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Poetry Shelf noticeboard: Pip Adam named as Victoria University of Wellington Writer in Residence

Detail from photo by Ebony Lamb

This is very good news indeed! Congratulations from Poetry Shelf.

Pip Adam named as University Writer in Residence

Acclaimed novelist Dr Pip Adam has been appointed the Te Herenga Waka—Victoria University of Wellington International Institute of Modern Letters (IIML) and Creative New Zealand Writer in Residence for 2021.

Celebrated for their formal daring and emotional rawness, Dr Adam’s books include a collection of stories Everything We Hoped For, and the novels I’m Working on a Building, The New Animals, and most recently Nothing to See.

Dr Adam gained an MA in Creative Writing with Distinction from the University in 2007, and a PhD in 2012, and she received the Acorn Foundation Fiction Prize at the 2018 Ockham New Zealand Book Awards. She was also the recipient of a 2012 Art Foundation New Generation award.

She is well-known nationally as a contributor to Jesse Mulligan’s show on Radio New Zealand, and as a creative writing teacher, book reviewer, and literary activist. Her popular podcast ‘Better Off Read’ features conversations with writers and artists.

While holding the residency, Dr Adam will work on a futuristic novel in which sound will be explored as a way of structuring the narrative.

Director of the International Institute of Modern Letters, Professor Damien Wilkins, says, “Pip is already a major novelist. Her planned writing project extends her imaginative reach further still and promises to be an exciting addition to the national literature. It will be terrific to have Pip at the IIML.”

Commenting on the appointment, Dr Adam says, “I feel ridiculously grateful, excited and, unusually for me, a bit lost for words. I am looking forward to spending next year working in a building where so much exciting other work is going on. Communities are really important to my work and I can’t wait to be among the varied folk of the IIML. It is so great to have some space and time to write my new book.”

Dr Adam takes up the residency at the IIML in February 2021.

Poetry Shelf noticeboard: Poetry at Christchurch’s WORD Festival

WORD 2020 in Christchurch is a celebration of writers, books, thinks, talkers, journalists in Aotearoa. Honestly I haven’t dared look at the programme until today because I didn’t want to jinx heading south to participate in this festival.

This is a WONDERFUL feast and I can’t wait to go! Yes you can feast on words! Banquet on stories. Long lunch on poetry. Smorgasbord on ideas.

Take poetry for example. There is such a glorious range of poetry events from book launches to readings to a stand-up poetry quiz.

Check out book launches by Mohamed Hassan, Fiona Farrell, Tusiata Avia, Bernadette Hall and John Newton

You can listen to Bill Manhire in conversation with John Campbell (Wow).

You can go to New Zealand Poet Laureate David Eggleton’s poetry picks: Cilla McQueen, Kay McKenzie Cooke, James Norcliffe, Owen Marshall and Bernadatte Hall.

You can go to the Poetry Slam Finals.

The Canterbury Poets’ Collective poetry performances.

Go to Ray Shipley’s Late Night Poetry Hour: Mohamed Hassan, Freya Daly Sadgrove, Dominic Hoey, essa may ranapiri and more

My Wild Honey session where I will be in conversation with Morrin Rout plus readings by Cilla McQueen, Bernadette Hall, Selina Tusitala Marsh, Tusiata Avia, Jess Fiebig, Freya Daly Sadgrove and Frankie McMillan.

PLUS I am doing an interactive Poetry Playground interactive session for children.

So many great things in this programme but I can highly recommend:

The astonishing Witi Ihimaera with sublime musician Kingsley Spargo (saw a version at GOING WEST and wow!!).

Elizabeth Knox talking about her supremely good read The Absolute Book.

Eileen Merriman discussing her breathtaking YA novels.

Five writers writing a letter to Katherine Mansfield.

A Ralph Hotere session that includes Bill Manhire and Cilla McQueen.

The GALA night that might be sold out now.

The great debate.

Adventurous women.

The arrival of Ko Aotearoa Tātou | We Are New Zealand

So many good things – and yes there are some clashes that will be tough on the day for me!

Congratulations WORD (esp Rachael King for designing this wide-roving programme). You can check out the WORD banquet here – do pop down to Christchurch for a long weekend and join us for an inspirational, heartwarming, mindfeeding occasion.

You can see the full programme here

Poetry Shelf noticeboard: Poet Laureate news

This is excellent news!

New Zealand’s poet laureate, David Eggleton, will get more time to write and perform after compromised his two-year tenure as laureate.

Te Puna Mātauranga o Aotearoa National Library of New Zealand has extended his term by an extra year to give Eggleton the ability to deliver live, on-site performances around the country.

