16 2017, at the opening night event of the Auckland Writers Festival.

Entries to the 2017 Ockham New Zealand Book Awards can be made via here. Books published between 1 January 2016 and 31 December 2016 are eligible for entry.

Mimicry – a new journal for friends

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Holly Hunter has edited a new journal of work by her friends. Mimicry includes poetry, prose, art and nonfiction (and more!). In her preface, Holly declares this issue is an act of nepotism because the contributors are her ‘incredibly talented and creatively driven friends.’ She says : ‘I wanted to collect them like Weet-Bix trading cards and publish them, so here we are.’

Bravo! I love this idea.  I do hope another poet decides to come up with a collection based on his or her own friendships and biases. Most names I don’t recognise (what a treat!) but Nina Powles and Hera Lindsay Bird jumped out at me.

This is a good read. Yes! Holly Hunter I am ‘walking away cradling something far more than I paid for it.’

 

from ( a new and wonderful discovery) Russell Coldicutt’s ‘Translators’ Note’

 

‘These worms are glowworms hanging from the roofs

of our mouths, and we can never really be sure

if they light up when out lips seal them in.’

 

I especially love Nina Powles’s prose piece, ‘Hungry girls’:

‘I’ve been learning Chinese for three years now but there are still many days when language fails me, when it feels like food is all that ties me to this home my family brought to me from far away.’

 

And Jake Arthur’s  ‘He in the harp’:

 

‘I watch him play his sad instrument.

It feels wrong to play a harp in the garage.’

 

Or Miriam Looij’s ‘Premonition’

 

‘I don’t think its that cool to like Ginsburg anymore, but I’m still jealous of him.’

 

And a taste of Hera Lindsay Bird’s twitchety prose piece:

‘Every time I have my heart broken I become stupid and tolerable. I look at plants and animals and cry. To be honest, it’s a relief. When I am in a relationship I forget how to be a person. I stand around asking people how they are, like a lonely bank teller.’

 

Mimicry details here

You can purchase here

or at Vic Books and Unity Books in Wellington

Great! Gregory O’Brien talks to Kim Hill about Hera Lindsay Bird

 

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Some people really love it -some people really hate it

The book might appeal to spinsters

Average age at her launch … 22

 

The average age at Writers and Readers … 60

 

There’s hyperbole going on

They’re very literary and very relaxed

She goes to town with similes

 

There’s a charm to it and an anarchy to it

These poems can be quite shocking

There’s lots of sex and death

Lots more sex than death

 

Makes me think of Frank O’Hara

Is this just theatre, is this just writing

It’s amazing to read cover to cover

because it’s so full of shots/shocks

 

Here’s the one where she goes insane

With the similes

Some are fairly genius

 

She is a great maker of imagery

Sometimes you feel like it might have been flung

at her from the internet

 

She seems to have taken people by the scruff

of the neck, she’s come out of nowhere

 

Here’s poetry making a dramatic

and high octane comeback

 

 

 

Listen here

(plus Hera reading a few poems -her voice melodic, soft, soothing – whatever the subject matter)