Still time to enter!
The 2018 National Flash Fiction Day competition runs through April 30.
Send your best 300-word story * Cash prizes
Three categories: Adult, Youth and a Te reo Māori Prize
‘Compressed forms tend to make poets of us all, because the fewer words you have to work with the more work you want each of those words to do. So yes, perhaps poets start with a bit of an advantage since they are already familiar with using distilled language and constrained form. But the ‘fiction’ aspect of flash demands a commitment to the idea of story: the passage of time, development of character, something that happens, a transformative moment. And whereas the basic building block of poetry is the line, in flash fiction it is usually the sentence. Which is a good place to suggest that Jac Jenkin’s ‘Settlement’ (2016) is a terrific example of the overlap between prose poetry and flash fiction. It’s carefully crafted with the line and the sentence in mind. It pops with concrete imagery (“one femur has a spiral crack; its neck has been gnawed by rodent teeth”), has rhythm, uses alliteration (“am I fleshed or flayed?”), and speaks as much from the white space between the words as from the words themselves.’ Sue Wootton
We are pleased to share insights from this year’s judges.
Sue Wootton and Tracey Slaughter (Adult judges)
Tim Jones and Patrick Pink (Youth judges)
Vaughan Rapatahana (Te reo Māori Prize judge)
NFFD 2018 in Auckland, Christchurch, Dunedin, Northland, Wellington
Meet the judges * share stories * celebrate the shortest form
Competition entry details here.