Poetry Shelf noticeboard: Eileen Merriman makes DANZ Children’s Book Award 2025 shortlist

DANZ Children’s Book Award 2025 shortlists announced

I am delighted to see Eileen Merriman makes the YA shortlist with her novel To Catch a Falling Star (Penguin, 2023). The book, with both nuance and complexity, navigates tough issues. Aged fifteen, Jamie Orange participates in school musical productions, is secretly in love, but faces persistent and crippling mental health challenges. The story and the characters are utterly moving. The novel is an unforgettable, thought-provoking read, so I am pleased to see it get this recognition.

In my Poetry Shelf review I wrote: “Ah. Triple ah. Quadruple ah. Catch a Falling Star is a sad, contemporary, thought-provoking, must-read story that revives you no matter how little sleep you have had! The word I take with me is hope, the image I hold is two teenagers bonding over books and coffee. Utterly riveting! Utterly humane.”

You can read my review here.

The Shortlist

The DANZ Children’s Book Award, launched for 2024, stands for The Diversity in Australia and Aotearoa New Zealand Children’s Book Award and has been created to recognise, award, and celebrate diverse children’s fiction. This means a children’s book published in Australia or New Zealand which pushes boundaries, challenges stereotypes, and celebrates diverse and marginalised people and communities.

Website here.

The 2025 shortlists for the Australian School Library Association (ASLA) DANZ (Diversity in Australia and Aotearoa New Zealand) Children’s Book Award have been announced.

Chosen from previously announced longlists, shortlisted titles in each category are:

Graphic novel

  • Ghost Book (Remy Lai, A&U Children’s)
  • Neverlanders (Tom Taylor & Jon Sommariva, Penguin)
  • The Sweetness Between Us (Sarah Winifred Searle, A&U Children’s)

Nonfiction

  • Looking After Country with Fire (Victor Steffensen, illus by Sandra Steffensen, HG Explore)
  • Our Mob (Taylor Hampton & Jacinta Daniher, illus by Seantelle Walsh, Ford Street)
  • The Trees (Victor Steffensen, illus by Sandra Steffensen, HG Explore)

Poetry

  • It’s the Sound of the Thing (Maxine Beneba Clarke, HGCP)
  • Pasifika Navigators (52 Pasifika student authors, Mila’s Books)

YA

  • Catch a Falling Star (Eileen Merriman, Penguin)
  • Inkflower (Suzy Zail, Walker)
  • Into the Mouth of the Wolf (Erin Gough, HGCP).

The winners will be announced at the ASLA conference in Geelong on 30 May.

Poetry Shelf Monday Poem: ‘Arietta’ by Cadence Chung

Arietta

Niamh lying in the sun on the grass and it’s all
a small-town café in my heart. I idle through
another lukewarm day like a conversation
with a new friend. People are in rooms far from me,
near to me. People are breathing in these rooms.
Their breathing like footsteps. Their footsteps like song.

Cadence Chung

Cadence Chung is a poet, composer, and singer currently in her Honours year at the New Zealand School of Music. Her nationally-bestselling chapbook anomalia was released in 2022 with Tender Press, and her anthology of young artists, Mythos, was released in 2024 with Wai-te-ata Press. Her next book, Mad Diva, will be released in April 2025 with Otago University Press. She also performs as a classical soloist, presents on RNZ Concert, and co-edits Symposia Magazine, a literary magazine for young New Zealanders.

Poetry Shelf: Michelle Elvy’s poem dispatch from the USA

Endurance

Fire

little paper dragon, poised on the shelf in the room painted
green, tucked in its cave below Struwwelpeter and Madeleine,
Janosch and Kipling, scuffed satin ballet shoes and chalk portraits
of boys long dead hanging on the wall

six neat squares of quilt sewn nearly a century ago, pinned above
the cedar chest, keeping leather baby shoes, curled with age, and
knitted bicycle sweaters: momentum  of childhood a thing
you can’t miss in this sunlit room     this dragon

made by small nimble hands, the precise folds shaping its wings,
lifting, spreading, waiting, its yang energy waking from winter, soaring
upwards, inviting change, its heat its power: the fire miraculous,
carried so gently in its little paper heart

