Author bio: Nina Powles studied English literature and Chinese at Victoria University, where she is now studying towards her MA in Creative Writing at the International Institute of Modern Letters. Her poetry and non-fiction has appeared in Salient, Turbine and Sweet Mammalian. Girls of the Drift (Seraph Press 2014) is her debut poetry collection. She will spend the upcoming year working on a new collection of biographical poems.
Author note: ‘Josephine’ is one of a pair of poems that I wrote in response to my favourite short story by Katherine Mansfield, ‘The Daughters of the Late Colonel’. The two sisters, Josephine and Constantia, have only ever known a life of duty and obedience to their father, until he dies, and then the world begins to open itself up to them in a series of small moments of colour and brightness. In my reading and writing, I always find myself thinking about people and places stuck in the in-between, caught in phases of transition. So I think I wanted this poem to sit on the verge of brightness. I wanted to crawl into the dark bedroom where Josephine feels trapped—and maybe start to show her the way out.
Note by Paula: I read this poem out of context, without linking it to Katherine Mansfield’s story, and I was struck by the luminous detail that sets the poem in marvellous shifting lights. The adjectives pulsate (‘the dark shell’). I love the jarring counterpoint of expectation and discovery in the opening lines. I love the way the beginning and end take hold of each other in that sticky, candied link. This is a poem of curvature and overlap. Time folds in on itself as it does like rock striking rock to produce a spark of elsewhere. So the marmalade leads you to the core of the poem and core of memory with its emotional kick. And the image of the hand (‘thin like spindly bones in a/ small purse’) with its little potent bite, again leads to small child and old father. Poems can reach you in small, perfectly formed packages such as this, and the joy is in the alluring rustle of tissue paper. This detail shining through here, that discovery shining through there. I use the word, ‘rustle,’ as this is a poem of sweetly composed music; there is the rustle of vowels and consonants that lifts beyond meaning, beyond feeling and then adds to each. I read Nina’s note after I wrote this and smiled at the notion of ‘small moments of brightness.’
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