She’s a Killer, Kirsten McDougall, Victoria University Press, 2021
My late Sunday afternoon plug: Kirsten McDougall’s She’s a Killer is an astonishing book. Daring, wise, jagged, smooth. I finished it this afternoon and felt bereft. Fell asleep and then woke up discombobulated. That where am I? Who am I? What I am doing on this godforsaken planet kind of feeling. Every note in Kirsten’s novel (part eco-thriller but so much more) is pitch perfect. Every turn surprising. Every character sharp and faceted and memorable. Don’t go reading reviews that spend most of the time plot and outcome and ideas summarising. Go in fresh. Go in with senses open. It’s the perfect book to read in the time of Covid when we are experiencing all manner of societal splinters and spikes, challenges and catastrophes, goodness and hope. Elizabeth Knox said the book will make you laugh and weep. Yes. It also made me feel self-awkward and despairing, grief-struck. But more than anything, it made me feel utterly alive, and it’s a long time since a book has made me feel this. Maybe since Elizabeth’s equally tremendous The Absolute Book. Genius!
A kind friend gave me She’s a Killer (thank you!) so I’d like to return the favour and gift a copy to someone else. Nominate someone who would love a copy (yourself included).
Victoria University Press page
Kirsten McDougall’s previous novels are Tess (2017), longlisted for the Ockham NZ Book Awards, and shortlisted for the Ngaio Marsh Award, and The Invisible Rider (2012). Her stories and nonfiction have appeared in Landfall, Sport and Tell You What: Great New Zealand Non-fiction 2016, and her story ‘Walking Day’ won the 2021 Sunday Star-Times Short Story Competition. She was the recipient of the 2013 Creative New Zealand Louis Johnson New Writer’s Bursary, and a Michael King Writers Centre residency in 2019. She lives in Wellington.