Air

the scent        of blooming        things

hyacinth           sweet pea        peony      bursting on a day        we crave

good news,       wafting from gardens                along sunny streets       and the sweet

sweet aroma                 of magnolia      their pink hue              particularly assertive

in the Smithsonian        garden  the yin of them             needed

 

outside     this window         my mother’s creamy camelia         bouncing softly     

in the breeze       fruity fragrance             gliding in          oh how

a thing unseen              hops     a gentle ride       

rises   on            glossy    air

 

 

Water

on the radio, a young harpist, following
in the steps of Alice Coltrane and

    Margaret Bonds and Samuel Coleridge-Taylor
    playing muted tones of Troubled Water, sensing a long history

          of rivers and swamps, people moving slowly
          towards a more open world, the harpist growing up

              with African American spirituals, desires for liberty
              hidden behind metaphors, water a symbol of freedom

 

Earth

cherry trees  / spaced  / along wide city streets / announcing spring / in this urban metropolis / these trees, gifted in 1912 /  a token of friendship from Japan // our friendships delicate these days / taking energy and more / perhaps holding  despite / the odds against them // here, look / smaller trees sturdy and familiar / not as showy but fruitful / American holly, redbud, flowering dogwood / native to the eastern seaboard / trees in bloom / roots reaching / sustaining / year after year / softly minding / their own business / flowering and seeding, flowering and seeding  / the quiet understory that might endure

 

 

Michelle Elvy
31 March 2025

Michelle Elvy is a writer, editor and teacher of creative writing. Her books include the everrumble and the other side of better, she has edited numerous anthologies, including Te Moana o Reo | Ocean of Languages, edited with Vaughan Rapatahana (The Cuba Press), and the forthcoming Poto! Iti te kupu, nui te kōrero| Short! The big book of small stories, edited with Kiri Piahana-Wong (MUP).

Poetry Shelf Poem: ‘Gone, Girl’ by Ash Davida Jane

Gone, Girl

 

I want to lean in to uncynical joy
eat fruit when my mouth
craves fruit        I will let my body sleep
for as long as it needs      I will
have a cry         in the back room of Café Laz
go out the first warm day
after a cold snap           and remember
what it is to be careless
with my body heat
to not have to clutch at it

peel off the layers one by one    expose
the soft hairs at the nape of my neck
my mind half an orange       every drop of juice
squeezed from it           the good plant shop
down the road closed and another plant shop
moved in          I walk past it
on my way home          give a little wave
to the driver who lets me cross the street           
stuff newspaper in the toes of my boots
and hope they are dry by morning
when I drag myself from sleep         to a little cat
breathing fish breath on my face   
she’s checking that I haven’t
died in the night             if you believe
the videos on the internet

the world is my husband and I am
a good wife       I air out the sheets on
bright days       drink coffee on an empty stomach
until I feel real               or at least
more real than my baseline       think about
gone girling myself        and my main concern is
who will continue to feed the cat            I’ve never
even seen the movie                 I just live
in the world                   and now it’s inside me

Ash Davida Jane

Ash Davida Jane is a poet, editor and reviews from Te Whanganui-a-Tara. Their second book How to Live With Mammals (Te Herenga Waka University Press) won second prize in the 2021 Laurel Prize. They are a publisher at Tender Press and reviews co-editor at takahē.

Poety Shelf noticeboard: Starling 19 launch

The Open Book and Starling

201 Ponsonby Road, Auckland, New Zealand 1011

The Open Book is thrilled to welcome back Starling for the Issue 19 Tāmaki launch party at 3pm on Sunday 6 April!

We’ll be celebrating the new issue with readings from several of its authors – come along and join us in hearing new work from young Aotearoa authors, and have a browse of the Open Book shelves while you’re at it.

No ticket or entry fees needed, and we will have drinks and nibbles for you to enjoy. We look forward to seeing you there!

Poetry Shelf: Michelle Elvy’s poem dispatch from the USA

Driving to North Carolina

1.

We are driving to North Carolina, my mother and me.
We depart early, from our Maryland home; we are on
the move after weeks of staying put, a kind of fear and
anger deep in our bones, this dangerous energy

driving our sense of survival. I pull my coat close; it is
cold. But there are signs of spring everywhere: dots of  
snowdrops in my mother’s yard, their delicate milk buds
resilient, delighting year after year with their knowing,
their sense of coming.

