Poetry winner, David Eggleton’s seven best things to make a poem memorable

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David Eggleton won the Ockham Book Award’s  Poetry category this year. Here are his Seven Things That Make A Poem Memorable. Gems.

1. The first thing is the poetic license, the dispensation, a poem grants allowing the poet to take liberties with language, with literary form, to yoke together like with unlike, the probable with the improbable, in a tiny space, and create a kind of explosion — sometimes thermonuclear, as in T.S.Eliot’s Modernism-defining 1922 poem ‘The Waste Land’. Virginia Woolf wrote shortly after this was published: ‘I sun myself upon the ravishing beauty of one of his lines, and reflect that I must make a dizzy and dangerous leap to the next. . .line.’

2. The second thing is the wonderfully mesmeric power of a poem’s metre, the entrancement of its heartbeat, its rhythm, its breathing, as these two lines from a Samuel Beckett poem indicate: ‘the churn of stale words in the heart again/ love love love thud of the old plunger. . .’ Allen Ginsberg shows another way the metre can memorably become stirring, march-like, uplifting, as well as amusingly sardonic, in his poem ‘Howl’: ‘buried alive in their innocent flannel suits on Madison Avenue amid/ blasts of leaden verse & the tanked-up clatter of the iron regiments of fashion/ & the nitroglycerine shrieks of the fairies of advertising/ & the mustard gas of sinister intelligent editors. . .’

 

for the rest of the list on The Ockham Book Award site see here

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