Category Archives: NZ poems

A week of poems: Kiri Piahana-Wong’s ‘For Michelle’

 

 

For Michelle

 

You have receded against the far

horizon. It’s been three months

since you left, I can barely make

out the shape of the vessel you

sailed away on. I lie in my garden

and I grieve. Nothing seems to

thrive, not the flowers, not the

vegetable plants. Sometimes I

go to the shore and look out.

I think I can see you, surely

you are just there, surely

you haven’t left yet, it’s too

early, did no-one tell you?

I know now that’s what

happened. You forgot to

read the timetable, you didn’t

realise, Oh yes, the time to

catch this ship is years from now,

I have all the time in the world.

 

©Kiri Piahana-Wong

 

A week of poems: Emma Neale’s “‘So Sang a Little Clod of Clay'”

 

 

So Sang a Little Clod of Clay’

William Blake

 

When it hurts, but she doesn’t say;

when it dulls, but he still gives praise.

 

When she bites, but he refuses rage

and he walks free, yet she stays.

 

When they wait through blunt dismay

although they ache as the children play

 

this is tread and bootgrind

this is hope’s hard labour

this is the heart’s ripe savour

this is the sting of healing

this is the rope of time —

 

and love is dust

ignited

in fleet, golden murmuration.

 

©Emma Neale

 

 

 

A week of poems: Albert Wendt’s ‘New Coat’

 

 

New Coat

 

This late summer morning is learning how to breathe

while Reina embroiders on the lanai shaded by our rainbow umbrella

 

Pete and Willie of Villa Magic have taken five weeks to burn

scrape and sand off our villa’s century-old skin  and replace it

 

In the kowhai a lone cicada’s love call sounds like the imperious

snapping of fingers ordering our villa to rise up

in its new coat of iceberg white

 

and plum trimmings: its radiance will wrap round Reina’s

fingers and needle

and the morning will breathe in admiration

 

© Albert Wendt April 2014

 

 

 

 

 

A week of poems: Tim Upperton’s ‘On the eve of my 53rd birthday’

 

 

On the eve of my 53rd birthday

After Gregory Corso

 

Once I was very small but then I grew up

and other things were small and nothing hurt

like it did when I was sixteen, and again

at twenty-one. Fifty-fucking-three!

The poems I wrote and the poems I shouldn’t

have written but they’re done now and in books

nobody, absolutely nobody,

ever reads. There was some craziness,

and sometimes I was alone and other times

I was not alone, and alone was better

but I was lonely. To be honest,

the craziness didn’t amount to much.

The confessional stopped working about

the time I had things to confess, and now —

now I’d have to spend the rest of my life

in there and still never get to the end

of it, fuck it, I may as well carry on.

My hair was long and straight but went springy

in my thirties then straight again but not

as straight as before. Now it’s mostly grey

but I don’t really care about it.

I let it grow and grow and then I cut

it all off. I imagine it growing

when I’m lifeless in my coffin, masses

of it, which is unpleasant to think of

and anyway not yet. I want more life

in front of me than I have behind me,

but that’s not about to happen. I want

a bell down there, in the wormy darkness,

like in the Edgar Allan Poe story,

or a buzzer, a buzzer I can press

and somebody to listen just in case.

 

©Tim Upperton

 

 

 

 

 

A week of poems: Sugar Magnolia Wilson’s ‘Town’

 

 

 

Town

 

In the small town with

the grey clouds like

quiet dogs

 

on the veranda with our

feet up watching ghosts

in the old corner garden

where the oleander dips deep

 

I am myself and not myself

again and again and again

until you find me through

the small water in my wrist

 

the channel where the darkest

fish run to the lake in my palm

 

It is raining.

 

You hold my arm there, on

the Formica-topped table

with more gravity than a

metal earth

 

softer than a soft sea.

 

I am yours driving down and

diving

 

homing around and around

and back again.

 

©Sugar Magnolia Wilson

 

 

 

 

A week of poems: Elizabeth Smither’s ‘Drycleaners: London and Paris’

 

 

 

Drycleaners: London and Paris

 

A little girl like a shepherdess receives

my knit top with a tomato stain

and returns the docket. Tuesday.

 

On Tuesday it’s hanging on a hanger

the spot shrunk but still visible.

I can’t complain to a shepherdess

 

who has lost one stain but carries its ghost

in her demeanour like a lost lamb.

I take it to another drycleaner.

 

In Paris the spot is onion soup.

Briskly it is frowned over: one week

to remove it, Madame. Not sooner.

 

It will take a special discovery of benzene

an accident like Tarte Tatin

and rows of girls in chemises

 

sweating over garments in poor ventilation.

No wonder we should sniff at improvements

in Paris and failure in London.