For nearly six weeks I could not write a poem, frozen
in the atmosphere of this place, my molecules slowing
and arranging themselves into fixed positions, my solid
state a barricade against encroaching storms. A friend
said we write more when we are busy – she is right, I see.

We are driven to put our words on paper; sometimes it’s
a small thing, an observation, sometimes a problem to
examine or solve. We know, after stasis, the only thing
to do is to move ourselves, to thaw, to look for some
thing that gives, to find the light.

2.

In Winston-Salem, we sit in a concert hall at my
mother’s alma mater, hearing young musicians
bringing interpretations of Beethoven and Rocherolle
to the stage; we slow down and breathe the southern air,
quiet our senses and spend the day listening.

We visit with friends and family, a cousin I seldom
see even though we grew up knowing each other and
admiring the life the other had; we reminisce: tennis
and hot summer days and Steve Martin’s genius.

We go see her dad, my mother’s favourite cousin
(you can see why), and when we leave she gives me
a cookbook to bring home to New Zealand, recipes
from Durham, the town driven mad this time of year
with Blue Devil fans (us too, admittedly) and their quest
for the winning trophy, also the town where I was born.

3.

I love the trip south but I am stuck some days, still.
I cannot ignore the now of these headlines: a Columbian
couple who have called California home for 35 years
cuffed and deported; new executive orders demanding
proof of citizenship and social security eligibility.
A Black Sea deal agreed – but peace? No,

peace seems precarious, even implausible. And yesterday
war plans texted in a simple chat app, a grand-scale security
breach defended (can we really call this  ‘national intelligence’
anymore?). Meanwhile, Mahmoud Khalil sits 1000 miles
from anyone he knows, and grocery prices are driven up

and up and up, and the man in charge (the man US voters
put in charge?) says Europe is freeloading and pathetic,
says he’ll bully his way to Greenland and call it friendly,
says climate change will actually be beneficial, says –
well, you know, so why I am writing this?

4.

Today, I will check on the chairs at Maryland Hall
(a small installation started in Dunedin a year ago)
– two chairs in a room alone, nothing more, facing
each other, awaiting two people who may sit and
silently take in a moment together, a moment

of quiet, of reflection, a moment shared, a moment
those two strangers did not have the day before. Today,
I donate a small sum to Randell Cottage, a trust driving
to secure ongoing support for writers – I pause on the
word trust, this notion of comfort, this power of believing,

of having faith. Today, I open the pages of Naomi Klein’s
Doppelganger (you gotta read it, a trusted friend says).
Today, I wonder where my brother could be; I wait for
bad news and read good news sent by my daughter.

I pause on the word good and thank goodness for
her goodness, her calm, her guarded optimism,
her quiet drive. Today, I will breathe through an hour
of yoga, stretch beyond my body’s bounds, look for
a kind of gentle space for change. I pause on the word

kind. I think of shelter, of lines by Craig Santos Perez,
his poem ‘A Sonnet at The Edge of the Reef’, his anguish,
his silence, that moment of despair but also perhaps
refuge, a gift for his young daughter. 

5.

On the trip north, through wide wet highways
of Carolina and Virginia, we can’t see
two cars in front of us, driving rain obscuring
our view.  It is cold and I pull my coat close.

After nine hours behind the wheel, we pull up
to the house and in my mother’s yard forsythia
on the incline has broken out, its colour brilliant
like the kōwhai that blooms in my Dunedin garden,
both blossoms yellow like fire and igniting

something like hope. I pause on the word hope,
something expectant, also related to trust. I think
this plant is kind. Forsythia: a protecting species,
clever like so many plants, driven by unsaid natural
laws to safeguard against everything, knowing how

to look forward, how to plan for eventual disaster,
their flowers becoming pendent in inclement weather,
guarding their wee capsules inside, tiny winged seeds
growing and preparing for what comes next, ready
to take flight.

Michelle Elvy
26 March 2025

Michelle Elvy is a writer, editor and teacher of creative writing. Her books include the everrumble and the other side of better, she has edited numerous anthologies, including Te Moana o Reo | Ocean of Languages, edited with Vaughan Rapatahana (The Cuba Press), and the forthcoming Poto! Iti te kupu, nui te kōrero| Short! The big book of small stories, edited with Kiri Piahana-Wong (MUP).