Tag Archives: Megan Kitching

Poetry Shelf Weekend Reading Listening and an Invitation

“Poetry probably isn’t necessary, strictly speaking. It doesn’t happen because somebody thought it financially viable or ethically responsible or somehow socially vital. But in the bombed cities, the wasted homes, the dishevelled places, poems are still being written; poems are still being written in Palestine. And so one of the reasons that artmaking remains radical is that its existence alone suggests, or even speaks into reality, however briefly, an alternative system of value. In this I’m something of an old-school progressive. Poetry goes on in the sense that it just happens — despite violence; motivated by nothing; needed, but less than shelter; heralded by no dollar, poets continue their work. Poetry also goes on in the sense that its aesthetic conception of value chafes with a world in extreme turmoil, ruled by monied interests, in which a genocide is unfolding on our phone screens; it figures by negation another, better world of no violence. For poetry makes nothing happen: it survives (Auden). And so we go on. In which direction? Ake, ake, ake; onwards.” Jackson McCarthy

For the past month I have spent time with Jackson McCarthy’s sublime debut poetry collection, Portrait (AUP, 2026). It is the kind of poetry experience that underlines why, no matter how rugged my road is, how depleted my energy jar is, poetry is both vital and connecting, so utterly nourishing. Our conversation sparked ideas for my blog, for my own writings. To hear Jackson read was a bonus.

This week a special event took place: the celebration and gifting of the tokotoko to Robert Sullivan Ngāpuhi (Ngāti Manu, Ngāti Hau / Ngāti Kaharau) and Kāi Tahu (Kāti Huirapa ki Puketeraki), our current Poet Laureate, at the National Library. The tokotoko, embued with mana, is carved by master artist carver, Jacob Scott, and specially created to fit the laureate. The event was sadly moved from Matahiwi marae in Hawke’s Bay, due to the storm, but was a moving and fitting ceremony that included karanga, singing, speeches and readings from around 18 poets. Since 2007, when the National Library took over the appointment of the Poet Laureate, the Laureates have been Michele Leggott, Cilla McQueen, Ian Wedde, Vincent O’Sullivan, CK Stead, Selina Tusitala Marsh, David Eggleton and Chris Tse.

Monday: Poetry Shelf Monday Poem – A sickle sun by Megan Kitching

Tuesday: Poetry Shelf Playing Favourites – Melinda Szymanik picks Erik Kennedy (she writes her own poem version!)

Wednesday: Poetry Shelf Breathing Room – Love by Jenny Powell

Thursday: Poetry Shelf Playing Favourites: Jenna Todd picks Michael Pederson (and his incredible ode to bookshops)

Friday: Poetry Shelf conversation and reading – Jackson McCarthy

An invitation: I invite you to choose a poetry book you love that has been published in Aotearoa in 2025 or 2026. Write a paragraph (or two) on why you love this (your choice what you write) and choose a poem that, with permission from the poet and publisher, I would include. paulajoygreen@gmail.com

My new post box: PO Box 58, Waitākere 0660.

Song

I was licking the moon like
a streetlamp before the water
razed the city — people, jobs,
lovers, I feel your movements
glowing and reckoning with me.
Some people say the loss I felt

with you was inevitable, a foregone
conclusion, but I can still breathe
the air around the dark
shape of your body.

The life I’ve felt has been
larger only than this tide;
tonight, messages from family reach
me, surreal, on my phone.

My cousins in Beirut can feel
the terror in the air, I go on
with so little left to speak; listen
to my heart, these songs
of loss I write while I
cannot hear the bombs.

Jackson McCarthy
from Portrait, AUP, 2026

Poetry Shelf Monday Poem: A sickle sun by Megan Kitching

A sickle sun

Tall swish & flicker                     
      all scent & silver        

among eucalypts
      on New Year’s Day   

this clean intoxication
      astringent paring

of a sickle sun
      that sloughs old skin

as easy-peel yesterdays
      crunch underfoot

& swimming
      light with paisley fish

in this linocut grove
     of bright & curve

lets shade slip
      through      & the mind

on aerial silks
      uncurls, rung by

rung to ringing
      impossibly slender

wind-quickened heights
      leaving

for a moment        everything
      but sky & sway.

Megan Kitching

Megan Kitching is an Ōtepoti Dunedin poet. Her debut collection At the Point of Seeing (Otago University Press, 2023) won the Jessie Mackay Prize for Poetry in the 2024 Mātātuhi Foundation Best First Book Awards and was awarded Best International First Collection in the UK Poet Laureate’s The Laurel Prize 2024. In 2021, Megan was the inaugural Caselberg Trust Elizabeth Brooke-Carr Emerging Writer in residence.

Poetry Shelf Breathing Room: Growing Advice by Megan Kitching

Growing Advice

At all costs avoid the twisted or winding pathways so often seen in the
small garden situated on the corner where two streets meet.

— THE COMPLETE NEW ZEALAND GARDENER


You can make it work if you’re at all
handy, hunkered and humble. It costs
only rain and the sun’s incandescence (avoid
hatless noons) along with the twisted
complicity of leafy time unwinding.
Bump the wheelbarrow up the pathway,
tread, rake, tease and weed so often
peas will bloom as soon as you’re seen in
flip-flops and crocuses flag your small
vernacular seasons because the garden
is making something of you, situated on
the border of dirt and thumb, the corner
with its stepover wall where two streets
grow neighbourly and flora and fauna meet.