 

 

©Elizabeth Smither

 

 

 

A week of poems: Anna Jackson’s ‘Flammable’

 

 

Flammable

The world was flammable, we knew it was.
Our hair lit up with candle-light, we peeled off
the wax from the table and made it into
something beautiful, tender as the high voices
of the castrati, fine as smoke through the grain
of an old LP, a radiance through their song
like the flame of a wick slowly burning,
burning in its casing of wax.  We all felt it.
We all had wine to drink, the dregs
in our glasses covered over with a new tide
of wine from a new bottle, a taste
like the tone of a clarinet with an old reed, old
but not frayed, pliable as smoke and thick
as wax.  And then the morepork in the pine forest
sounded its two sad notes, singing
its “I-Thou” song to an absence, an absence
felt by every one of us, our futures dark
to us, so close and so alight.

 

© Anna Jackson

 

 

 

 

Fabulous @RadioNZ interview: Kathryn Ryan with Word Up winner Ruby Esther

 

Kathryn Ryan talks to young Auckland comic, Ruby Esther who won the Word Up competition with her spoken word piece, ‘I Normally Write Funny Poems’.

You can hear the winning poem here.

You can hear the interview here.

‘I keep my own hours ‘: Courtney Sina Meredith is back from Iowa with a new poem

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Photo credit: Thomas Langdon

 

 

I keep my own hours

I write on the side

I take it easy on myself

I make excuses

I follow the rules

The law of nature

The loss of appetite

I come undone

Just like you

I sit in the long grass

I take my time

I take notes

In lectures

At readings

In lieu of feeling

I take notes

I cite wars

Just like you

I open my arms

I follow through

I know the script

We are reading from

I sit by the river

I pick every petal

The river loves me

The river doesn’t love me

Just like you

 

© Courtney Sina Meredith 2016

 

Courtney Sina Meredith is just back from her stint as a writer-in-residence for the prestigious International Writing Progamme’s Fall Residency at the University of Iowa.

Her terrific Tale of the Taniwha is long-listed in the fiction section of The Ockham New Zealand Book Awards this year. In my SST review I sang the book’s  praises:

‘Writing becomes a way of self-recognition for Meredith.  It is song, idea, heart, family. The stories come out of a Pasifika heritage, a female heritage, and that matters. This book, marvellous and memorable, affected me as both a writer and a person. It offers me points of self-recognition. With this book, Meredith joins our very best writers.’

The sun is shining, the wind is blustering and I felt in the mood for a new CSM poem and Courtney obliged with this bitter sweet gem. I adore it. Thank you!

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Turbine | Kapohau 16 combines a new look with literature from writers who aren’t afraid to tackle change

Victoria University of Wellington’s International Institute of Modern Letters’ (IIML) annual online literary journal returns this year with a new name—Turbine | Kapohau—and a new website.

This combines the original name Turbine with a new Māori name Kapohau.

Kapohau is the Māori term for the action of a wind turbine, comprised of ‘kapo’, to catch/capture, and ‘hau’, which typically means wind in the turbine context. However, ‘hau’ is also used in other contexts to mean the vitality or vital essence of a person, place or object.  This ambiguity makes for a beautiful fit for the journal.

Showcasing new writing from an international selection of emerging and established writers, plus the latest graduates from the IIML, Turbine | Kapohau 16 is spinning with work that investigates re-invention and change. Edited during a turbulent month of the United States elections and earthquakes, the Turbine | Kapohau 16 contributions jolt and soothe in equal measure.

The 2016 Adam Foundation Prize winner Annaleese Jochems contributes a chapter from her award-winning novel, And Lower. Anna Jackson returns from the 2016 Katherine Mansfield Menton Fellowship to contribute three poems and a sound recording. Other poets in this issue include Airini Beautrais, winner of the 2016 Landfall Essay Competition, and Nick Ascroft and Bill Nelson, who have both published new books with Victoria University Press this year. There is fiction from Christine Utz and poetry from Justin Cox, both teachers at The University of Iowa and convenors of this summer’s IIML Iowa Workshops, hosted at Victoria. This year’s edition also sees a diverse selection of fiction, creative non-fiction and poetry from past, present, and future IIML Master of Arts and PhD students.

In the Turbine | Kapohau interview, 2016 Victoria University/Creative New Zealand Writer in Residence and award winning poet, novelist and scriptwriter Anne Kennedy shares her thoughts on returning to Wellington, working across form, and watching the birds from her window. When asked about the writing life in Aotearoa Kennedy says: “Writing a New Zealand novel is about as sensible as buying a Lotto ticket, but I do it because I don’t know what else to do for kicks.”

After a brief hiatus, the ‘Reading Room’ returns in this issue. Selected entries from the reading journals of students from the IIML’s Master of Arts in Creative Writing shed light on the inner workings of a developing writer’s mind as each of them looks to the future.

Turbine | Kapohau 16 was co-edited by Elizabeth Baikie and Evangeline Riddiford Graham.

Turbine | Kapohau 16 can be viewed online.