“Due to the lockdown and social distancing requirements, we felt it only fair to offer Eggleton the opportunity of a third year,” Alexander Turnbull Library chief librarian Chris Szekely said.

While Eggleton’s “been delivering brilliantly through online channels… for someone who is known as an outstanding live-performance poet, it was particularly unfortunate that this aspect has been impacted by the pandemic,” Szekely said.

See more here at Stuff.

Poetry Shelf noticeboard: Vaughan Rapatahana reviews Wild Honey with small interview – plus a plug for WORD!

Full review here

Vaughan Rapatahana has just a posted a terrific feature on Wild Honey on Jacket2. I am usually doing the reviewing and posting so felt nervous being on the other end of the critique. Especially when I am in a cycle of terrible doubt about what I do and write, the state of the planet, the covid issues, the political game playing at home and abroad, about whether people read things any more. I wake in the night and worry about this.

I felt incredibly moved and restored by Vaughan’s engagement with the book – by his acknowledgement that this was an important arrival in view of a history of women poets in the shadows, by his considered attention. I send a bouquet of thankfulness.

I am reminded that books are an important part of who we are – and that we must do everything in our power to create them, publish and circulate them, review them, celebrate them, even challenge them if needed. Read and talk about them. Gift them!

This paragraph in particular moved me so much – there are people in the world building houses of knowledge, peace, forging multiple connective links:

I am immediately reminded of the work of Hirini Melbourne and his concept of whare whakairo, or a carved meeting house, whereby everything in and about this construction fits into and lends support, stability and splendour to every other component. The parallels are manifest. Granted that I am transposing women poets into his words, however Melbourne’s description of te whare whakairo rings out as so similar to Green’s own kaupapa in Wild Honey, namely, “The whare whakairo is … a place of shelter and peace. It is a place where knowledge is stored and transmitted and where the links with one’s past are made tangible … [it] is a complex image of the essential continuity between the past and present …” (Melbourne, 1991). 

I also answered a few questions for the feature, after a run of wakeful nights with world and local worry, so my self-filter wasn’t on – I was answering from that secret-self-core that is private and wakes in the dark to dream, worry, invent and somehow find the truth.

Last year I did Wild Honey events throughout Aotearoa where women came and read, and I have never experienced anything like it. Such a strong feeling as younger and older writers made connections, different kinds of voices were heard together. I felt like I was holding something enormous that I created but that it got bigger than me as so many women told me what the book meant to them. It was overwhelming and it was wonderful.

I am due to do a Wild Honey event at the Word festival in Christchurch with a stunning group of women poets and I can’t wait. Come and say hello!

Poetry Shelf noticeboard: submissions now open for Oscen

‘Or do they? Humanity seeks purpose. We seek order, truth, belonging. In times past, we looked to myths and gods in order to explain the world to ourselves and to understand why we should continue to endure. In Joseph Campbell’s words: It has always been the prime function of mythology and rite to supply the symbols that carry the human spirit forward. Myths and religion are often seen in the western world today as something that only irrational fools would believe in — we have now science, empiricism, the provable world. We cast off the narratives that hindered us. What more could be left? Yet we make new gods to fill their places even though we don’t label them as such. We look to ideologies and technologies and new narratives that are meant to hand down to us the irrevocable truth, meant to build for us strong social structures, meant to take us into the next era of greatness. There’s a tight feedback loop between the gods we believe in and the societies we create, writes Aaron Z. Lewis of his 2019 pantheon of gods, which is why we must take seriously the metaphors we believe by. 

So we want to know: what are the myths of today? How are they propelling us forward or holding us back? Have they changed from old, or is it that we’ve strayed from some true essence our ancestors knew? What purpose do they serve? What of the monsters, the supposed villains? Do they hold a clue in dismantling the binaries that our present narratives bind us to? What is the relationship between myth, reality, and subjectivity, and how do we tell? How do we retell? What are the personal stories that have saved you? What should the myths of tomorrow be? ‘

Full submission details for forthcoming issue of Oscen here

Poetry Shelf noticeboard: the launch of Ko Aotearoa Tātou/We Are New Zealand.

Otago University Press warmly invites you to celebrate the launch of Ko Aotearoa Tātou/We Are New Zealand.
This is a free event but requires registration, which can be done here


We apologise if this system has caused any distress. We have been advised there are now limited numbers of tickets available and sincerely hope you are able to secure a place at what promises to be a very special event.
When: Friday 30 October, 5pm to 6pm, followed by a reception from 6pm to 7pm
Where: TBS Space, Tūranga, 60 Cathedral Square, Christchurch

  • This free event is part of WORD Christchurch Spring Festival 2020. Registration is required