AUP New Poets 8: Lily Holloway, Tru Paraha, Modi Deng, Auckland University Press, 2021

Review extract:

Editor Anna Jackson has selected three distinctive poets for AUP New Poets 8 and has placed them in the perfect tonal order.

The title of Lily Holloway’s suite, a child in the alcove, reminds me of poetry’s alcove-like features. Poems can be miniature shelters, places of refuge, an interplay of dark and light, secret, mysterious, challenging, bulging with nooks and crannies. Reading the work is to read across myriad directions, to peer into captivating cubbyholes and, as Jackson writes in her terrific foreword, to read distance and depth.

Holloway is an award-winning writer and postgraduate student who has been published in numerous journals. I have long admired her poetry: her aural and linguistic deftness, the sweet measure of surprise, the variegated forms, the connecting undercurrents, the honey, the bitterness. Her poems run on the rewarding premise that poems don’t need the full explanation, that tactile detail and deft juxtapositions can unmask love, desire, razor edges, self-exposure. Pocket narratives are equally sublime.

Full review here

Listen to the three poets read

Auckland University Press page

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Lily Holloway (born in 1998, she / they) is a queer writer and postgraduate English student. While she mostly writes poetry, she has also tried her hand at non-fiction, fiction and playwriting. You can find her work in places like Starling, Midway Journal, Scum, The Pantograph Punch and The Spinoff amongst various other literary nooks and crannies. In 2020 she was honoured to receive the Shimon Weinroth Prize in Poetry, the Kendrick Smithyman Scholarship in Poetry and second place in the Charles Brasch Young Writers’ Essay Competition. In her spare time she enjoys op-shopping, letter writing, visiting small towns and collecting vintage Teletubbies paraphernalia. She is passionate about survivor advocacy and taking up space. You can find a list of her writing at lilyholloway.co.nz.

Tru Paraha resides in Tāmaki Makaurau in the suburb of Tukituki Muka (aka Herne Bay). She works as a choreographer and director, having enjoyed an extensive career in experimental dance, theatre and audio-visual arts. She is currently in the final year of a postdoctoral research fellowship in the English and Drama department at the University of Auckland. Moving between choreography, philosophy and creative writing, Tru produces live performances, artists’ pages and poems drawing on materials from deep space. She is a member of the International Dark-Sky Association and advocate for the preservation of the night sky as a world cultural heritage.

Modi Deng is a pianist based in London, currently pursuing postgraduate performance studies on a scholarship at the Royal Academy of Music. Her Chinese name 默笛 means ‘silent flute’, which her father drew from a poem by Tagore. Performances with her ensemble, the Korimako Trio, have taken her throughout the UK and her concerts have been broadcast on BBC Radio 3 and RNZ Concert. After growing up in Dunedin, she went on to complete a Master of Music with First Class Honours on a Marsden research scholarship, while completing a Bachelor of English at the University of Auckland. Modi cares deeply about literature (diaspora and poetry), music, psychology and her family.