Megan Kitching

Megan Kitching is an Ōtepoti Dunedin poet. Her debut collection At the Point of Seeing (Otago University Press, 2023) won the Jessie Mackay Prize for Poetry in the 2024 Mātātuhi Foundation Best First Book Awards and was awarded Best International First Collection in the UK Poet Laureate’s The Laurel Prize 2024. In 2021, Megan was the inaugural Caselberg Trust Elizabeth Brooke-Carr Emerging Writer in residence.

The Poetry Shelf Breathing Room: A place to enter and pause and take a long slow breath and then another, as you absorb the beauty movement joy wonder stillness of a poem.

Poetry Shelf Playing Favourites: Megan Kitching on Cilla McQueen’s ‘The Hole’

THE HOLE

Measure a black thread.
Roll one end between forefinger and ball of thumb
to a small knot tangle.
Thread the other, moistened by lips to a point,
through the eye of the needle.
Consider the hole in the heel.
Engage with the sock.
Mercury’s wing would fit.
There is no ironic distance between us, Sock,
for I must remove my glasses
to obtain a microscopic view
of you.

      Is what I perceive as a void,
such as the void in Eridanus that intrigues me,
so from your viewpoint? Do you know
that you have nothing in you –
an unravelling place,
a shirking, Sock, of the looping continuous
cause that defined you, shaped your ideal,
but for the hole,
the void wherein there is no matter, not a skerrick?
I’d like to go to Eridanus when I die.
Meanwhile darn it,
the steel tip needling in and out
between there and not there, defines
edge where there was none, fell whereon
the latticework will be attached,
                                                     as is,
between the gutter and the house,
tautened the pragmatic architecture of spiders.

Cilla McQueen
from The Radio Room Otago University Press, 2010 (also in poeta: selected and new poems, Otago University Press, 2018)

I adore poems that peer through ordinary things into the universe. Pull on the threads of this one and fascinating things happen. ‘The Hole’ starts as a poem of instructions. This is how to thread a needle as I remember my mother doing, as I did as a child, squinting with the effort. The poem has me at “Engage with the sock.” The voice sparkles with Cilla McQueen’s trademark humour and intelligence. I love the hint of a combat about to kick off between the speaker and recalcitrant matter. Or rather, the lack of matter: the hole.

One of the reasons this poem remains a favourite of mine is that it still generates questions. I’m not completely sure what Mercury is doing there, patching the gap with his hypothetical wing. But I’m fine with not knowing. That a deity associated with eloquence pops up just then feels right. Engaged with the sock, glasses off, the poet is gearing up for flights of imagination.

Poetry has long been fascinated with the borders of our perception at both ends of the scale, the microscopic and the majestic. The sock’s “void” brings us to the gap in Eridanus, which I learned from this poem is a constellation. I love that we’re prompted to muse on the mysteries of space by considering a sock. A black sock, the opening line suggests, with a black hole in its heel.

Sock is nothing special, a bit lacking. But engaging with Sock in open curiosity takes us vast distances. To me, the two questions at the heart of the poem are as confounding as koans, almost absurdly deep. Can a sock have a “viewpoint”? Of course, I can’t help turning the second-person “you” on myself: “Do you know / that you have nothing in you …?” That could be a lifetime’s meditation. Or it could be poking satirical fun at navel-gazing. Either works. There’s the creative cause with an ideal in mind, and then there’s reality wilfully “shirking” that destiny. There’s the beautiful hope of travelling into the stars after death—then we’re brought back to earth with a pun. I love this bouncing between the playful and the profound. From darning to dark matter.

Sewing becomes a metaphor for poetry or any act of creation at the edge “between there and not-there.” It’s both a daring act, the poem suggests, and one as “pragmatic” as a spider’s web. The closing simile is artfully natural, almost offhand, as if the poet has just glanced out the window. It also ties everything together beautifully. Yet the poem is named for the hole in the fabric of things, and that’s why it keeps bringing me back to wonder.

Megan Kitching 

Megan Kitching is an Ōtepoti Dunedin poet. Her debut collection At the Point of Seeing (Otago University Press, 2023) won the Jessie Mackay Prize for Poetry in the 2024 Mātātuhi Foundation Best First Book Awards and was awarded Best International First Collection in the UK Poet Laureate’s The Laurel Prize 2024. In 2021, Megan was the inaugural Caselberg Trust Elizabeth Brooke-Carr Emerging Writer in residence.

Cilla McQueen MNZM is a poet, teacher and artist, and a three-time winner of the New Zealand Book Award for Poetry. She received an honorary doctorate in literature from the University of Otago in 2008 and was New Zealand Poet Laureate from 2009 to 2011. In 2010 she received the Prime Minister’s Award for Literary Achievement (Poetry). In 2020 she was appointed a Member of the New Zealand Order of Merit for services as a poet. Cilla lives in Bluff, at the southern tip of New Zealand’s South Island.

Otago University Press page