Category Archives: Uncategorized

Poetry Shelf noticeboard: Poet Laureate news

This is excellent news!

New Zealand’s poet laureate, David Eggleton, will get more time to write and perform after compromised his two-year tenure as laureate.

Te Puna Mātauranga o Aotearoa National Library of New Zealand has extended his term by an extra year to give Eggleton the ability to deliver live, on-site performances around the country.

“Due to the lockdown and social distancing requirements, we felt it only fair to offer Eggleton the opportunity of a third year,” Alexander Turnbull Library chief librarian Chris Szekely said.

While Eggleton’s “been delivering brilliantly through online channels… for someone who is known as an outstanding live-performance poet, it was particularly unfortunate that this aspect has been impacted by the pandemic,” Szekely said.

See more here at Stuff.

Poetry Shelf noticeboard: Vaughan Rapatahana reviews Wild Honey with small interview – plus a plug for WORD!

Full review here

Vaughan Rapatahana has just a posted a terrific feature on Wild Honey on Jacket2. I am usually doing the reviewing and posting so felt nervous being on the other end of the critique. Especially when I am in a cycle of terrible doubt about what I do and write, the state of the planet, the covid issues, the political game playing at home and abroad, about whether people read things any more. I wake in the night and worry about this.

I felt incredibly moved and restored by Vaughan’s engagement with the book – by his acknowledgement that this was an important arrival in view of a history of women poets in the shadows, by his considered attention. I send a bouquet of thankfulness.

I am reminded that books are an important part of who we are – and that we must do everything in our power to create them, publish and circulate them, review them, celebrate them, even challenge them if needed. Read and talk about them. Gift them!

This paragraph in particular moved me so much – there are people in the world building houses of knowledge, peace, forging multiple connective links:

I am immediately reminded of the work of Hirini Melbourne and his concept of whare whakairo, or a carved meeting house, whereby everything in and about this construction fits into and lends support, stability and splendour to every other component. The parallels are manifest. Granted that I am transposing women poets into his words, however Melbourne’s description of te whare whakairo rings out as so similar to Green’s own kaupapa in Wild Honey, namely, “The whare whakairo is … a place of shelter and peace. It is a place where knowledge is stored and transmitted and where the links with one’s past are made tangible … [it] is a complex image of the essential continuity between the past and present …” (Melbourne, 1991). 

I also answered a few questions for the feature, after a run of wakeful nights with world and local worry, so my self-filter wasn’t on – I was answering from that secret-self-core that is private and wakes in the dark to dream, worry, invent and somehow find the truth.

Last year I did Wild Honey events throughout Aotearoa where women came and read, and I have never experienced anything like it. Such a strong feeling as younger and older writers made connections, different kinds of voices were heard together. I felt like I was holding something enormous that I created but that it got bigger than me as so many women told me what the book meant to them. It was overwhelming and it was wonderful.

I am due to do a Wild Honey event at the Word festival in Christchurch with a stunning group of women poets and I can’t wait. Come and say hello!

Poetry Shelf noticeboard: submissions now open for Oscen

‘Or do they? Humanity seeks purpose. We seek order, truth, belonging. In times past, we looked to myths and gods in order to explain the world to ourselves and to understand why we should continue to endure. In Joseph Campbell’s words: It has always been the prime function of mythology and rite to supply the symbols that carry the human spirit forward. Myths and religion are often seen in the western world today as something that only irrational fools would believe in — we have now science, empiricism, the provable world. We cast off the narratives that hindered us. What more could be left? Yet we make new gods to fill their places even though we don’t label them as such. We look to ideologies and technologies and new narratives that are meant to hand down to us the irrevocable truth, meant to build for us strong social structures, meant to take us into the next era of greatness. There’s a tight feedback loop between the gods we believe in and the societies we create, writes Aaron Z. Lewis of his 2019 pantheon of gods, which is why we must take seriously the metaphors we believe by. 

So we want to know: what are the myths of today? How are they propelling us forward or holding us back? Have they changed from old, or is it that we’ve strayed from some true essence our ancestors knew? What purpose do they serve? What of the monsters, the supposed villains? Do they hold a clue in dismantling the binaries that our present narratives bind us to? What is the relationship between myth, reality, and subjectivity, and how do we tell? How do we retell? What are the personal stories that have saved you? What should the myths of tomorrow be? ‘

Full submission details for forthcoming issue of Oscen here

Poetry Shelf noticeboard: the launch of Ko Aotearoa Tātou/We Are New Zealand.

Otago University Press warmly invites you to celebrate the launch of Ko Aotearoa Tātou/We Are New Zealand.
This is a free event but requires registration, which can be done here


We apologise if this system has caused any distress. We have been advised there are now limited numbers of tickets available and sincerely hope you are able to secure a place at what promises to be a very special event.
When: Friday 30 October, 5pm to 6pm, followed by a reception from 6pm to 7pm
Where: TBS Space, Tūranga, 60 Cathedral Square, Christchurch

  • This free event is part of WORD Christchurch Spring Festival 2020. Registration is required

Poetry Shelf celebrates te reo Māori

Te Henga, Waitākere

This week many of us have celebrated te reo Māori – I have listened and read and, as I listen and read, I try to imagine an Aotearoa where every child becomes fluent, where we hear and see and read te reo Māori everywhere, where we honour the whakapapa of Māori place names and pronounce them correctly. I support te reo Māori as essential learning in all schools.

When I failed school and left without UE I had no idea who and how I wanted to be, but I went to night school to learn te reo Māori. It was Whangārei. It was the 1970s. It was ban the bomb badges and women’s liberation groups. It was vegetarian food and Joni Mitchell retuning her guitar. It was discovering Hone Tuwhare in the high school library. But as much as I thought learning te reo Māori was important, it felt even more important to step back and give space and time to Māori to grow their language again.

A week celebrating te reo Māori is a wonderful thing. A year boosting it even more so. A decade, a lifetime. Language is so important. We are what we speak. Just as our multiple stories are important. That 17 year old young woman is carried inside me, now that I am an older woman, and it feels like I am being invited into the language nest. With small steps, without wanting to speak over or take over, I feel this warm and encouraging embrace. I will make mistakes, I will hear the rōreka, the kõrero. I feel my way as the seeds of a language are planted. Tēnã koutou.

Kia kaha te reo Māori.

I am learning to grow kūmara and potatoes

in my Waitākere garden,

learning to listen

learning to speak

learning to feel

learning to be